DOWN-SIDE-UP AND BACK-ASSWARDS

by Jennifer M Phillips

Bali's Tanah Lot temple being sucked down a sinkhole: AI-generated graphic by Shutterstock for The New Verse News.

Bali's Tanah Lot temple being sucked down a sinkhole: AI-generated graphic by Shutterstock for The New Verse News.

Jakarta (ANTARA) January 31, 2025 - Indonesia's special envoy for climate change and energy, Hashim Djojohadikusumo, said he considers the Paris Agreement no longer relevant for Indonesia following the US withdrawal from the deal. "If the United States does not want to comply with the international agreement, why should a country like Indonesia comply with it?" he asked at the ESG Sustainable Forum 2025 in Jakarta on Friday.

Today in the tabloids Indonesia is leaving Paris,
so many broken hearted occlusions
across the ways we fixed to meet.
Sports news has coined negative milestones.
I’m picturing
monuments earth sucks down like sinkholes
swallowing minivans. Drilling down
in our former refuge. Ignoring
acceleration
of ice-melt, diminishing aquifers, displaced bergs,
and this is just our warm-up act, witnessing
the double un-tundra.
Wondering if this might be the ending
of the beginning?

A much-published bi-national immigrant, gardener, Bonsai-grower, painter, Jennifer M Phillips has lived in five states, two countries, and now, with gratitude, in Wampanoag ancestral land on Cape Cod, Massachusetts. Her chapbooks: Sitting Safe In the Theatre of Electricity (i-blurb.com, 2020) and A Song of Ascents (Orchard Street Press, 2022), and Sailing To the Edges (Finishing Line Press, forthcoming 2025). Two of Phillips' poems were nominated for a Pushcart Prize. Her collection is Wrestling With the Angel (forthcoming, Wipf & Stock)

SOMETHING ABOUT NERO

by Lois Marie Harrod

Dave Whamond, Canada, PoliticalCartoons.com

Though writing poetry
often seems like fiddling
while Rome burns,

perhaps we should remember
violins were not invented
until the 15th century,

long after the Great Twiddler died.
Neither pencils or pens then,
nor ballpoints and computers

on which we’ve been fiddling
since confined long term
to our virtual prisons.

In fact  (it’s nice to have a fact)
if Nero played on anything at all,
it was on a cithara—

though Tacitus claims
Nero did not scrape the strings,
but warbled The Sack of Troy

in his best operatic voice
while Rome burned faster
than California.

Tacitus offers no eye-witnesses
to confirm his story, just as now
no known epics attest

how many times or in what situation
Nero referred to his legions as losers.
It is has been corroborated though

that this Nastiest of Emperors
used the land cleared by his fire
to build a Golden Palace

with surrounding Pleasure Gardens—
and that perhaps is worth noting
in a poem or two of toppled monuments.

Lois Marie Harrod’s latest collection Woman was published by Blue Lyra in February 2020. Her Nightmares of the Minor Poet appeared in June 2016 from Five Oaks; her chapbook And She Took the Heart appeared in January 2016; Fragments from the Biography of Nemesis (Cherry Grove Press) and the chapbook How Marlene Mae Longs for Truth (Dancing Girl Press) appeared in 2013. A Dodge poet, she is published in literary journals and online ezines from American Poetry Review to Zone 3. She teaches at the Evergreen Forum in Princeton and at The College of New Jersey.

CONDOLENCES ON THE PASSING OF YOUR CONFEDERATE MONUMENT

by MEH

Sunday night at Linn Park in downtown Birmingham, Alabama, a crowd took down the city of Birmingham's Confederate monument. Photo tweeted by Daniel Uhlfelder.

our deepest thoughts and prayers are with you
for the terrible loss you must be feeling. but
what was it doing in that part of town, so far away
from its own kind? didn’t it know, wasn’t it raised
better? (poor thing probably had a father in prison,
a mother on welfare, like so many of your people).
honestly though, it should have just followed the law,
not been out there on the street corner, glorifying thugs
of a bygone era (with all their violent music and chanting).
it’s un-American. it should have known its place,
known when to keep its mouth shut. but it wouldn’t stop
resisting. and I heard it had a weapon. it only got
what was coming to it. they had no choice, were only
doing their jobs. we should consider how they feel:
all lives matter. but it is a tragedy—no community
should watch a thing crushed to death like that while
children looked on. but the sad truth is it was well
past its prime and had an underlying health condition.

MEH is Matthew E. Henry, a multiple Pushcart and Best of the Net nominated poet. The author of Teaching While Black (Main Street Rag, 2020), his recent works are appearing or forthcoming in Baltimore Review, Bryant Literary Review, Massachusetts Review, Ploughshares, Poemeleon, The Radical Teacher, Rejection Lit, The Revolution (Relaunch), Solstice, and Spiritus. MEH is an educator who received his MFA from Seattle Pacific University, yet continued to spend money he didn’t have completing an MA in theology and a PhD in education.

THE MOURNING AFTER

by Nan Ottenritter

Detail of Kehinde Wiley's "Rumors of War"

Drive downtown, in the circles can be found
Stonewall Jackson, Arthur Ashe in Monument town.
Two hooves in the air mean the rider died in battle,
Others want their freedom, don’t make me no chattle.
The history society debunks the horse limbs lore
But slavery, Lost Causes leave generations sore
and hurting from a war and the endless chore
of teaching you, the victor, writing the stor-
ies, the history, the truth of our nation.

On the block in Shockoe Bottom, bound in chains
Or, cause cotton weren’t the only crop, sold down the James.
We scrawl on Jeff Davis Black Lives Matter.
At Robert E. Lee’s feet red paint is splattered.
Say his name. Lynch Trump. This is racist.
Your vote was a hate crime. The south ain’t no oasis.

Yet near Monument Avenue a black man rides,
Nike high tops astride a horse with one foot high.
Pony-tailed dreadlocks, rips in his jeans,
Wounded in the battle of his own life it seems.
Yet regard his hoodied shoulders, straight and proud.
Regard his youth, his gaze, his head unbowed.
Wiley brought him here to Arthur Ashe Boulevard.
The statue sits right here, in Richmond unmarred
the painful mourning after in our own backyard.

Nan Ottenritter lives in Richmond, VA and has driven by the confederate statues for years. Yet in February, 2019 the city council voted to change the name of the Boulevard to Arthur Ashe Boulevard. In December, 2019 Kehinde Wiley’s statue Rumors of War was installed in front of the Virginia Museum of Fine Arts. It stands in stark comparison to the statues on Monument Avenue. With both of these actions the author began to feel a little proud of what was once the capitol of the Confederacy.

DONALD J. T***P AND XI JINPING HAVE TEA OVER ZOOM

by Victor D. Infante  

Both linger at the mirror before a servant turns the computer on for them.
Appearances are everything in the Grand Guignol of nation states.
What's tardiness in the face of statistics? Numbers are balloon animals.
They can bend them into any shape they wish. To a point.

One is drinking Coca Cola from his teacup, sugar and toxins coursing his veins.
He has long forgotten ever quenching his thirst without metallic aftertaste.
In this, he is very much the embodiment of America.
The other has stopped taking honey in his tea.
Winnie the Pooh has claimed even this: An unfair comparison.
He is wearing pants. Let all the world know he is wearing pants.

There are no cameras, so neither talks of vaccines or death knells.
One has fortune, the other debt, and this propels the vacuous dance.
Nielsen ratings make a conversational cameo.
One explains it is a measure of value. The other knows this.
That's why he limits what is seen. Envy radiates across oceans.

One looks out the window at the bodies stacked across his lawn.
He wants to have them removed, but there's some inexplicable delay.
One decides to make a monument of charnel houses, frames carnage as a gift.
No one cautions against the idea: Indeed, it's all such men have ever given.

Victor D. Infante is the Entertainment Editor for the Worcester Telegram & Gazette, the content editor for Worcester Magazine, and the author of City of Insomnia from Write Bloody Publishing. His poems and stories have appeared in dozens of periodicals, including The Chiron Review, The Collagist, Barrelhouse, Pearl, Spillway, The Nervous Breakdown and Word Riot, as well as in anthologies such as Poetry Slam: The Competitive Art of Performance Poetry, Spoken Word Revolution Redux, The Last American Valentine: Poems to Seduce and Destroy, Aim For the Head: An Anthology of Zombie Poetry, The Incredible Sestina Anthology, and all three Murder Ink: Tales of New England Newsroom Crime anthologies. He has serious opinions about RuPaul's Drag Race.