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Thursday, December 18, 2025

LIGHT

by Chris Reed




Flakes of snow glow orange like fireflies

over a winter field of bare and capped heads,

candles held high in the snow swept vigil.

Light gathers itself to the campus lamp,

lone glow behind a policeman’s head, 

his face like ours in shadow.

 

We connect light to morning and sight,

to warmth and touch, to seasons

of planting and harvest,

and in our winters, to what still returns

after the night, the storm, and the losses.

 

But light doesn’t care for our veneration.

Indifferent, it turns the glow back on us.

Red radiates off the side of a face at a window.

reflects the ambulance light in the night,

red hands holding back the drapes.

 

Flashes of gunfire on Bondi Beach

found celebrants honoring a festival

of light, light as healing and possibility,

as the connection and love that endures,

telling the story of an ancient flame.

 

I look up from my screen of news and photos

as light sends the shadow of a bird outside

my window, flying across my pale nubby rug. 

Sunlight paints the many leaves of the jade tree

and stretches along the floor to my feet.

 

Light remembers that in the beginning

it took on the job of radiance and promise,

and we took on the job of repairing

the vessels that we are, 

so that we might hold the light. 

 

In recent news photos, light is reserved,

embarrassed for us, 

embarrassed to have been the gold on snow,

the red glare on the cheek at the window,

the sun setting over a bloody beach,

— and asks — Can’t you do better than this?



Chris Reed has been writing poetry for five years. As a writer and a retired Unitarian minister she values the work of social justice and witnessing that is done through poetry. But admits she has sometimes had a difficult time reading news stories during this last year. And this is not a comment on her eyesight. Her first chapbook Two Years and Two Months was published last month by Finishing Line Press.