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Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Showing posts with label Sarah Russell. Show all posts
Showing posts with label Sarah Russell. Show all posts

Wednesday, April 20, 2022

TAKING BACK MALA ROHAN

by Sarah Russell


 

The snow came silent, pure,
a quilt of feathered white
to cover wreckage of the war.

Few saw the snow’s allure—
just ordinary men who stayed to fight.
The snow came silent, pure.

This ragtag, patriot corps
were confident they’d stall Goliath’s might
despite the wreckage of this war.

Russian bodies dead, left unsecured.
Tanks smoldering, explosions in the night.
The snow came silent, pure.

Families, hid in cellars, reassured,
emerged again with trembling to the light
and saw the wreckage of the war.

Old Praskovia clutched her apron. She’d endured 
two wars, was broken by the sight.
The snow came silent, pure
to cover wreckage of the war.


Sarah Russell’s poetry and fiction have been published in Kentucky Review, Misfit Magazine, Rusty Truck, Third Wednesday, and many other journals and anthologies. She is a Pushcart Prize nominee. She has two poetry collections published by Kelsay Books, I lost summer somewhere and Today and Other Seasons.

Tuesday, September 06, 2016

ELEGY

by Sarah Russell




The first time,
a wasp's angry sting
is no big deal.

Then whoa!  I start to itch,
hives, welts even in my nose
and mouth, tongue swells,
I flail, gasp, lungs fill,
drowning.  Then

neitherherenorthere,
people waltz slow mo,
voices echo, fade.

It's been nice, I think.
Nice.

In Canada, EpiPens cost ten bucks
if you can get there before you die.


Sarah Russell has returned to poetry after a career teaching, writing and editing academic prose. Her poetry has appeared or is forthcoming in Kentucky Review, Red River Review, Misfit Magazine, TheNewVerse.News, and Shot Glass Journal, among others. Her poem “Denouement” won the Goodreads poetry contest.

Wednesday, August 17, 2016

TROPES

by Sarah Russell


Left: Four policemen in Rome cooked pasta for an elderly couple after their loneliness and television news caused them such distress they were overheard crying. —The Independent, August 8, 2016. Right: Mary Knowlton, 73, holds a fake blue training firearm prior to a Punta Gorda (FL) Citizen Police Academy role-playing exercise during which she was shot and killed by K-9 Officer Lee Coel. Punta Gorda Police Chief Tom Lewis said authorities were “unaware” that live ammunition was available during the exercise. Photo source: Sue Paquin/Charlotte Sun via Wink News, August 10, 2016.

      "'Sometimes the loneliness melts into tears...'
say the Rome police in a statement.”
The Independent, August 8, 2016.


Italian police still use metaphors in their reports.
In Ferguson, Baltimore, Chicago, guys with guns
(or not) scare the tropes out of cops, make voices
strident in the no man's land of barred windows,
triple locked doors.  A librarian in Punta Gorda
volunteers to play the law in a “shoot/don't shoot”
like on TV, but the bullets aren't a simile.  In Italy,
the police make old folks pasta with cheese and butter,
sustenance assuaging isolation.  In Punta Gorda
the trope gets tangled, like on the streets
in the allegory of black and white.


Sarah Russell has returned to poetry after a career teaching, writing and editing academic prose. Her poetry has appeared or is forthcoming in Kentucky Review, Red River Review, Misfit Magazine, The Houseboat, and Shot Glass Journal, among others. Her poem “Denouement” won the monthly Goodreads poetry contest.