 |
| Pere Borrell del Caso’s most famous work, "Escaping Criticism" (1874), uses trompe l'oeil to blur the boundary between real and fictitious space. (Credit: Wikimedia Commons via BBC). |
after "Escaping Criticism"
Historians say it began in Pompeii,
with murals artfully deceiving the eye
into believing that beyond a wall lay
another room, or a garden and blue sky.
Dutch painters polished the ploy: a display
of totems owned by the powerful; often, a sly
reminder of death—the candle burned partway...
or there, at rest on the painted frame, a fly.
Pere Borrell del Caso’s barefoot boy will not stay
in his painting. Forget this gilt frame. Escape or die
trying. Enough posing. Why can’t he just play golf
or fillet a minion, parlay Kellyanne with her con of the day,
send Pence off to pray, pay somebody something to make it all go away?
Your pronunciation is fine: T***p lie, T***p lie, T***p lie.
Editor's Note:
David Thoreen teaches literature and writing at Assumption University in Worcester, Massachusetts. His poems have appeared in Natural Bridge, Slate, Seneca Review, New Letters, TheNewVerse.News, and elsewhere.
