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Showing posts with label curses. Show all posts
Showing posts with label curses. Show all posts

Wednesday, August 28, 2024

NOTHING

by Lynn White


ABC (Australia), August 27, 2024


In those streets

of men and boys,

in that country 

for men and boys,

she feels like a person with no face,

her face space covered,

her identity occupied

by a swirling mist of confusion

like nothingness being born.


Sometimes 

she wishes for a blank space

that she could fill herself

with a Magritte apple

or even a woman

even herself

un-blanked

and visible.


Now, in those streets

of men and boys,

in that country 

for men and boys,

she feels like a person with no voice,

Magritte’s apple is choking her,

muting her

so even in her home she whispers

her songs and curses.


Only in her head does she shout

that something will come of nothing,

that something must come of nothing.



Lynn White lives in north Wales. Her work is influenced by issues of social justice and events, places and people she has known or imagined. She is especially interested in exploring the boundaries of dream, fantasy and reality and writes hoping to find an audience for her musings. She was shortlisted in the Theatre Cloud 'War Poetry for Today' competition and has been nominated for a Pushcart Prize, Best of the Net and a Rhysling Award. Her poetry has appeared in many publications including: Apogee, Firewords, Peach Velvet, Light Journal, and So It Goes.

Wednesday, March 02, 2022

MY UKRAINIAN FAMILY

by Margaret D. Stetz




Sucking beer from bottles
shattering bottles in fists
punching drunk
strangling sober
seeing crucifixes as waste
of iron nails
better pried out and rammed into skulls
the Chernobility
of radioactive men—
torrents of blows
gales of curses
whipping winds
into a male-strom
pulverizing bodies
flattening weapons
sweeping clear
field city nation


Margaret D. Stetz, who is Ukrainian American, is the Mae and Robert Carter Professor of Women's Studies and Professor of Humanities at the University of Delaware. In the past year, her poems have appeared in journals such as Review Americana, Existere, Mono, A Plate of Pandemic, West Trestle Review, The Adriatic, and also in the Washington Post