by Indran Amirthanayagam
for Sara Cahill Marron
There is a time to mourn and a time
to review the cards and cast them
again on the table trusting God
to guide your hand, to say this pencil
you left with roses, chrysanthemums,
lilies, in a riot of passionate flowers
before the Supreme Court, will be
picked up by a girl after the period
of mourning, not to be conserved
in the Smithsonian's Museum
of American History, but to write
the story of a young lawyer come
to Washington to interpret laws
with grace, acuity and impartiality,
to the best of her ability, until
such time as their articulation
becomes almost unnecessary,
so ingrained they would become
in the social conscience of
Americans walking then freely.
Indran Amirthanayagam writes in English, Spanish, French, Portuguese and Haitian Creole. He has 19 poetry books, including The Migrant States (Hanging Loose Press, 2020) and Sur l'île nostalgique (L'Harmattan, 2020). In music, he recorded Rankont Dout. He edits The Beltway Poetry Quarterly, is a columnist for Haiti en Marche, won the Paterson Prize, and is a 2020 Foundation for the Contemporary Arts fellow.
