MY KENNEDY CENTER (1982-2026)

by Robin Stevens Payes

Alvin Ailey Dancers * American Ballet Theatre * Beautiful * Book of Mormon * Cabaret * Cyrano de Bergerac * Dear Evan Hansen * Placido Domingo * Suzanne Farrell * Anthony Fauci * Renee Fleming * Ben Folds * Hair * Hamilton * Les Misérables * Long Day’s Journey Into Night * Millennium Stage * Moulin Rouge * National Symphony Orchestra * Noises Off * On Your Toes * Ragtime * REACH * Shear Madness * Side Show * You Can’t Take It with You 

I DREAMED A DREAM

the dance

the plays

the musicals

the orchestras

the opera

our brains on music

 

the costumes, the scenery, the makeup, the props, the audience  that lifts you when you’re down

the rising talent, since 1997, free at 5 p.m. on the Millennium Stage

Not a REACH: Revelations

Come to the Cabaret, 

old chum, in The 

Room Where It Happens

Hello, you’re gonna die someday!

You Can’t Take It with You, they say. The KENNEDY CENTER canceled before our eyes. 

Shear Madness!

OPENING SOON: the madcap whodunnit you will definitely want to miss: 

DEMOLITION ON THE POTOMAC 

Author’s note: Having lived in the DMV since 1982, the survival of this treasured cultural institution feels personal to me and my family. I hope we can keep alive—in person and in print—the tragedy of what is happening there. Noted in the poem are KenCen highlights our family has experienced over the years.

Robin Stevens Payes is a Pushcart Prize–nominated poet, storyteller, and cultural steward whose work braids ancestral memory, science, myth, and moral imagination. She is the author of the YA time-travel adventure series Edge of Yesterday and creator of [re]member the world, a multi-genre project retrieving and reweaving the silenced history of her grandmother’s flight from Ukraine’s Pale of Settlement. Her poetry has appeared in The New Verse News, Dawn Horizons, East Sea Bards, Maryland Bards Poetry Reviews, and Reflections. As the ancestor telling a new story so her grandchildren and theirs may thrive, she writes about memory—what is lost, what survives, and what we must carry forward—on her Substack, Releasing Memory.

THE ARCHITECTURE OF DEMOCRACY

by Jim Kelly

To replace a house,
it is ill-advised
to randomly weaken
the foundation.

To tamper with gas lines
while informed only
by ignorance.

To pull wires
without knowing
where they lead
or what they serve.

To rip out windows
and collapse
the hand-designed,
custom wooden frames.

To remove the roof
during rain
before the expensive,
antique floors
are protected.

To pull down walls
without understanding
how weight is distributed—
how each beam,
each brace,
each hidden support
helps hold up
the whole frame
of Democracy.

And some now shout:

“Damn the building codes.”
“Damn the building plans.”

As if survival itself
were an inconvenience.

As if restraint,
inspection,
and measured repair
were enemies
instead of protections.

Forgetting:
a reckless demolition
does not always end
with open sky.

Sometimes
it ends
with collapsed Democracy.

Jim Kelly is a California poet whose work explores democracy, race, and social justice. His poetry has appeared in Litro Magazine, Urban Pen Magazine, and Urban Poems.

DEMO

by Michel Steven Krug

Jeff Koterba / Cagle Cartoons

In the House

there’s treachery afoot.

 

A leader sandwiched by volleys

of red sensation

and

what formerly was known

as consensus.

 

And the price to be paid:

parliamentary

demo-

li-tion. 

 

I move that the Country

Avert economic infanticide

By installing cold showers

That spray the margins where

Passion plays like theatre 

To astound the outer rings.

Michel Steven Krug is a Minneapolis poet, fiction writer, former print journalist from the Johns Hopkins Writing Seminars and he litigates. His poems have appeared in Sierra Nevada Review, Jerry Jazz, Whistling Shade, St. Paul Almanac, Liquid Imagination, Blue Mountain Review, Portside, New Verse News, JMWW, Cagibi, Silver Blade, Crack the Spine, Dash, Mikrokosmos, North Dakota Quarterly, Eclectica, Writers Resist, Sheepshead, Mizmor Anthology, Poets Reading the News, Ginosko, Door Is A Jar, Raven's Perch, Main Street Rag and Brooklyn Review. His collection Jazz at the International Festival of Despair is scheduled for publication by Broadstone Books, in the spring, 2024.

NEVERMORE

by Susan McLean

Ah, distinctly I remember it was early in November
when the hearth-fire’s dying ember cast dark shadows on the floor.
As dry leaves went whirling, flying, suddenly I heard a sighing
as of someone softly crying, “Let me in! Unlock your door.”
Only this and nothing more.

Had she come again? I wondered.  As the storm clouds flashed and thundered,
in the throes of hope I blundered, flinging wide my chamber door.
But the vision I confronted was not her for whom I hunted.
Grief arrived and joy was blunted: through that doorway I deplore,
hope would enter nevermore.

Like a ghastly apparition on a grim and solemn mission,
an unnerving politician pushed his way into the room,
and I had the premonition that his access code to fission
soon would cause our demolition. Like a specter from the tomb,
in he came: the Trump of Doom.

Susan McLean is an English professor at Southwest Minnesota State University.  Her books of poetry are The Best Disguise and The Whetstone Misses the Knife.  She has also translated over 500 satirical poems of the Latin poet Martial, published as Selected Epigrams by the University of Wisconsin Press.  Her light verse has often appeared in Light and Lighten Up Online.