QUID NO PRO

by Virginia Aronson

AI-generated graphic by NightCafé for The New Verse News.

The art of his deal
pay for play global
he gets the jet
he lets them get
bombed he shrugs
signs the agreement
changes and cancels
unceasing ceases
after public hoopla
after the rule of law
after the highest courts
more shaky trades, fines
brazen gifts and lawsuits
thrown out, mocked
taxes and wars forever
never true to his word
on anything deals
wives children sex lies
while the world suffers
the land in flames
the seas raging
the children dying
and he grins, shrugs
he's got his quid
and folks, look
there ain't no pro.

Virginia Aronson is the author of many published books. New poetry collections include Collateral Damage (Clare Songbirds Publishing), Whiskey Islandand Whiskey Straight Women (Cyberwit Press).

MALL MONUMENT TO A PRESIDENT

by Patrick G. Roland

AI-generated graphic by NightCafé for The New Verse News.

Maybe every other president was doing it wrong.
Hell, maybe I’m doing it all wrong. 

My four-year-old once told me
my tie looked like an elephant trunk with a cold,
so she swapped it for a toy mermaid’s tail,
and I got compliments—
even a high-five from my boss.

So, I turned to her again,
this time about the president’s tour of the Middle East.

In Saudi Arabia, he’s got luxury towers going up.
They gave him $600 billion for defense.
“Rapunzel had a tower for her hair, Daddy,
maybe he needs to protect his hair.”

In Qatar, it’s golf resorts and seaside villas.
They threw in $200 billion for Boeing,
and gave him a $300 million jet. 
“When I eat all my dinner,” she said,
“I get vanilla ice cream for dessert.”

In the UAE: a golf course, a skyscraper, and a crypto deal.
They pledged $1.4 trillion for U.S. tech.
“Krypto was Superman’s doggy friend.”

Don’t get me wrong, it smells like what I think
immoral would smell like—
if ethics had a scent.
My daughter can smell hardened Play-Doh
before she even opens the canister.

So I asked her if any of the deals 
smelled like an emolument.
She said mall monuments smell like pretzels.

“What am I doing wrong?” I asked.
You ask questions.

Patrick G. Roland is a writer and educator living with cystic fibrosis. He explores life’s experiences through poetry and storytelling, seeking to inspire others in the classroom and through writing. His work appears or is forthcoming in Hobart, Sacramento Literary Review, Maudlin House, Trampoline, and others.

AIR TRAFFIC CONTROL

by Kay White Drew

In this time of mad kings and sycophants
run amok, when suffering a(n orange) fool
feels like an everyday sucker punch,
it almost seems natural that men dripping
with petroleum wealth should g(r)ift
said fool with a solid gold airplane,
even as air traffic safety itself wears as thin
as a garment over-worn and over-washed—
its overworked, under-slept guardians picking up slack
for colleagues capriciously fired by clueless
boys and their billionaire boss—unsung heroes  
who must summon reserves of strength
and calm they no longer possess
and may never know again. 

Kay White Drew is a retired physician whose poems appear in various anthologies and internet outlets including The New Verse News. She’s also published short stories and several essays, one of which was nominated for a Pushcart Prize, and a memoir, Stress Test. She lives in Rockville, MD with her husband. Spending time in nature helps her stay sane in these difficult days.

SOME MEMORIES OF THE QATAR GAMES

by Sister Lou Ella Hickman, I.W.B.S.

A woman holds up sign reading Woman Life Freedom, prior to the World Cup group B soccer match between England and Iran at the Khalifa International Stadium in in Doha, Qatar, Nov. 21, 2022. (AP Photo/Alessandra Tarantino)

armbands 
hands covering mouths 
wales a flag 
a falling star 
silent voices for a national song 
(did you know the team and their families were threatened) 
silence for a dead lady 
signs for “Women, Life, Freedom”  
“no politics in sports” the cry
yet politiká in greece where sports also ruled 
a word for a network and affairs of the cities 
a small world if you will 
our world now 
in a game 
where the boundaries of freedom’s speech 
end and begin 
now  
who will speak for those who died building 

Sister Lou Ella has a master’s in theology from St. Mary’s University in San Antonio and is a former teacher and librarian. She is a certified spiritual director as well as a poet and writer.  Her poems have appeared in numerous magazines such as America, First Things, Emmanuel, Third Wednesday, and The New Verse News as well as in four anthologies: The Night’s Magician: Poems about the Moon, edited by Philip Kolin and Sue Brannan Walker, Down to the Dark River edited by Philip Kolin, Secrets edited by Sue Brannan Walker and After Shocks: The Poetry of Recovery for Life-Shattering Events edited by Tom Lombardo. She was nominated for the Pushcart Prize in 2017 and in 2020. Her first book of poetry entitled she: robed and wordless was published in 2015 (Press 53.) On May 11, 2021, five poems from her book which had been set to music by James Lee III were performed by the opera star Susanna Phillips, star clarinetist Anthony McGill, pianist Mayra Huang at the 92nd Street Y in New York City. The group of songs is entitled “Chavah’s Daughters Speak.”

BLIGHT

by Katherine Smith

I was born for the same journey as the birds,
the poem about the poem, the pure lyric
of the ovenbird in the wood
calling for a mate to end its solitude
from the top of the American chestnut tree.
I learned to distinguish the American chestnut
from the oak chestnut by the serrated edge,
from the beech by the clasp at the hooked tip.
I learned to recognize my kind by its serrated song.

I step into the woods this morning,
chasing the ovenbird, stepping around a pile
of mating dung beetles. Pure lyric
was once mine. I woke this morning

to fungus on the radio: sixty Palestinians
shot at the border the day the embassy opened
in Jerusalem, the president’s Indonesian resort
paid for by China, and the Russian oil company sold
to Qataris to pay off the president for lifting sanctions.

Pure lyric was once my everyday speech.
The ovenbird calls in the tree canopy
of hickory and oak.
All winter I taught writing
to teenagers from Honduras
now scheduled for deportation.

I’m part of a vast experiment
like the Lego experiment
in which people are given Legos
and told to build, then watch
as their creations are destroyed
while their despair is measured
and recorded for eternity.

I fantasize about what I’d do
if an ICE officer came to the classroom door.
The sweeps never happen
where I can see them.
One by one my students—
Transito, Luis, Fernanda—
will be dropped off at the border
with their English composition skills,
their aspirations and their associates degrees.

Now it’s May and I’m mildly depressed.
Pure lyric hasn’t been my style for twenty years.
The ovenbird calls deliriously from the top
of the American Chestnut tree.

Katherine Smith’s publications include appearances in Poetry, Cincinnati Review, Missouri Review, Ploughshares, Southern Review and many other journals.  Her short fiction has appeared in Fiction International and Gargoyle. Her first book Argument by Design (Washington Writers’ Publishing House) appeared in 2003. Her second book of poems Woman Alone on the Mountain (Iris Press), appeared in 2014. She teaches at Montgomery College in Maryland.