A WOMAN SO STRONG

by Diana Morley

The one with dyed blonde hair

decrees that in the new world order 

immigrants—but only those

of color—will be swept up,

removed from a land no longer free

the decree rubs my skin raw,

sets ice in my belly 

as my friend must now carry

her passport for officials 

stopping her for her brown skin 

this, after she’s known thinly veiled

correction, shunning and denial 

of equal treatment for routine behavior,

a woman so strong, she holds in pain

holds in fury, then digests it all

through mastered meditation.

Diana Morley publishes poetry online and in journals. She published Spreading Like Water (2019), a chapbook; Splashing (2020), a poetry collection; and Oregon’s Almeda Fire: From loss to renewal (2021), a documentary of photos and poems.

TRUE COLORS

by Julie Steiner

"Refugees Welcome" by Omar Ab Abdallat

A Haitian family's asylum case shows double standard at the border: It took three doctors, a small team of lawyers and multiple nonprofits on both sides of the border to get an exemption for a Haitian family seeking asylum in the United States… Border officials have routinely granted exemptions to Ukrainian nationals while subjecting asylum seekers from other countries to much more scrutiny. That included the Haitian family, who had to wait almost four months to get an exemption. Advocates said their case underscores just how arbitrary and unfair the country’s asylum system is right now. —KPBS, April 5, 2022

We’re opening our hearts and homes and wallets.

We’ve got donations piling up on pallets

for families in flight from bombs and bullets—

their frightened faces traumatized and pale. It’s

inspiring, seeing decency at work.

It’s proof the world’s not totally berzerk.

When strangers need our help, we never shirk

our duty. (If their faces aren’t too dark.)

Julie Steiner is a pseudonym in San Diego, California. Besides The New Verse News, the venues in which Julie's poetry has appeared include the Able Muse Review, Rattle, Light, and The Asses of Parnassus.

THE LAWMAN

by Alejandro Escudé

Caricature of former Arizona Sheriff Joe Arpaio by Lem Luminarias.

Arpaio sees a cage before the soul
of any brown-skinned man—

There is a god in every racist being,
chimeric fool, derogatory chant.

Arpaio sees a cage before the soul
of any brown-skinned man—

The mind molds prisoners, releases them as well,
fright detracts the willing and the fair.

Arpaio sees a cage before the soul
of any brown-skinned man—

The foreigner beneath a tarp of fear hides
from the sheriff hunting desolate lands.

Arpaio sees a cage before the soul
of any brown-skinned man—

More fascist general than lawman, stink
of Southwest sweat, sunglasses large and dim.

Arpaio sees a cage before the soul
of any brown-skinned man—

I spot the van along the American road,
a hot, disgruntled breeze, no court, and dry as death.

Arpaio sees a cage before the soul
of any brown-skinned man—

I speak, when helpless, in swallowed knives.
Nowhere to run from the people’s armored beast.

Arpaio sees a cage before the soul
of any brown-skinned man.


Alejandro Escudé published his first full-length collection of poems My Earthbound Eye in September 2013. He holds a master’s degree in creative writing from UC Davis and teaches high school English. Originally from Argentina, Alejandro lives in Los Angeles with his wife and two children.