AN OLD MAN WORRIES ON FACETIME

by Jerry Krajnak

A ten-year-old who looks like a Renaissance cherub

proudly shows me his AK-47

(1,400 tiny Lego pieces)

as we Facetime, tells me he likes it

even more than this Glock he made last week.

I try to change the subject. School. Friends.

Boring, all boring. He shifts to a Roblox game

where the goal is to kill these scurrying little people

as quickly as you can. The more you kill,

the more play money you’re paid and can buy

better guns, become more efficient at killing

little people, earn even more money

and win the game and buy more guns for next time.

 

 

Jerry Krajnak gardens, writes poetry, and worries in his North Carolina cabin where he enjoys Facetiming with distant grandchildren. Usually. Recent poems appear in Autumn Sky Poetry, Rat’s Ass Review, The New Verse News, The Examined Life, Star 82 Review, and other journals.

BLIGHT

by Katherine Smith

I was born for the same journey as the birds,
the poem about the poem, the pure lyric
of the ovenbird in the wood
calling for a mate to end its solitude
from the top of the American chestnut tree.
I learned to distinguish the American chestnut
from the oak chestnut by the serrated edge,
from the beech by the clasp at the hooked tip.
I learned to recognize my kind by its serrated song.

I step into the woods this morning,
chasing the ovenbird, stepping around a pile
of mating dung beetles. Pure lyric
was once mine. I woke this morning

to fungus on the radio: sixty Palestinians
shot at the border the day the embassy opened
in Jerusalem, the president’s Indonesian resort
paid for by China, and the Russian oil company sold
to Qataris to pay off the president for lifting sanctions.

Pure lyric was once my everyday speech.
The ovenbird calls in the tree canopy
of hickory and oak.
All winter I taught writing
to teenagers from Honduras
now scheduled for deportation.

I’m part of a vast experiment
like the Lego experiment
in which people are given Legos
and told to build, then watch
as their creations are destroyed
while their despair is measured
and recorded for eternity.

I fantasize about what I’d do
if an ICE officer came to the classroom door.
The sweeps never happen
where I can see them.
One by one my students—
Transito, Luis, Fernanda—
will be dropped off at the border
with their English composition skills,
their aspirations and their associates degrees.

Now it’s May and I’m mildly depressed.
Pure lyric hasn’t been my style for twenty years.
The ovenbird calls deliriously from the top
of the American Chestnut tree.

Katherine Smith’s publications include appearances in Poetry, Cincinnati Review, Missouri Review, Ploughshares, Southern Review and many other journals.  Her short fiction has appeared in Fiction International and Gargoyle. Her first book Argument by Design (Washington Writers’ Publishing House) appeared in 2003. Her second book of poems Woman Alone on the Mountain (Iris Press), appeared in 2014. She teaches at Montgomery College in Maryland.

ODE TO THE AK-47

by Judith Terzi

                    after the obituary for Mikhail Kalashnikov, Los Angeles Times, 12-24-13


He was born hearty without
a heart in 1947, weighed eight
pounds but had few moving parts.
He screamed six hundred bursts
of fire blood that ricocheted
from his banana-shaped clip-crib
through jungles and steppes and
tunnels and flesh and now. He is
the Lego for child soldiers who
crave him, caress him with agile,
wide-eyed fingers. He is their
playmate; they deconstruct him,
then rebuild him for pleasure.
They drag him into sandboxes,
into the silt of rivers and creeks,
through grasses of marshes,
the grime of exile, crime of
hunger. Drug lords fondle him
during drive-bys and executions.
The chouchou of the Hutu,
Saddam, Bin Laden, the Afghan
mujahideen, he became a Russian
icon for creative genius. He is
the most lethal firearm in human
combat. Yet, with so few moving
parts, without a heart, he can be
bought for the cost of a live chicken.


Judith Terzi holds an M.A. in French Literature. Recent poetry has appeared or is forthcoming in a number of journals and anthologies including Forgetting Home: Poems about Alzheimer's (Barefoot Muse Press), Myrrh, Mothwing, Smoke: Erotic Poems (Tupelo Press), The Raintown Review, and Times They Were A-Changing: Women Remember the 60s & 70s (She Writes Press). Her fourth chapbook, Ghazal for a Chambermaid, was just published by Finishing Line.