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Showing posts with label auction. Show all posts
Showing posts with label auction. Show all posts

Thursday, December 12, 2024

A BANANA, A WANNABE OLIGARCH, AND A CONCEPT WALK INTO A BAR

by Tom Lagasse


A Chinese-born cryptocurrency entrepreneur has followed through on his promise to eat the banana from a $6.2m (£4.9m) artwork he bought last week. Justin Sun outbid six others to claim Maurizio Cattelan's infamous 2019 work Comedian - a banana duct-taped to a wall - at Sotheby's auction house in New York. He ate the fruit during a news conference in Hong Kong where he used the moment to draw parallels between the artwork and cryptocurrency. The banana is regularly replaced before exhibitions, with Mr Sun buying the right to display the installation along with a guide on how to replace the fruit. —BBC, November 29, 2024


The banana would have eventually rotted
like all organic things do.  He untaped it, 
unpeeled it and ate it because he owned it.  
Of course, the banana and tape were symbols 
for the concept behind the work of art, 
the way crypto is a concept for money.  
He could have stopped on his way to the auction 
and purchased one at the bodega for half a dollar 
and not six point two mil. With the excess, 
he could have fed a school district or a senior 
center.  He probably could have purchased 
a banana plantation and eaten one every day 
for life. It was never about hunger, the way
a cigar is not always a cigar. The idea was bought 
on behalf of capitalism, its ravenous appetite 
for eating everything in its path and repackaging it, 
before selling it to a hungry public and convincing them 
there is no climate crisis; Ukraine caused its own 
invasion; or the insurrection never was an attempt 
to overthrow democracy. It is no joke   
an oligarch in-waiting ate the banana from “Comedian.” 
For the wealthy, the hoi polloi is always the butt   
of the joke. The laughter comes at our expense. 


Tom Lagasse’s poetry has appeared in Orenaug Mountain Poetry Journal, The Silver Birch Press poetry series, Freshwater Literary Journal, The Eunoia Review, and in numerous anthologies. He was a 2024 Artist in Residence at the Edwin Way Teale House at Trail Wood. He lives in Bristol, CT. 

Thursday, January 31, 2019

YOUR OWN PERSONAL HITLER

by Alan Catlin


Pictured above is one of three watercolor paintings attributed to the former Nazi leader Adolf Hitler which were seized by shortly before they were due to go under the hammer on Thursday. “We received an online tip-off that the paintings are fakes,” Patricia Bremer, a police spokeswoman, told journalists. The watercolours had a reserve price of €4,000 (£3,450) each, and the Kloss auction house said interest was expected from collectors in the UK.“In my view they have no artistic value, it's simply adequate craftsmanship,” Hans-Joachim Maeder, a spokesman for the auction house said. “If you walk down the Seine and see 100 artists, 80 will be better than this. The value of these objects and the media interest is because of the name at the bottom.” —The Telegraph (UK), January 25, 2019


I thought I might have
dreamed a story I saw on
the eleven o’clock news
until I downloaded the
broadcast on line.

What I heard was,

An auction house in
Europe was selling
watercolors signed by
Hitler.

And while, the general thinking
was, these paintings had "no
artistic merit" whatsoever,
it was thought the signature
would be of major interest.

The auction house hoped
to make a lot of money for
the owners . . .

And I wondered:
Were they planning to advertise?

Possess your very own Hitler.

And if you owned a Hitler,
what would you do with it?

Hang it on a wall?

Store it under lock and key,
only showing it on special occasions . . .

And what would those occasions be?

Your own, personal Hitler.

Think about it.


Alan Catlin has published dozens of chapbooks and full length books, most recently the chapbook Three Farmers on the Way to a Dance (Presa Press), a series of ekphrastic poems responding to the work of German photographer August Sander who did portraits of Germans before, during, and after both World Wars.

Sunday, May 13, 2018

BIDDING ON PICASSO

by Alejandro Escudé


Pablo Picasso's "Fillette à la corbeille fleurie"
Credit: Courtesy Christie's via CNN.
Christie's sale of a Picasso nude for $115 million
kick-started what some experts have been
calling "the sale of the century"—over 1,000
works of art and fine objects from the
storied collection of the late David and Peggy
Rockefeller. On Tuesday night, the first of
three auctions in New York achieved
a total sale of $646 million for works
from the 19th and 20th centuries. —CNN, May 9, 2018
The girl stares out beyond
an audience of paddles;
she balances herself

on a rose-colored floor;
she weeps for the adults
bidding on her body, seeping
in and out of the walls.

Her hair, uncombed. Her face
reveals a fatherless expression,
and she clutches flowers
that cannot replace
her mother’s coldness.

How much for that basket?
How much for the red towel
one cannot see?

Her eyes, slits of woe,
do not open enough
to fully ever love again.

Bought, she hangs on an avenue
of shallow breaths, inside
a house within
a thousand houses.


Alejandro Escudé published his first full-length collection of poems My Earthbound Eye in September 2013. He holds a master’s degree in creative writing from UC Davis and teaches high school English. Originally from Argentina, Alejandro lives in Los Angeles with his wife and two children.

Tuesday, May 24, 2016

AMERICAN HISTORY

by George Held


Photograph: Joe Burbank/Orlando Sentinel/EPA via The Guardian.


              "I am honored and humbled to announce
the sale of an American firearm icon…"
--George Zimmerman


When George Zimmerman advertised
an auction for “a piece of American history,”
the gun he murdered Trayvon Martin with,
it didn’t take long for the bidding to soar
to 65 million dollars, since withdrawn.

The money, George said, would go to two
worthy causes: protecting peace officers
from the violence of Black Lives Matter
protestors and fighting Hillary Clinton’s
“anti-gun rhetoric.”

Like a magician’s wand, this gun will
“Open presto” not just the wallets
of fatuous rich collectors but also
the deep Pandora’s box of bigotry
and racial discrimination.

Poets have no tropes for dopes who
uphold the Second Amendment in order
to justify the right to shoot to kill
any “other” in a hoodie on a dark
Florida night

And they have no tropes for hope that when
President Obama flies the White House
coop he’ll leave the legacy of a post-racial
society, for America is more racialist
than ever.

It turns out that George Zimmerman,
who’s been unemployable since his
acquittal, has accepted a bid of $138,000
for his piece, enough to keep him in beer
and skittles for a few years.


George Held, a frequent contributor to TheNewVerse.News, has a new poetry collection Bleak Splendor (Muddy River Books, 2016).

Sunday, May 01, 2016

BILL OF GOODS

by Jill Crainshaw

Donald Trump was asked about his favorite Bible verse in a Thursday radio interview, and he responded by citing an Old Testament law that Jesus specifically repudiated. In the interview on news radio WHAM-1180 in Rochester, New York, host Bob Lonsberry asked Mr. Trump whether there was "a favorite Bible verse or Bible story that has informed your thinking or your character through life, sir?" Mr. Trump responded with a Mosaic law rule an "eye for an eye," mentioned in several books, most prominently Exodus 21 . . . Unfortunately, an "eye for an eye" is one of the few Mosaic Law verses that Jesus singled out in the Sermon on the Mount as overcome, by the New Covenant that His death and resurrection would seal. "You have heard that it hath been said, An eye for an eye, and a tooth for a tooth. But I say to you not to resist evil: but if one strike thee on thy right cheek, turn to him also the other," Jesus says in the famous sermon Matthew 5. —RawStory, April 14, 2016. PHOTO: A billboard cartoon of Donald Trump being promoted by The Community of Saint Luke church in Auckland, New Zealand. CREDIT: The Community of Saint Luke via The Christian Post.


“What am I bidden, good folks,” he cried.
“Who’ll start bidding for me?”
That’s the pitch
perfect (if we believe perceptions of perfection’s
promiscuous promise)
prophetic
perhaps
poetic.
“Do I have a deal for you!”
Rhetoric reiterated until routinized
galvanized
disguised
“sharpened to a single atom” to slice,
dice,
overprice
what’s selling today
stolen tomorrow
sold again the next day.
“An eye for an eye.”
“Who’ll make it two?”
The feverish double-edged sword flashes
blinding glint
binds unsuspecting hearts and minds on
the auction block. Never
mind the cost. “Sold to the highest bidder.”


Jill Crainshaw is a professor at Wake Forest University School of Divinity. Her poems have appeared in *82 Review and Five Magazine and in an anthology by Wicwas Press.

Saturday, October 24, 2015

DISCOVERED TINTYPE OF BILLY THE KID AND THE REGULATORS

by Alejandro Escudé





The photograph is startling because of the humans
who pose in it; they are not from a time with cell phones
because the tall bare tree in the background
isn’t frightened of them, the hills do not appear
scorched by a radioactive sun, and even though
these are gunslingers, in the picture no one has a gun.
Sepia, holy sepia, on horseback the supposed newlyweds
unsmiling, the dirt road running along the wooden house
and the croquet mallet at his side, William, the Kid,
worshipped by some as if he were a god, an American god
striking the croquet ball under a hoop, from good to bad.
The auctioneers need Billy to stay the Billy of the darker tintype,
the pose defiant, shotgun at the ready, the wry expression
of a wise and wistful youth: you can take my picture,
but you will never take my soul. We may never know the truth,
yet we marvel at the photo, sense the unfettered breezes
that blew over the rolling hills, stroll in the orchard
above the safe house, Lincoln County, New Mexico, on that day,
the Kid wearing a red sweater, his face half-melding
with the stock of cowboy lore—so evenly spaced each ancestor,
the women, the kids, the photographer distanced enough
to halt the jittery horse of time for twelve seconds.


Alejandro Escudé published his first full-length collection of poems, My Earthbound Eye, in September 2013. He holds a master’s degree in creative writing from UC Davis and teaches high school English. Originally from Argentina, Alejandro lives in Los Angeles with his wife and two children.

Sunday, October 11, 2015

LAST LUNCH MENU

by Rosemerry Wahtola Trommer



An original menu from the last first-class lunch served aboard the ill-fated Titanic has sold for $88,000 to a private collector at an online auction. —CNN, October 2, 2015


For the last lunch on the Titanic,
the kitchen served corned beef and dumplings.
We know because one of the men
who was saved in a lifeboat
kept his menu with him,
and over a hundred years later
someone bought the old scrap of paper
for eighty-eight thousand bucks.

My friends, just in case I die tonight,
and just in case it’s a dramatic,
exciting death, I want you to know
that for lunch I had Lay’s potato chips
and a Caribbean Spice smoothie
with protein powder. I didn’t
save the menu, I know, what a bummer.
But it’s written in chalk on the wall
at Heidi’s Brooklyn Deli, and if you take
a picture, well, somewhere down the centuries
it might just make a fortune for your kids.

Unlike that lucky survivor, I don’t happen to have
a Turkish bath ticket I can send you.
Too bad. I would have loved one today.
But perhaps at auction
you can make a few extra bucks
if you throw in the knowledge
that the sunflowers were in full bloom,
and the cottonwood trees were golden,
though it was already October 3.

The whole sale would be more profitable
if only I were more famous. Sorry.
Oh yes. Two pickles. I nearly forgot to mention.
They throw them in free with the kids’ sandwiches,
but those pickles might be worth a lot to you.
I hope not many others will die in this disaster,
but know that I am aware as I write this
that there is a sweet danger brewing,
and there are no life boats.


Rosemerry Wahtola Trommer lives in Southwest Colorado. Her poems have appeared in O Magazine, on A Prairie Home Companion, in back alleys and on river rocks. One-word mantra: Adjust.