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Showing posts with label kill. Show all posts
Showing posts with label kill. Show all posts

Sunday, March 30, 2025

LET’S REDEFINE POWER

by Melanie Choukas-Bradley




This cherry blossom
Fluttering down three days from now
Holds more power than a billy club
 
This daffodil trumpeting spring
Heralds the quickening glory
 
You can crush you can kill
But you can’t do this
Unfurl sweetly to the sun

 
Melanie Choukas-Bradley is wandering among the cherry blossoms in Washington, DC. She is the author of several nature books, including City of Trees, A Year in Rock Creek Park, and Wild Walking. Many of her poems have been featured in The New Verse News and Writing in a Woman’s Voice.

Saturday, February 22, 2025

THE SHINING CITY ON A HILL

by Rose Mary Boehm


AI-generated graphic by NightCafé for The New Verse News.


1
The dark shelter had low ceilings, smelled of damp and coal,
and the deafening blasts sent shards of glass and chunks
of walls across the street; we heard that friends had been buried
underneath their homes. The town smelled of rotting flesh.
 
There were those who resisted. They soon disappeared.
We learned to hold our tongues. Still, my brother and I (pssst)
listened to the AFN, The American Forces Network.
Chattanooga Choo choo.
 
It was May, the first green shoots promised a rich harvest,
and the GIs, who had parked their planes, jeeps, and tanks
on our fields, moved out, letting the Bolsheviks—as Mum called
those squat, goose-stepping men—move in.
Ochochornia, ‘Dark Eyes’.
 
They sung, they marched, they raped, they killed.
German girls drowned themselves in the river Elbe rather
than waiting to find out what the soldiers of the Red Army
were capable of.
 
2
We saw pictures of skeletal beings, eyes deep in dark
sockets, wearing striped ‘pyjamas’. We learned
what the Germans were capable of.
 
3
Our small family escaped from Stalin’s DDR
and learning Russian to learning English,
to nylon stockings and cigarettes from the PX stores.
To food in our schools, to that rich, brown,
wondrously melting-in-the-mouth thing
called chocolate… And we saw German girls
on the arms of well-fed soldiers
who walked with a swagger.
 
We learned that everything was better in America.
Films don’t lie. Everything was big in America: the houses,
the fridges, the cars, the plates heaped with food, the cows.
And they were free (so they said); the women were pretty
and wore deep-red lipstick, the men were handsome
and rich. And America was powerful and ruled the world.
Wherever they didn’t like something, they would
bomb the place and kill everyone to make peace.
We learned about it all in school.
And we believed.
 
America shone, and beckoned, seduced, and promised.
Now we could see it on TV, our newspapers were full of stories,
our friends would emigrate, sending long letters
full of tales of hardship and breathtaking achievement.
 
Temptress America, counterweight America, example
America, the American dream we all shared. Day-by-day,
week-by-week, month-by-month, year-by-year we began to comprehend
the fullness of your imperfections and your vulnerabilities.
Now here you are, shiny people without our experience of the worst
that humankind can do. You blindly stepped right into it.


Rose Mary Boehm is a German-born British national living and writing in Lima, Peru, and author of two novels as well as eight poetry collections. Her poetry has been published widely in mostly US poetry reviews (online and print). She was several times nominated for a Pushcart and Best of Net. Her eighth book, Life Stuff, has been published by Kelsay Books (November 2023). A new MS is in the works.

Thursday, January 23, 2025

TO PRESIDENT TRUMP WHO IS THROWING HIS WEIGHT BEHIND THE DEATH PENALTY

by CaLokie


Why

do we kill people 

who kill people

to show 

that killing people

is wrong


and why,

if we kill people 

who kill people

to show

that killing people 

is wrong

are we four times more likely 

to kill people 

who kill white people

to show 

that killing white people

is wrong

than we are people 

who kill black people 

to show

that killing black people

is wrong


and why,

if killing people who kill people

deter people 

from killing people

do countries

who kill people who kill people

to show 

that killing people is wrong

have more 

people who kill people

than countries who imprison 

people who kill people

to show that 

killing people is wrong


and why,

if we spend six times more 

to kill people 

who kill people

than we do when we 

imprison without parole people 

who kill people


and why,

if killing people who kill people

deter people 

from killing people

do countries

who kill people who kill people

to show 

that killing is wrong

have more 

people who kill people

than countries who imprison 

people who kill people

to show that 

killing is wrong


and why,

if our country has so many 

people who believe in God

and so glories in the cross 

on which 

Jesus was tortured

and killed 

but that cross was how  

Roman people tortured

and killed people 

who they believed had done 

something wrong 


and why,

if you can’t fight fire

with fire

and two wrongs

don’t make

a right


and though 

sometimes subsequent 

evidence shows 

the people executed 

for killing people 

did not kill the people 

for which they 

had been convicted 

and since we are 

not GOD

but people,


why

do we kill people 

who kill people

to show 

that killing people

is wrong?



Author’s note: This poem is not based on an old Barbra Streisand song but from a bumper sticker asking the question, “Why do we kill people who kill people to show that killing people is wrong?”



Editor’s note: The bumper sticker our poet recalls quotes a lyric from Holly Near’s 1980 song “Foolish Notion.”


 

Carl Stilwell (aka CaLokie) is a retired teacher who taught for over 30 years in the Los Angeles Unified school District and participated in UTLA’s teachers’ strikes in 1970 and 1989. He was born during the depression in Oklahoma and came to California in 1959 and has lived there ever since. His pen name was inspired by the Joads struggle for survival in The Grapes of Wrath and the songs and life of Woody Guthrie. He has poems published in Altadena Poetry Review, Blue Collar Review, Four Feather’s Press, Lummox, Pearl, Prism, Revolutionary Poets Brigade--Los Angeles, Rise Up, Sequoyah Cherokee River Journal, The Sparring Artists

Tuesday, December 17, 2024

TOO MANY / TO MANY

by Ron Riekki


Following a comprehensive investigation, the Justice Department announced today [December 12, 2024] that the Mount Vernon, New York, Police Department (MVPD) engages in a pattern or practice of conduct that deprives people of rights secured by the U.S. Constitution and federal law. Specifically, the Justice Department finds that MVPD:

  • Uses excessive force in numerous ways, including by unnecessarily escalating minor encounters and by overusing tasers and closed-fist strikes, particularly against individuals who have already been taken to the ground, are controlled by many officers or are already fully or partially restrained;
  • Conducted unlawful strip searches and body cavity searches of individuals until at least 2023; and
  • Makes arrests without probable cause.

Sometimes bodies kill bodies and bodies
haunt bodies and sometimes bodies taunt
bodies and sometimes bodies search bodies
and sometimes those bodies are bloody
from the hoods where they’re buried in
blindness and sometimes bodies are bottled
into incarceration-hungry systems and some-
times systems kill bodies and sometimes
bodies suffocate and sometimes bodies
aren’t bodies when they’re killed and
erased and sometimes bodies are innocent
and mostly bodies are innocent and always
bodies are innocent and sometimes systems
are guilty and sometimes systems are guilty
and sometimes systems are guilty and often
systems are guilty and this system is guilty.


Tuesday, April 30, 2024

WORLD CENTRAL KITCHEN

by Pamela Wax




The ants 
are marching 
single 
file, their annual 
exodus across 
faux-granite 
counters, up 
and down door
jambs, through 
the sea of scraps 
in my stainless
steel sink. I’ve 
been told to kill 
them, a stew 
of sugar and boric 
acid. A sweet, 
merciful death.
But I can’t. 
Not this year.
Especially not
this year. May all
who are hungry 
come. Eat.


Pamela Wax is the author of Walking the Labyrinth(Main Street Rag, 2022) and Starter Mothers (Finishing Line Press, 2023). Her poems have received a Best of the Net nomination and awards from Crosswinds, Paterson Literary Review, Poets’ Billow, Oberon, and the Robinson Jeffers Tor House. Other publications include Barrow Street, Tupelo Quarterly, The Massachusetts Review, Chautauqua, The MacGuffin, Nimrod, Solstice, Mudfish, Connecticut River Review, Valparaiso Poetry Review, and Slippery Elm. An ordained rabbi, Pam offers spirituality and poetry workshops online and around the country. She lives in the Northern Berkshires of Massachusetts.

Friday, March 01, 2024

A JEWISH WEDDING

by Jacqueline Coleman-Fried

Wild lilac orchids frame

a garden curled in jade

rainforest, where two ask,

How are we so lucky when the sons 

of Abraham are fighting?

The state built on ash 

in the desert kills to survive. 

A heel smashes a glass.



Jacqueline Coleman-Fried is a poet in Tuckahoe, NY. Her work has appeared in The New Verse News, Topical Poetry, Consequence, The Orchards Poetry Journal, and Sparks of Calliope.

Monday, October 16, 2023

AND IT SHALL COME TO PASS

a pantoum
by Kai Thigpen




i am not a weapon to be used

in the destruction of a people

 

for i was a stranger in the land

of egypt

 

even if my people sharpen themselves to steel points

or round themselves into bullets

 

thou shalt not murder

the destruction of a people

a choking silence

muffles rounds of bullets

 

thou shalt not use the name of 

 

genocide

 

in vain

 

a choking silence 

a temple destroyed again and again over so many centuries, so many times it’s all we can point to with our free hands while our other hands are soaked in blood from genocide

 

in the beginning

 

some of us have killed

some of us have been told

“you will not be safe if we do not kill”

 

 

a temple destroyed again and again over so many centuries, so many times it’s all we can point to with our free hands while our other hands are soaked in blood:

my people take the shards of the temple, of every country

we have been told to leave, of every house

in which we have needed to hide

and sharpen themselves to steel points

 

 

we have killed

 

therefore set these words 

upon your hearts and souls: i am not a weapon to be used

in the destruction of a people.



Kai Thigpen is a white, non-binary, Jewish poet and therapist serving primarily LGBT+ communities. They live on occupied Lenni Lenape land, in Philadelphia, with their partner and two fluffy cats. Kai's poetry chapbook, habitat, is available from Illuminated Press.