Guidelines



Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Showing posts with label Agnieszka Tworek. Show all posts
Showing posts with label Agnieszka Tworek. Show all posts

Thursday, April 28, 2022

THE RELICS OF MARIUPOL

by Agnieszka Tworek


A Reuters photo shows the building of a theatre destroyed in the course of Ukraine-Russia conflict in the southern port city of Mariupol, Ukraine on April 10, 2022.


grey butterflies of ashes
rise and fall on Mariupol
after each missile or bomb
is dropped
 
bridges and roads
to safety are gone,
no way in or out
 
many can’t pass
the threshold to the other
world because even Death
is overwhelmed in Mariupol
 
ghosts help wounded
soldiers reload their guns
 
the lacerated land
bleeds into the sea
shadowed by the enemy fleet
 
sirens lull children
to sleep and wake them up
 
what is for breakfast?                         
a spoonful of air
 
what’s to drink?
a cup of rain
 
what is a house?                     
fire and smoke
 
what is a school?                    
a gaping hole
 
what are the walls?                
your mother’s arms
 
the city landmarks endure
on maps stored
in survivors’ hearts
 
grey butterflies of ashes
rise and fall on Mariupol
at dawn, noon, and dusk
 
a woman covered in dust
presses her hands on the ground,
as if trying to resuscitate
her hometown
 
wailing and blood
are spilling out
from the underground
 
does anybody know? 
everyone knows
does anybody come? 
nobody comes
except for bullets, rockets,
and bombs.


Agnieszka Tworek was born and raised in Poland. Her poems have been published in Ploughshares, The Sun, Best American Poetry, The Southern Review, Rattle (Poets Respond), and in other journals.  She lives on Staten Island.  

Wednesday, April 13, 2022

ABEL ASKS HIS BROTHER WHAT CAME OVER HIM

by Bonnie Naradzay


CAIN ET ABEL (CAIN AND ABEL), 1960, an original color lithograph by Marc Chagall designed for and published by VERVE for the volume Dessins pour La Bible.


 

If I gave the best when I offered my sheep
while your harvest fell short of the mark,
why turn against me? There was still time–
 
Now my blood cries out from the ground
you have claimed as your own. You know
the land mine you rigged to me will explode.
 
Alas, the loaf of bread I’d held, this pool of blood.
How could you choose to bludgeon my cows,
to wreak your vengeance against them too?
 
We are brothers; yet you attacked my humanity,
dragged me with your arms. Let me feel the snow
fall across my face as I say goodbye to life.  


Bonnie Naradzay’s poems have appeared in AGNI, New Letters (Pushcart nomination), RHINO, Kenyon Review Online, Tampa Review, Florida Review Online, EPOCH, Pinch (Pushcart nomination), Potomac Review, and others. Her essay on friendship was published in 2020 in the anthology Deep Beauty. For many years she has convened poetry salons with homeless people and with residents of retirement communities in the Washington DC area.