The New Verse News presents politically progressive poetry on current events and topical issues.
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Pluto and Charon. (Getty Images) “…researchers reported that in the early stages of formation Charon and Pluto came together and orbited as one, swapping some materials before separating. They call this cosmic dance a “kiss and capture” event…” —Yahoo! News, January 9, 2025
It was no secret Charon and Pluto
had an arranged marriage.
Neither knew the other
before the aunties agreed
stars and family were aligned.
Charon brought her dowry,
and with much ceremony
they were wed, the entire
Kuiper village at the nuptials
But, alas, it was a fraught marriage—
Pluto, unhappy, decided to undo
this union. Naturally, he decided
to keep the dowry brought by Charon,
those valuable diamonds,
that cache of ice.
Then, unfortunately, the divorce
was not agreed to, was discouraged,
by families on both sides. And so,
for eternity, these two unhappy beings
are together. And apart.
Both unhappy.
They had no children.
See Lavinia Kumar’s three food stories in Issue Five ofRuby Literary Press, The Monsoon Rain winning a 2024 Pushcart nomination.
Braver still if you will lift it. Make your fingers
delicate as chopsticks on a robin’s egg.
Don’t pitch it in the grass. Let it cling
to your wrist,
its legs’ gentle sharpness. You are just
another kind of tree, flesh-barked. It crawls
your arm, and that’s when you see its eyes of red,
such a red we could never manifest—
not the richest lips, not the sex in its engorged
glory. And its wings,
its wings when they unstick,
intricate as any dragonfly, yet you’ll never find them
enshrined in silver, glass, or amethyst.
Are you brave enough, now, to allow it
to approach your head? You have no xylem, no sap
for it to taste. Nothing
to dread. But would you kiss it?
Could you name it the most modest of angels,
if much disgraced? An angel must have wings,
but surely, it can wear any face.
Morrow Dowdle has poetry published in or forthcoming from New York Quarterly, Pedestal Magazine, Fatal Flaw, and Poetry South, among others. They have been nominated for the Pushcart and Best of the Net. They edit poetry for Sunspot Literary Journal and host “Weave & Spin,” a performance series featuring marginalized voices. A former physician assistant, they now work as a creative writing instructor for current and former prison inmates. They live in Hillsborough, NC.
They call it football because you can only use your feet.
Though sometimes you can also use your head, your chest, your legs.
But you can’t use your hands. And you can’t use your arms.
Those are the rules.
They call it a kiss on the mouth because it’s a kiss on the mouth.
You can only kiss the mouth of someone with whom you are intimate.
A lover. A spouse. Sometimes also family.
Use your head.
That’s the rule. In all countries and in all languages.
True, it is an unwritten rule, but that’s no excuse for breaking it.
And now that you’ve broken it, Luis, now that you’re flaunting it
and famously showing your contempt for it,
you can be sure the rule will get written down after this.
And though you probably won’t end up in jail, you just may end up
giving your name to this kind of unwanted kiss. Even without your consent.
Because that’s the rule with eponyms.
Paul Hostovsky's poems have won a Pushcart Prize, two Best of the Net Awards, the FutureCycle Poetry Book Prize, and have been featured on Poetry Daily, Verse Daily, The Writer's Almanac, and the Best American Poetry blog.
Yet I wonder if that night, as she closed the door
on the first day of her government
whether she held her breath and listened
for noises in the street?
Or did she simply kiss her children
good night
and toddle off to bed?
Annie Cowell is a former teacher who lives by the sea in Cyprus with her husband and rescue dogs. She is widely published in Popshot Quarterly, The Milk House, Paddler Press, and more. Her debut chapbook Birth Mote(s) is now available.
Though I could barely part my lips, numb
in a starry winter night, and our breaths
nearly froze before they could rise,
we breathed
faster. Inside your mouth it was safe and warm,
exploratory, we could taste, we could trust
the invitations handles, switches, faucets, keys.
So many years of kissing
easy as breath.
No lethal droplets in the air on my tongue
can you remember
when it felt like time was on our side?
Judy Rowe Michaels is a poet in the schools for the Geraldine R. Dodge Foundation and gives poetry workshops for teachers around the country. A member of the women's poetry critique and performance group Cool Women, she has published four poetry collections, including Reviewing the Skull (WordTech Editions), The Forest of Wild Hands (University Press of Florida), and a chapbook, Ghost Notes (Finishing Line Press) as well as three books on teaching writing. She has received residencies from Banff Centre for the Arts, Hedgebrook, and the MacDowell Colony. A six-time cancer patient, Michaels gives talks on ovarian cancer at NJ and NYC medical schools for the national program Survivors Teaching Students.