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Showing posts with label . composers. Show all posts
Showing posts with label . composers. Show all posts

Wednesday, August 19, 2020

MARLON RETIRES

by Anita Cabrera



Photo source:  Photo credit: Lucas Jackson/Reuters via The New York Times.


In uniform-approved black shoes
feet now less nimble, snug inside
compression socks, he brings
checks and bills, report cards and
acceptance notices. Stuffs in flyers,
voter registration forms, packages
small enough to fit, before trudging
ahead heavied with our secrets (a

Card from prison, lien or loan). A
habit or skill not to sweat or to
complain through heatwave days or
winter rains? Varicose veins and
senile terrier nips endured with
tempered grace. Each pause at
box or slot, obedience to route and
oath. Gives us time to ask about
his family, catch him up on ours.
For years I called him

Merlin before learning Marlon is
his name, as in Brando. The
months his child lay quiet in a
coma, he kept a steady measured
pace, balanced the envelope of
grief and duty. Both our temples
greyer now, he’s ready to go
out of circulation, fly first-

Class, get whisked away, back to
where he can rest his legs, just
in time, before all of
our mail piles up
undelivered.


Anita Cabrera is a poet, essayist and fiction writer whose work has appeared in The Berkeley Poetry Review, Brain, Child Magazine, Colere, Acentos Review, The New Guard, and other journals. Her work has been nominated for a Pushcart Award, and adapted and performed by the Word for Word Theater Group. Ms. Cabrera lives and teaches in San Francisco, CA where she is active in dance and recovery communities.

Monday, April 27, 2015

SING LIKE A PLANET

by Rose Mary Boehm





Our earth is humming.
Enormous, swirling loops of sound.
Very low key. Not for our ears.

The water churns against stone,
rocks move against rock. A potpourri
of vibrations--not concerned with the golden rules
of tonal phrasing--are echoed between mountains,
are bowled across oceans and penetrate tectonic plates.

Male humpback whales, the ‘inveterate composers’
of songs 'strikingly similar to human musical traditions’.
They sing only on calving grounds.
Very low key. Not for our ears.

We have organized sound and called it music.
Made it less daunting; ‘civilized’ what would otherwise
overwhelm. Millions of years of the planet's pulse
corseted into meter and tempo, pitch, melody,
harmony… an attempt to control our apprehensions.

Still, I turn my stereo to full volume. Vivaldi's concerto
for mandolin, strings and basso continuo
in C major will soon bring the neighbor
to my door complaining about that awful noise.


A German-born UK national, Rose Mary Boehm lives and works in Lima, Peru. Author of two novels and a poetry collection (TANGENTS) published in 2011 in the UK, her poems have appeared or are forthcoming in a good two dozen US poetry reviews as well as some print anthologies, and Diane Lockward’s The Crafty Poet. She won third price in in the 2009 Margaret Reid Poetry Contest for Traditional Verse (US), was semi-finalist in the Naugatuck poetry contest 2012/13 and has been a finalist in several GR contests, winning it in October 2014.