AMERICA’S PRECIPICE

by Laura Boatner

AI-generated graphic by NightCafé for The New Verse News.

It starts with one stone
      a chipping away, chiseling of sorts
      digging to China as my mother always         
      said                                        

In China it was pounded into sand
       and their people have known it
       for seven decades or so

Here, babbling brooks, once slick as silk
        have rough edges now etched
        into fifty pieces, maybe fifty-one

A carnival barker yelling;
        flushed face, eyebrows furrowed
        the color of honeydew, or more
        fluorescent than that
     
Stones and bricks in a road leading to Oz
        because this doesn’t feel quite real
        and the curtains are pulled back

Judges, legislators, 
           one at a time acquiescing 
           out of fear, reprisal
           is this really happening?
               to us of all people?
               right now?
               like we’re scarecrows or something?

In one-hundred days
               the rocks have become boulders
               on shoulders of complacency
 
David threw a rock at Goliath 
              hitting the target
              unlike we do at the strongman 

A mountain of stone
              penetrated upon and fissured
              and it’s on this precipice that 
              we now stand

Laura Boatner is a registered nurse by day and an aspiring writer by night.  She has been published in scholarly nursing journals, but finds it much more fun to write fiction.  She has been accepted into the MAPW program at Kennesaw State University in Fall 2025.  She lives in Atlanta, Georgia with her husband and her two rescue pups, Birdie and Pepper.

ON THE EVE OF A NEW ERA

by Lis Anna-Langston

AI-generated graphic by NightCafé for The New Verse News.

I am waiting for the sun to dip

low over the hilltops in an act of defiance.

I am waiting for our government
to rise up again and say,
Give me liberty or give me death.

I am waiting for the free flow moments
to carry me to the seas that bump against
the belly of Savannah

and I am waiting for the tenderness to return to the night.

I am waiting for the spies to reveal their secrets
and cast aside the masks they’ve
considered identity

waiting for the bells to toll,
announcing the coming of relevance

I am waiting for elementary particles
to create their own game show
challenging anti-matter to a bet.

I am waiting for the Aztecs to conquer the Spaniards
with wit, beguiling them with the crooked smile of Montezuma’s revenge.

I am waiting for the hot neutron glow
of the sun to illuminate our place in the Universe

and I am waiting for the Warlords
to cast off their weapons and disappear into the mist.

I am waiting for the ghost of Elvis
to return to the white house
in Tupelo, Mississippi where his Mama
is standing on the front porch calling for the shadow of him
to return
from the long lines of fans
waiting
at the gates of his grace land.

I am waiting for Thomas Jefferson to bow to the
kindred spirits in the streets of Philadelphia and
walk back to Carpenters Hall to call a meeting
regarding the state of delinquent bets with the Republic
and its people.

I am waiting for the catcher in the rye
to take the hand of John Lennon and pull him back to earth.

I am waiting for my grandmother
to return to this life
so I can tell her I miss her
and I am waiting for the mailman
to bring my new book of poetry.

I am waiting for art to express form,
not just feeling
like the gut of Picasso driven and seeming.

I am waiting for the unmarked grave
of Che Guevarra
to sprout one thousand wild flowers.

I am waiting for God to find the box of crayons
I sent him
special delivery
with the sharpener on the side.

I am waiting for Dorothy to wake up in Oz,
get out of bed
and do something about that pedaling witch
once and for all.

I am waiting for the Disciples to stop serving redemption at the last 
supper.

I am waiting for Truman Capote to stop drinking
and finish another novel
and waiting for the raven
to return weary
back to the door of Edgar’s dreary.

I am waiting for the Romans to take back the Empire
on a Sunday morning
while all the good heathens are praying.

And I am waiting as patiently as a kidnapping plot
hashed out over coffee
for the scavenger angels
to walk out of the alleyways
cloaked in darkness
dragging the age of enlightenment
with their dirty hands
to rise up and startle us
with utter abandon
again.

Hailed as “an author with a genuine flair for originality” by Midwest Book Review and “a lovable, engaging, original voice…” by Publishers Weekly, Lis Anna-Langston is the author of Skinny Dipping in a Dirty Pond, Gobbledy, Tupelo Honey, Maya Loop, Wild Asses of the Mojave Desert, and the short story collection Tolstoy & the Checkout Girl. Raised along the winding current of the Mississippi River on a steady diet of dog-eared books she attended a Creative and Performing Arts School from middle school until graduation, went on to study Literature at Webster University, Creative Writing through the Great Smokies Writing Program through the University of North Carolina at Asheville and recently graduated Magna Cum Laude in 2023. Her novels have won the NYC Big Book Award, Independent Press Awards, and dozens of other book awards. As writer and producer her films screened and won at film festivals around the world. A three-time Pushcart award nominee, her work has been published in dozens of literary journals including The Literary Review, Emerson Review, Hobart, Barely South Review, and Emrys Journal.

WEDNESDAY, NOVEMBER 4, 2020

by Susan Vespoli





Lines of voters came in throngs, moved swift
in crayon box of skin hues, multi-pack,
to sing and chant, hold hands, cause seismic shift—
a tidal wave to take their country back.

Predictions flopped, the race not close in least,
‘cause Gallup erred, forgot the massive group
who came to speak in global tongue of peace
to rid the world of meanness, fear, and dupe.

When all was tallied, good prevailed. Love won.
Red ball caps flew off heads like birds unchained
and clattered crimson into sky toward sun.
Then buckets fell from clouds: baptismal rain

like water dousing evil witch in Oz.
T***p melted, disappeared, like he never was.


Susan Vespoli writes poems, essays, and dreams about the disappearance of Trump. Her work has been published in spots such as Rattle, Nailed Magazine, MER, and Nasty Women Poets: An Unapologetic Anthology of Subversive Verse.

WATCH VS. WARNING

by Marjorie Maddox

                                                                                        “Female-named hurricanes kill more

                                                                                          than male hurricanes because people

                                                                                          don’t respect them, study finds.”

                                                                                                            —Jason Samenow, 
                                                                                                   Washington Post,  June 2, 2014

Surely the whirling of this world

into some wind-gone-wild transport to Oz-

    opposite names the same tree-thrashing terror

or should, a double-edged Saffir-Simpson scale

of nurture/nature of respect in respect to

whose wrath shakes our quaking spirit

more, which also is just breath gone haywire,

this life built in the lungs and expired

into air as turbulent as any cascading

into climate-crashing crescendo

off the coast of somewhere.

Dorothy/Don, this isn’t

Kansas anymore.

      Each day

               the breeze

                 and we

                       pick up

                       more

                         vio-

                        lent-

                  ly

                brok-

          en.

Director of Creative Writing and professor of English at Lock Haven University, Marjorie Maddox’s book,  Local News from Someplace Else (Wipf & Stock 2013), focuses on living in an unsafe world. In addition, she has a new ebook, Perpendicular As I ( Kindle version, Nook version, Kobo version).