The Great Wave at Kanagawa (from a Series of Thirty–Six Views of Mount Fuji), Edo period (1615–1868), ca. 1831–33. Katsushika Hokusai (Japanese, 1760–1849); Published by Eijudo. Polychrome ink and color on paper; 10 1/8 x 14 15/16 in. (25.7 x 37.9 cm) (Oban size). H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (JP1847). The Metropolitan Museum of Art. |
The tides steal the bones of the cities
Like feral dogs. This is how warming engages a civilization
Built on greed. Ambition fuels the cyclones that rove a landscape
Where the earth’s deep gases are fracked from their caves. Drones
Concentrate on brevity, the riskless killing. Fires rage
In the eucalyptus where no aluminum carapace can save us.
The earth shakes with grievous faults. A wave
Rises in a template of doom on the Japanese woodcut.
No place is immune.
In Mumbai, the boy thief says a bad life
Is still a life.
Joan Colby has published widely in journals such as Poetry, Atlanta Review, South Dakota Review, The Spoon River Poetry Review, New York Quarterly, the new renaissance, Grand Street, Epoch, and Prairie Schooner. Awards include two Illinois Arts Council Literary Awards, Rhino Poetry Award, the new renaissance Award for Poetry, and an Illinois Arts Council Fellowship in Literature. She was a finalist in the GSU Poetry Contest (2007), Nimrod International Pablo Neruda Prize (2009, 2012), and received honorable mentions in the North American Review's James Hearst Poetry Contest (2008, 2010). She is the editor of Illinois Racing News, and lives on a small horse farm in Northern Illinois. She has published 11 books including The Lonely Hearts Killers and How the Sky Begins to Fall (Spoon River Press), The Atrocity Book (Lynx House Press) and Dead Horses and Selected Poems from FutureCycle Press. Selected Poems received the 2013 FutureCycle Prize. Properties of Matter was published in spring of 2014 by Aldrich Press (Kelsay Books). Two chapbooks are forthcoming in 2014: Bittersweet (Main Street Rag Press) and Ah Clio (Kattywompus Press). Colby is also an associate editor of Kentucky Review and FutureCycle Press.