Today's News . . . Today's Poem
The New Verse News
presents politically progressive poetry on current events and topical issues.
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Thursday, November 09, 2023
WHITE FLAGS, WALKING SOUTH
Wednesday, March 01, 2023
A YEAR AFTER THE CARPENTER AND AN NPR JOURNALIST HUDDLE BESIDE A WOOD-BURNING FIRE IN LVIV
by Ellen Sazzman
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| Bohdan Kulik served in the Soviet military in the early 1980s in Moscow. He's done a bunch of odd jobs over the years since, he says, but in essence, he's a carpenter. He loves to make staircases. Photo by Ryan Kellman. —NPR, March 17, 2022 |
1
“My true love is building staircases,” the carpenter explains.
“You must understand the difficulties of crafting a staircase.
First the wood must be stained. Next...” The journalist
interrupts, asks if the carpenter is worried about the war.
The carpenter mans a checkpoint. Without a gun but with a crate
of Molotov cocktails. His job: to stop cars, look for saboteurs.
He pulls out his phone and shows videos of Russian destruction
farther east in Kharkiv and Mariupol.
The journalist asks again if the carpenter is worried.
The carpenter chops kindling, feeds the stove, puts a kettle on.
He offers coffee, says he’s 62, a pensioner. The carpenter repeats
the importance of what goes into making a staircase:
collecting accurate measurements, calculating the slope, installing
risers, treads, handrails. The carpenter pulls out his phone once more,
shares photos of staircases he has built. The journalist compliments
the staircases: “They’re beautiful, but about the war?”
2
After one year, a long nightmare, try to
imagine the beauty of staircases,
the smell of coffee, the warmth of a stove.
Not the blood of suffering. Not the bombing.
Not the decision to stay put
despite what staircases are made for—
scaling, leaving, fleeing
through fumes and smoke, through
a fine ash that still invades Lviv from the East
and shrouds all things with the salt
of a terrible weeping before a mute god.
Pray there is dust enough
to re-make wild birds and beasts,
to re-form woman and man, to re-plant.
Ellen Sazzman is a Pushcart-nominated poet whose work has been recently published in Peregrine, Delmarva Review, Another Chicago Magazine, PANK, Connecticut River Review, Ekphrastic Review, Sow’s Ear, Lilith, Moment, Common Ground, and CALYX, among others. Her collection The Shomer was selected as a finalist for the 2020 Blue Lynx Prize and a semifinalist for the 2020 Elixir Antivenom Award and the 2019 Codhill Press Poetry Award.
Thursday, June 25, 2015
THEIR FLEEING
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| “Nearly 60 million people have been driven from their homes by war and persecution, an unprecedented global exodus that has burdened fragile countries with waves of newcomers and littered deserts and seas with the bodies of those who died trying to reach safety.” —New York Times, June 18, 2015 |
Their fleeing
is from these times
mired in apocalyptic struggle
spread through and by power
coated with ancient enmities and beliefs
brought up to slaughter and stagnation.
Safely sequestered, we trace the ways to today,
tracking back through old empires
and all manner of community
to rest in those imaginary ages
ruled by honored sages who left us
with stories of Tang poet-governors gathered
round wine and evening composition,
calm in the certainty of their world
and accepted sureness
of suffering and death.
Yet even they flaunted rants
on injustice of their times,
satire buried in language
which led them to exile
in far provinces.
Robert Farmer is a retired forester who lives in Cleveland and occasionally publishes poems in small journals.

