WE WANT A PRESIDENT

a wish list

by Bonnie Proudfoot in collaboration with Betsy Mars

We want a president who moves in down the street, 
spends a week or two. Even if we live in Flint, NOLA,
Hindman, Gallop, Butte, or the Bronx.
 
Who stands at the feet of a chalk line 
around victims of gun violence and weeps 
with families, friends, neighbors of the slain.
 
Who Faces the Nation and Meets the Press, 
This Week and other weeks as well.
 
Who flies Southwest economy class, 
rides the F train, buys local, birdwatches,
who saves the spotted owl, the monarch butterfly
the spotted salamander and the gopher frog. 
 
Who celebrates the 4th of July with poetry.
 
Who protects women who want to bring babies
Into the world and defends women who don't,
stands up for anyone facing gender-based rage,
who nurtures babies and spends time with children, 
not to teach them how to grow up faster 
but to teach herself how to imagine more.
 
Who pays taxes, declares gifts, keeps promises,
learns other languages, uses them. 
 
Who opens the White House doors to heads of
non-profits and legal aid groups, to teachers, 
911 dispatchers, brain surgeons, rocket scientists, 
actors, musicians, dancers, artists, farmworkers, 
bridge builders, smoke jumpers, border guards, 
police, soldiers, not just to donors or glitterati
 
Who recycles the plastic she picks up 
on shorelines and riverbeds. Who puts
solar panels on the roof of the White House and
charges her EV fleet. Who walks or bikes.
 
Who calls out sulfur leaching through creeks, 
fish floating belly up in lakes and rivers, 
the scraped-off mountaintops of Appalachia 
and all abominations to earth in the name of profit
 
Whose compassion breaks us open. 
Whose gravity weighs on us. Whose hope
holds us steady. Who laughs her ample laugh
shakes her womanly hips, hoists her groceries 
in an NPR tote bag, asks too many questions, 
dreams bigger than we ever could.
 
Who sits with Native American elders, 
holds an ear to the earth 
and listens.
 
 
Betsy Mars is a prize-winning poet, a photographer, and assistant editor at Gyroscope Review. whose poems can be found in numerous online journals and print anthologies. She has two books, Alinea, and In the Muddle of the Night, co-written with Alan Walowitz. Betsy is currently and sporadically working on a full-length manuscript titled Rue Obscure.

 
Bonnie Proudfoot writes fiction, poetry, reviews, and essays. Her novel, Goshen Road (OU/ Swallow Press) received WCONA’s Book of the Year and was Longlisted for the 2021 PEN/ Hemingway. Her 2022 poetry chapbook, Household Gods, can be found on Sheila-Na-Gig editions, along with a forthcoming book of short stories, Camp Probable. Bonnie resides in Athens, Ohio.

NO TWO ALIKE

by Felicia Sanzari Chernesky

          for B.A.

 

In the night snow fell

upon the bittersweet

and lined the land from stone

to sleeping limb with hope.

 

The waking sky reveals

it’s hardly deep enough

to cover the frozen leaves

of grass, but having fallen

 

far and wide, traces

each intention—tire tracks

down a road, fox footprints

fading into the woods

 

dividing neighborhoods.

Despite these separate paths

the snowfall wakes me up

again to the bracing truth

 

that we are joined to one

another and this place,

fragile icy pieces

formed in community—

 

We robe ourselves in frost

yet thrive in unity.

Felicia Sanzari Chernesky is a longtime editor and picture book author who tracks life’s footprints with poetry as her lens. Her microfiction has been nominated for a 2021 Pushcart and Best of Microfiction. She lives with her family in Flemington, New Jersey

THE BURIAL OF THE DEAD

by Joan Colby

With apologies to T.S. Eliot

August is the deadliest month, breeding
400 shootings, 78 dead in the city, mixing
Memories of 20 years past, stirring
The dull ache of lodged bullets.
A ten-year-old boy covering
What he can’t forget with questions. Feeding
His small life. Have they found who shot me?
Summer brings the surprise of killings to Chicago,
A shower of ammunition. The colonnades
Of viaducts are not safe even in sunlight.
No one is protected drinking coffee or talking
In the language of their forefathers.
The children in any neighborhood
Are at risk. Bicycling, sledding,
They are frightened. Hold on tight. You can go down
In a single moment. No one here is free
Even if they read all night. Even in winter
The guns are clutched like branches to grow
In the stony rubbish of the hearts of these Sons of Man
Who only know a heap of broken images.
How bodies find no shelter. The sun beats
From the waterless shadows. The red rock
Of a fury that strides behind them,
That rises at evening to meet them.
A surge in violence. So far this year
2,800 shot and still four months to go.
I will show you fear in a handful of bullets.

Joan Colby has published widely in journals such as Poetry, Atlanta Review, South Dakota Review, The Spoon River Poetry Review, New York Quarterly, the new renaissance, Grand Street, Epoch, and Prairie Schooner. Awards include two Illinois Arts Council Literary Awards, Rhino Poetry Award, the new renaissance Award for Poetry, and an Illinois Arts Council Fellowship in Literature. She was a finalist in the GSU Poetry Contest (2007), Nimrod International Pablo Neruda Prize (2009, 2012), and received honorable mentions in the North American Review's James Hearst Poetry Contest (2008, 2010). She is the editor of Illinois Racing News, and lives on a small horse farm in Northern Illinois. She has published 11 books including The Lonely Hearts Killers and How the Sky Begins to Fall (Spoon River Press), The Atrocity Book (Lynx House Press) and Dead Horses and Selected Poems from FutureCycle Press. Selected Poems received the 2013 FutureCycle Prize.  Properties of Matter was published in spring of 2014 by Aldrich Press (Kelsay Books). Two chapbooks are forthcoming in 2014: Bittersweet (Main Street Rag Press) and Ah Clio (Kattywompus Press). Colby is also an associate editor of Kentucky Review and FutureCycle Press.