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Showing posts with label Indonesia. Show all posts
Showing posts with label Indonesia. Show all posts

Saturday, August 30, 2025

ELEGY AS PROTEST

by Attar Topobroto


 

           for Affan Kurniawan 

 

Leaning on top of Monas’ golden flame, 

I piss over all of Jakarta. I am so high up 

that the trickle turns into precipitation: 

golden clouds carrying golden rain. 

This is what falls onto a mass of motorcyclists 

clad in green, like a carpet of moss drifting 

across the asphalt river of Sudirman street. 

Within them, sirens yelling in red and blue. 

The white car, now yellow, carries him home. 

Affan: chaste, modest, virtuous, pure. 

Affan: trapped in a crowd of bodies, run over. 

Affan: limp, pale, dead. 

Later, they will scrub his name from the history books. 

Children will watch sunlight play tricks 

on the pages, rearranging the letters into a man. 

Affan, what will your gravestone say? 

Besides God, who is most gracious and merciful. 

Besides how we have brought you here in our thousands. 

Besides how we have loved you as countrymen. 

The loam-balls thrown on your restful face 

sparkle under the yellow rain. 

When my father was in college, 

he pissed from Monas too, 

after his classmates fell like mannequins, 

full of bullet holes, like a pin cushion 

which has been poked too many times. 

Later, the students walked all over parliament 

like a child kicking an anthill. 

The day Suharto spoke the words of resignation: 

people in bars and campuses crowded TVs 

and hugged each other, laughed and cried. 

Generations of men in my family have pissed 

from the sky even before Monas was built. 

Affan: lily, banyan, person. 

Soon, a green blanket—of grass, of people— 

covers your body. Workers, rise from your slumber. 

Affan, when the yellow rain gives way, 

the blessed sunlight then shall stay. 



Attar Topobroto is a student at the University of Sydney. His poetry appears in 34 Orchard. He is currently working on his first book, an illustrated novella, with Gramedia, Indonesia’s leading publisher.

Tuesday, February 04, 2025

DOWN-SIDE-UP AND BACK-ASSWARDS

by Jennifer M Phillips


Bali's Tanah Lot temple being sucked down a sinkhole: AI-generated graphic by Shutterstock for The New Verse News.



Jakarta (ANTARA) January 31, 2025 - Indonesia's special envoy for climate change and energy, Hashim Djojohadikusumo, said he considers the Paris Agreement no longer relevant for Indonesia following the US withdrawal from the deal. "If the United States does not want to comply with the international agreement, why should a country like Indonesia comply with it?" he asked at the ESG Sustainable Forum 2025 in Jakarta on Friday.


Today in the tabloids Indonesia is leaving Paris,
so many broken hearted occlusions
across the ways we fixed to meet.
Sports news has coined negative milestones.
I’m picturing
monuments earth sucks down like sinkholes
swallowing minivans. Drilling down
in our former refuge. Ignoring
acceleration
of ice-melt, diminishing aquifers, displaced bergs,
and this is just our warm-up act, witnessing
the double un-tundra.
Wondering if this might be the ending
of the beginning?


A much-published bi-national immigrant, gardener, Bonsai-grower, painter, Jennifer M Phillips has lived in five states, two countries, and now, with gratitude, in Wampanoag ancestral land on Cape Cod, Massachusetts. Her chapbooks: Sitting Safe In the Theatre of Electricity (i-blurb.com, 2020) and A Song of Ascents (Orchard Street Press, 2022), and Sailing To the Edges (Finishing Line Press, forthcoming 2025). Two of Phillips' poems were nominated for a Pushcart Prize. Her collection is Wrestling With the Angel (forthcoming, Wipf & Stock)

Saturday, September 30, 2023

THE PUNAN BATU CLAN

by Diana Morley


Halfway up the mountain was a cavern as large as an amphitheater. The cave, which contained a dense concentration of swiftlet nests, is a sacred site for the Punan, who consider it the source of all things. Once inside, a man named Ma’ruf took a seat on the dirt floor. He was in his early 40s but appeared to be half that age, with swooped-over bangs and the youthful skin that comes from a life lived in the shade…. Ma’ruf began to hum, a deep and powerful vocalization that rose from his chest and echoed through the cave. Words took shape in a language only the elders understood. “I am like a porcupine who comes to the cave to rest,” he chanted, according to a translation of a recording of the chant made by Dr. Lansing. —“A Vanishing Nomadic Clan, With a Songlike Language All Their Own: New genetic research confirms the oral history of a small group of nomadic people living in Indonesia’s rainforest,” The New York Times, September 19, 2023



I am like a porcupine who comes to the cave to rest.
I am a benign soul grateful to be guest
seeking only the divine sleep of the blessed. 

Another day I may be gregarious, feel auspicious, 
forgetting the need to be scrupulous— 
but so worn I now risk becoming odious.

Easy to think reading about is knowing about
but pulling up from my core to bombinate,
to drone, as I can only in my dreams, 
thirsting to crawl into the cave to hold his hand. 

Half a world away, in awe of the sounds,
musical if not lyrical, plucking sounds
from belly, tuned from birth to the heart.

I am like a poet come today to words
from others in my family never met,
feeling the ken of their words, wanting 
to touch as if I knew how to feel by braille.


Diana Morley has published poetry online and in journals and in her poetry books. If she stopped writing, it would be the end. 

Saturday, April 15, 2023

THE NEW PANDEMIC

by Ralph Dranow


poster available at amazon


A new pandemic is sweeping the world.
Scientists speculate it started last month
with a six-year-old girl in Indonesia,
a precocious child,
who transmitted it to her parents,
who passed it on to others.
Now it's spreading throughout the country
and other places as well.
The virus surges through the bloodstream,
infiltrating the heart and third eye,
causing people to love one another.
Politicians, CEOs of corporations, and Republicans
are furiously working to contain the virus,
claiming it's bad for business,
suggesting people wear masks and social distance.

But it might be too late.
The virus is very powerful,
seeping through even the strongest mask,
dancing through the bloodstream,
like an ecstatic child.


Ralph Dranow works as an editor, ghostwriter, and writing coach. His poems and articles have been widely published.

Sunday, December 15, 2019

OLD STORY

by James Penha


Mythical Beings May Be Earliest Imaginative Cave Art by Humans: The paintings on an Indonesian island are at least 43,900 years old and depict humanoid figures with animal-like features in a hunting scene. —The New York Times, December 11, 2019. Photo: A humanoid with a bird-like head was among the eight therianthrope figures depicted in a cave painting on the island of Sulawesi. Credit: Ratno Sardi via The New York Times.


I know an anoa
when I see one
even in the oldest
story ever told
on cave walls
in Indonesia. But
the humanoids who
herd or hunt or
beseech the buffalo—
an anoa is a buffalo—
I do not recognize:
therianthropes,
they have beaks
and wiry tails;
they are lithe
for their age, for
forty-four thousand,
only now becoming
chips off the old
blocks of limestone,
a condition I share.


James Penha edits TheNewVerse.News from his home in Indonesia.

Tuesday, February 19, 2019

IN FRINGE

by James Penha





“The people of West Sumatra have a culture that can’t be separated from Islam. This has been the case since a long time ago. If the people and government here create a regulation that bans LGBT behavior because it’s not in line with tradition, then it’s not wrong nor is it a violation of human rights.” —Indonesia National Commission on Human Rights Chairman Ahmad Taufan Damanik, February 14, 2019


When human rights
ain’t right in its Head
of Human Rights who
writes off marginal runes

and the humans so cast

to religious rites of hate
and intolerance, a state
wrights a ship with tar
and feathers that sinks

of its own disaccord.


James Penha edits TheNewVerse.News.

Monday, October 08, 2018

FOR THE DARK

by Carol Alexander



A tsunami as high as 20 feet was triggered September 29 by a 7.5-magnitude earthquake and hit two cities and nearby settlements about 800 miles northeast of Jakarta, Indonesia. Here, a ship is wedged between buildings on a street in Wani, Sulewesi. Mast Irham/EPA-EFE/Shutterstock via The Washington Post, October 2, 2018


Dusk that is woven of sighs and a bomb of sparrows
shooting over the grass: a mild explosion before the thunder breaks.
For us the sighs, the birds, the thunder spin a little drama out of air,
while in the interval of eastern waves, a wall of ocean wipes out
even the shadow of the fisher hawks.  We glimpse the water,
hear cries tamped beneath thick mud in someone's cellphone video.

A group of women scream and disappear,  breath mingled with the wind.
So close to the edge, has this documentarian survived?

On the beaches they say lies anything, everything touching the human sphere.
Imagine tangled skeins of clothes, smashed up festival lights,
a wooden pipe sluiced of ash. Still bodies of the swimmers, beach strays,
amid the bamboo and pottery tiles. Bodies carried from the wreckage
either by the sea or living hands.  And as the rain comes down 9,000 miles away

we think of those frozen figures of Pompeii going about the quotidian
in their easy ignorance, and relic ourselves with open mouths upon this frieze.


Editor's Note: Global Giving, which funnels donations to local organizations, has raised $248,000 of its $1 million goal to help people in Sulawesi. The effort centers on emergency supplies such as "food, water, and medicine, in addition to longer-term recovery assistance to help residents." Global Giving has a 96 rating on Charity Navigator.


Carol Alexander is the author of the poetry collections Environments (Dos Madres Press, 2018) and Habitat Lost (Cave Moon Press). Her chapbook Bridal Veil Falls is published by Flutter Press. Alexander's poems appear in a variety of anthologies and journals, most recently Aurora Poetry, Belletrist, Bluestem, Cumberland River Review, Halfway Down the Stairs, One and Third Wednesday. She is a past contributor to TheNewVerse.News.

Friday, May 18, 2018

BLIGHT

by Katherine Smith




I was born for the same journey as the birds,
the poem about the poem, the pure lyric
of the ovenbird in the wood
calling for a mate to end its solitude
from the top of the American chestnut tree.
I learned to distinguish the American chestnut
from the oak chestnut by the serrated edge,
from the beech by the clasp at the hooked tip.
I learned to recognize my kind by its serrated song.

I step into the woods this morning,
chasing the ovenbird, stepping around a pile
of mating dung beetles. Pure lyric
was once mine. I woke this morning

to fungus on the radio: sixty Palestinians
shot at the border the day the embassy opened
in Jerusalem, the president’s Indonesian resort
paid for by China, and the Russian oil company sold
to Qataris to pay off the president for lifting sanctions.

Pure lyric was once my everyday speech.
The ovenbird calls in the tree canopy
of hickory and oak.
All winter I taught writing
to teenagers from Honduras
now scheduled for deportation.

I’m part of a vast experiment
like the Lego experiment
in which people are given Legos
and told to build, then watch
as their creations are destroyed
while their despair is measured
and recorded for eternity.

I fantasize about what I’d do
if an ICE officer came to the classroom door.
The sweeps never happen
where I can see them.
One by one my students—
Transito, Luis, Fernanda—
will be dropped off at the border
with their English composition skills,
their aspirations and their associates degrees.

Now it’s May and I’m mildly depressed.
Pure lyric hasn’t been my style for twenty years.
The ovenbird calls deliriously from the top
of the American Chestnut tree.


Katherine Smith’s publications include appearances in Poetry, Cincinnati Review, Missouri Review, Ploughshares, Southern Review and many other journals.  Her short fiction has appeared in Fiction International and Gargoyle. Her first book Argument by Design (Washington Writers’ Publishing House) appeared in 2003. Her second book of poems Woman Alone on the Mountain (Iris Press), appeared in 2014. She teaches at Montgomery College in Maryland.

Thursday, October 09, 2014

THE ANCIENT ART OF HANDS

by James Penha



Cave paintings on the Indonesian island of Sulawesi were found more than 50 years ago, but until now the dates of origin were not known. The art shown here has not been dated, but is stylistically similar to other art in the area now found to be around 40,000 years old. Photograph by Maxime Aubert, Griffith University, Australia via National Geographic, October 8, 2014


The hands of these islands
touch me
forty thousand times,
embrace me at lips of steaming calderas,
hold me aloft their seas,
guide me through deepest caves
with open palms ever daring
to paint
our place here.


James Penha edits The New Verse News. He has lived in Indonesia since 1992.

Sunday, June 01, 2014

PASSION SKY

by Martha Landman



This is the incredible moment when a huge volcano erupted in Indonesia sending ash spewing an estimated 12 miles into the sky. The powerful explosion took place at Mount Sangeang Api in the Lesser Sunda Islands - an area that plays host to 129 active volcanoes - and sent a distinctive spaceship-shaped ring of pyroclastic smoke high into the air.  The photographs were taken by professional photographer Sofyan Efendi during a commercial flight from Bali to the fishing town of Labuan Bajo in West Nusa Tenggara province. Scores of farmers who work but do not live on the island were ordered to leave and not return until the volcano has finished erupting, said Muhammad Hendrasto, head of Indonesia's National Volcanology Agency. There are not believed to have been any deaths or injuries as a result of the eruption. Authorities have had Mount Sangiang Api - which means 'Mountain of Spirits' in Balinese - on high alert for almost a year, he told China's Xinhua news agency.  The volcano sits in Indonesia's notorious 'Ring of Fire' - an area where a large number of earthquakes and volcanic eruptions occur in the basin of the Pacific Ocean. It has 452 volcanoes - 75 per cent of the world's total. --Daily Mail (UK), May 30, 2014


The sky is a passion tower
A vertical breath from the bosom of a fire God
Voluptuous love-plumes bellow like a death sentence
An inferno of justice

Where are the birds, the planes?
Entranced by elemental fury, farmers hover in the shade and
offer incense and a thousand goats to the gods
who enrich their soil

The sky is a love sculpture
Tangled clouds of fairy floss assault the atmosphere
Rivers flow in lava, arisen from the mountain floor —
Tomorrow’s saucers fly —
The sky is passion.


Martha Landman writes in North Queensland, Australia. Her most recent work has appeared in Jellyfish Whispers.

Tuesday, October 01, 2013

BOAT PEOPLE

by Martha Landman


Survivors from an asylum seeker boat that sank off Indonesia say the boat returned to land after it hit trouble in rough seas and sank only 50 metres from the shore. About 50 people are either missing or dead, 30 of them understood to be children . . . One survivor told ABC News he had lost his whole family because Australian rescuers did not come when they phoned a day before the sinking.--ABC News, September 29, 2013. Photo: A section of the boat's hull washed up on the south coast of west Java.


Crude boats navigate open waters
Their cathartic hope a controversy.
A curious myriad of destinations
crowd the dreams of young and old voyagers.
Why are we called boat people, mạ?

Wind and waves swirl higher than hopes
the angry South China Sea a perilous journey
hunger, thirst and disease unstoppable.
Stave off pirates searching for gold.
Why are we called boat people, mạ?

Children battle the wind against rusted rails
their pleasure-filled shrieks fly above the sea.
Torn sails whip at seabirds sweeping from high
not a morsel found on the sardine-packed deck.
Why are we called boat people, mạ?

No school, no chores who cares about poverty
brilliant beginnings await on foreign shores
human remnants won't refuse refuge.
Merry gale winds bluster at 47 knots to the future.
How exquisite to be boat people, mạ!

A luminous moon at the calm end of the storm
dog-tired, famished crew fall into listless sleep.
Bloodied hands and chapped lips a small price
for the merciful miracle of freedom in a new land.
For how much longer are we boat people, mạ?

A snapped mast appeases the heavens
to save the haggard wide-eyed stunted cargo
with unwashed faces and unbrushed teeth.
Cold, stiff bodies a weary tangle at disaster's edge.
We had enough of being boat people, mạ!



The rising sun confirms the arrival of land
timid excitement hovers in empty stomachs
new hope floats up from a broken hull in the
early morning breeze — to be the new kid.
Does anyone want boat people, mạ?


Martha Landman
writes in Tropical North Queensland, Australia. Her work has appeared in Every Day Poets, Eunoia Review, The Blue Hour Magazine, Poetry 24 and others.