WHAT DO WE DO NOW?

by Karen Marker

Awdah Hathaleen

An Israeli settler has shot and killed a well-known Palestinian activist whose work was featured in the Oscar-winning documentary “No Other Land,” according to witnesses, the latest deadly episode in the Israeli-occupied territory. The activist, Awdah Hathaleen, 31, was an English teacher from the southern West Bank village of Umm al-Khair. Footage he filmed was included in the documentary, which depicted the challenges Palestinians living in the territory face under Israeli rule. —The New York Times, July 29, 2025

An Israeli man whose sanctions were lifted by US President Donald Trump was seen firing a gun at the time of Hathaleen's killing, and has been arrested... It has emerged that Hathaleen was denied entry to the US just last month. He and his cousin were turned back at San Francisco International Airport despite having visas for a peace tour sponsored by faith groups. —WION, July 29, 2025

Let us paint murals
on our temple walls 
like Maxo Vanco did 
inside St. Nicholas Croatian 
Catholic Church in the 1930’s.

Let us make our Palestinian
Mother like Mary who looks 
like us holding a child
who looks like ours
but wasted from starving.
Let her eyes pierce
the hearts of those
who say this 
doesn’t really happen.

Let us paint murals
of all the mothers 
gathered in grief
around their beloved 
sons’ bodies, and the body
of our friend in the South 
Hebron Hills, six weeks ago 
turned back at the SF airport, 
a valid visa in hand, 
two days ago shot in the chest
by a settler in his village.

Let all the unbelievers
see the footage of the murderer
who has been repeatedly
pardoned for crimes. 

Let us paint the Angel of Justice.
Remember this is the time 
for breaking the silence.

Oakland, CA  poet Karen Marker is a social activist and retired school psychologist whose poetry has been published in numerous anthologies and journals including The MacGuffin, The Monterey Poetry Review, the Haight Ashbury Literary Journal, WordPeace, and Slant Poetry. It can also be found in the Kent State University May 4^th Special Collections and Archives. Her first poetry book Beneath the Blue Umbrella came out recently with Finishing Line Press and explores family mental illness, stigma and healing. 

THE MICKEY MURAL

by Mike Mesterton-Gibbons

Murals of cartoon characters including Mickey Mouse and Baloo from The Jungle Book painted on the walls of an asylum seeker reception centre to welcome children have been removed on the orders of the immigration minister, Robert Jenrick. The murals were painted over because he thought they were too welcoming and sent the wrong message. —The Guardian, July 7, 2023

The Immigration chief on Team UK 

Has ordered: Whitewash walls—kids shouldn't be

Encouraged to feel welcome here if they

Migrated in small boats across the sea.

In Dover, staff demurred at playing ball.

Cartoons of Mickey Mouse and bear Baloo—

Kind gestures in a mural on a wall—

Extended caring hands of friendship to

Young kids, alone. But now those pictures are 

Misguidedly effaced. What art will go

Up in their place? Cruella? Scar? Jafar? ...

Right minds must feel embarrassed, since they know

An action that's appalling and absurd

Lets Britain down—and no child is deterred.

Mike Mesterton-Gibbons is a Professor Emeritus at Florida State University who has returned to live in his native England. His acrostic sonnets have appeared in Autumn Sky Poetry Daily, Better Than Starbucks, the Creativity Webzine, Current Conservation, the Daily Mail, the Ekphrastic Review, Grand Little Things, Light, Lighten Up Online, The New Verse News, Oddball Magazine, Rat’s Ass Review, the Satirist, The Washington Post, and WestWard Quarterly.

TROMPE L'OEIL

by David Thoreen

Pere Borrell del Caso’s most famous work, "Escaping Criticism" (1874), uses trompe l'oeil to blur the boundary between real and fictitious space. (Credit: Wikimedia Commons via BBC).

after "Escaping Criticism"

Historians say it began in Pompeii,
with murals artfully deceiving the eye
into believing that beyond a wall lay
another room, or a garden and blue sky.

Dutch painters polished the ploy: a display
of totems owned by the powerful; often, a sly
reminder of death—the candle burned partway...
or there, at rest on the painted frame, a fly.

Pere Borrell del Caso’s barefoot boy will not stay
in his painting. Forget this gilt frame. Escape or die
trying. Enough posing. Why can’t he just play golf
or fillet a minion, parlay Kellyanne with her con of the day,
send Pence off to pray, pay somebody something to make it all go away?
Your pronunciation is fine:  T***p lie, T***p lie, T***p lie.


Editor's Note: 


David Thoreen teaches literature and writing at Assumption University in Worcester, Massachusetts.  His poems have appeared in Natural Bridge, Slate, Seneca Review, New Letters, TheNewVerse.News, and elsewhere.