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The New Verse News
presents politically progressive poetry on current events and topical issues.
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Wednesday, November 06, 2024
THE RECKONING
ALT OR REALITY? INAUGURATION 2025
I enter uninvited
faceless
masked or maskless unseen
I hide under a chair facing backward
a metal prong pokes my back
dagger to my heart no less
2016 flies high in the sky
banners everywhere
too late now for pussy hats
dragon suits or chimera wings
you and you and you
triumphant
trumpet
aglow with glaze of your private galaxy
while we the countless uncounted
crouch
the nation visible
here where you do not look
or if you do
crush under your boots
as you rise we fall
the dawn no longer ours
not rock not river not tree
we the
hopeless,
dreamless
unseen.
Judy Trupin writes, thinks, and votes in Pittsburgh PA.
Tuesday, November 05, 2024
WE’LL TAKE CARE OF EACH OTHER
Everything is a little damaged now.
Even the things you buy new, like a book
or a chair. Long lines at the return counter.
The country is a little damaged too,
or maybe a lot. People’s ability
to speak honestly stunned by threat, even
churches preaching the gospel of force.
Best turn away from the gambling dens
of the pollsters, twist the radio knob
to cut off the loud voice in mid-sentence.
Walk down some quiet street in your town
that’s loved you. Trust the kindnesses received
and especially the kindnesses you’ve given.
That goodness can’t be voted out of your heart.
Thomas R. Smith’s recent books are a poetry collection Medicine Year (Paris Morning Publications) and a prose work Poetry on the Side of Nature: Writing the Nature Poem as an Act of Survival (Red Dragonfly Press). He lives in western Wisconsin near the Kinnickinnic River.
Monday, November 04, 2024
NOVEMBER 4, 2024
I feel like a shoelace someone keeps stumbling over—stupid, shoddy, unsafe.
Outside, it's gray. Of course.
Detroit will either come back or it won’t. We were almost there, but now I don't know. On Wednesday, people may be handing out guns on the street corner.
Yay, for the Second Amendment said no one who lived through MSU, Sandy Hook, Vegas, you name it.
Of course, many people didn’t live through MSU, Sandy Hook, Vegas, You Name It.
I guess they don’t count.
Many people will either count on Wednesday or they won’t.
I am setting up my pop-up outside the pot place—a prime location to take in all the shenanigans while maintaining a bland aspect.
I ate eight cookies yesterday, but later this week, I might best that.
Horrible Encounters with the Monsters in My Life is the name of the film playing 24/7 in the park.
The principals keep rotating.
We will either have patience for the alternating cast on Wednesday or not.
Let’s hope no one shoots the messenger.
My Irish ancestors lived in mud huts. Mud floors. I heard they were often lucky if they had one stool—just a log they’d sit on called a creepie.
Scooch your creepie up to the fire.
The Irish knew what it was like to live beneath the hand, squashed like so many crumbs and swept away.
Stomped on.
Will that be me on Wednesday?
I am watching Helen Mirren in Prime Suspect. It was filmed in 1991.
I don’t want to go back there.
There is a long list of people I can tolerate today, but maybe not on Wednesday.
Please don’t try this at home.
My dog will likely sleep through everything.
He is only safe because I care.
I guess that’s always the case.
Kelly Fordon’s latest short story collection I Have the Answer (Wayne State University Press, 2020) was chosen as a Midwest Book Award Finalist and an Eric Hoffer Finalist. Her 2016 Michigan Notable Book Garden for the Blind (WSUP) was an INDIEFAB Finalist, a Midwest Book Award Finalist, an Eric Hoffer Finalist, and an IPPY Awards Bronze Medalist. Her first full-length poetry collection Goodbye Toothless House (Kattywompus Press, 2019) was an Eyelands International Prize Finalist and an Eric Hoffer Finalist. It was later adapted into a play by Robin Martin and published in The Kenyon Review Online. Her new poetry collection What Trammels the Heart will be published by SFASUPress in 2025. She is the author of three award-winning poetry chapbooks and has received a Best of the Net Award and Pushcart Prize nominations in three different genres. She teaches at Springfed Arts in Detroit and online, where she runs a fiction podcast called Let’s Deconstruct a Story.
MESSENGER RNA
AI-generated graphic by Shutterstock for The New Verse News.
Vaccine doing its work
sent signals overriding
emotion, music, words,
hunger, desire—but only for
one day, that messenger.
Soon there would be sunset
with orange hues to mark
the hours that made up
a day of gratitude—
vaccine, then first-day voting—
two gifts! Will I recall
such joy? And will the volume
of voting be sufficient
to stop that other virus?
Claudia Gary teaches workshops on Villanelle, Sonnet, Meter, Poetry vs. Trauma, etc., at The Writer’s Center and privately, currently via Zoom. Author of Humor Me (2006) and chapbooks including Genetic Revisionism (2019), she is also a health/science writer, visual artist, composer of tonal songs and chamber music, and an advisory editor of New Verse Review. Her 2022 article on setting poems to music is online.
PRESIDENTIAL CAMPAIGNS
The talking heads are on rerun.
I feel a strong urge to mop the bathroom floor.
Things are far from perfect
and I am not sure
where the fix should start.
The ads have worked. The politics of fear grip me.
Clearly we are not who we were,
but I am not sure who or what we hope to be.
Wide awake I dream of raw power,
calculated intolerance and wrenching violence.
Surely things were easier
before technology wired the globe,
when the world was vast,
unknowable, exotic.
Wasn’t life once lived day to day
by gut instinct, luck of the draw
take it as it comes?
A parade of bogus claims
line the mantle of my mind cluttered
by endless campaign puffery.
Do I understand so much more now,
about truth, deception
and the fickleness of time?
Still, I yearn for order,
for comfort, truth,
for simple decency,
for the strength to bother
caring, the naivete to believe
a single political promise and
the grit to mop the bathroom floor
at midnight, clear my head,
THE HIGH SCHOOL BAND AT MADISON SQUARE GARDEN
Tonight!
Gigantic Rally
at Madison Square Garden
Our high school band
invited to play
Admission Free
We will march up Eighth Ave
in a ticker tape parade
President Eisenhower in person!
We will play “Hail to the Chief”
for real
Was I playing clarinet that year?
We will play in Madison Square Garden
as sure as
as sure as the Knicks
to entertain the crowd
Or was I playing glockenspiel?
2 The School Authorities and the Parents
We’ll let them go
even with the usual field trip worries
the bus could break down
a chaperon on the sauce
a kid throws up on the bus
or starts a fight
after overcoming the fear of partisanship
we will not worry about the bomb threat
phoned to the New York Daily News
an hour before the rally began
because we won’t know about it
Four years ago
we wandered wearily
in the darkness
of a drifting war
because there is no internet to scare us bloodless
yet
we wondered how long a government
could effectively lead the free world
when it no longer commanded
the pride of its own people
We have welcomed an effective attack on inflation
Even as he speaks
I have seen the face of our land
soil, rivers and forests
their richness and power conserved
and promises
to serve our national interest
to promote understanding in the world
to give new validity
to America’s role of leadership
in this world
they won’t remember anything he said.
3 Two days later
The letter from The White House
The letter copied for each band member
The words forgotten
The letter kept
Sunday, November 03, 2024
MOUNT PENN (SE ACABO)
PEEING IN ODESSA, TEXAS
call me “sir, I mean ma’am”
sometimes turn away quickly
sometimes snicker
sometimes look at the sign
on the bathroom door
are now weapons
that drill through
stall doors
and strip me for parts
desperate, I suppose,
to know the original
plumbing
is their bounty
the human need
to pee
Saturday, November 02, 2024
A TEAR FALLS FROM THE MOON
AI-generated graphic by Shutterstock for The New Verse News. |
Hideous weeds hide
in high grasses. Experts examine
lawns with satellites, surveil
with drones, send in spies.
Intelligent eyes can’t locate
the wild pests so tap-tap-tap
go the buttons and neighborhoods
are bombed and burned and stripped
bare and young lingering eyes of flowers
are cut off at the head.
I could ask a question of the wise
pale moon in the thick evening heat
but it’s dusted with debris.
A speaker echoes…
indiscriminately
inhumanity.
And I ask myself is this not a swarm
of bees in the making, generations
of hate stewing, a turn of minority
to majority, a dark legacy.
Richard L. Matta grew up in New York and now lives in San Diego. Some of his work is found in Ancient Paths, Dewdrop, San Pedro River Review, Third Wednesday, Slipstream, and many international haiku journals.