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Showing posts with label Al Ortolani. Show all posts
Showing posts with label Al Ortolani. Show all posts

Sunday, June 21, 2026

THE DAY AFTER KC’S FIRST WORLD CUP GAME

by Al Ortolani




For a while at the farmer’s market

it was a happier America. People

were pleasant, shopping in the shade

under the awning. Multiple languages,

all shades of skin, Christians

and Jews and Muslims. Hindus

and Buddhists and Secular Humanists. 

I bought Hungarian paprika, local garlic,

Mennonite bread, a bouquet of flowers

for my wife from a woman 

who sold bok choi and radishes. 

For lunch there were vine ripened 

Arkansas tomatoes, chili peppers, 

and Mexican Coca Cola. I’m certain 

someone who had never 

watched soccer in their life 

went on and on about Messi’s Hat Trick.



Al Ortolani is a retired public school teacher in the Kansas City area. His poems have appeared widely. He learned the ins and outs of soccer by following his children and grandchildren through the magic of the sport, albeit often confused by the rules.

Saturday, October 25, 2025

WALKING THE DOG IN OCTOBER WITH POLICE SIRENS

by Al Ortolani


AI-generated video by NightCafé for The New Verse News.


See how the past is not finished

here in the present

                             —WS Merwin

 

Dog, it is not a good time to run off leash.

There is an air of crises behind the wind.

 

Masked agents rip a former student from her children.

She disappears into phone calls from Guatemala. 

 

The President dumps imaginary shit from a jet fighter

and calls it humor. Tonight, 

 

there are more questions than answers.

We listen to the sirens beyond the rooftops, 

 

behind the strip malls and blinking stop lights.

The oaks gasp in the change of seasons.

 

Some nights I imagine the leaves wailing

as they lose their grip and fall.



Al Ortolani, a winner of the Rattle Chapbook Prize, has been featured in the Writer’s Almanac, the American Life in Poetry, and Poetry Town. He’s a contributing editor to the Chiron Review. Recently, his poems have appeared in Rattle, The Midwest Quarterly, One Art, and the Pithead Chapel.

Sunday, June 22, 2025

EVERYWHERE FRACTURED BONE/IT SEEMS

by Al Ortolani




los angeles is in the air/a few

acres of protest within five hundred 

 

miles of city/stretched/tendons

in the streets/now

 

muscled by federal policy/bent 

to hyperextension/bone

 

in socket grinding: a home

for some/a charnel house

 

for others/this America 

not the America we learned

 

to love/the disruption/

the disunity/the distemper/

 

troops in riot gear/rubber bullets

a bicep flex/

 

the fist/well-knuckled

in the face of the weak:

 

this new scapegoat of migration

is shaken in our faces/blinding us

 

to the Samaritan within:

all the while/a sleight of hand

 

finger tipping through the

streets as planned



Al Ortolani, a winner of the Rattle Chapbook Prize, has been featured in Garrison Keillor’s Writer’s Almanac, Ted Kooser’s American Life in Poetry, and George Bilgere’s Poetry Town. He was the recipient of the Bill Hickok Humor Award from I-70 Review. He’s a contributing editor to the Chiron Review.

Saturday, March 29, 2025

YESTERDAY'S WREN

by Al Ortolani




My feet are cold. My financial
value is diminishing. I am baffled
by the future, except for my
demise, which is guaranteed
by the history of birds like me.
Birds who sing as if today
is forever, as if all we need is 
enough seed, a few twigs for
a nest, and the egg we share
with its speckled shell, protected
by Social Security, by Medicare,
by whatever we gave ourselves
yesterday when we planned for 
tomorrow, which is cracking today.
I am memorizing country codes
so I can use my phone to call for help.
Hello Portugal, this is an American 
wren speaking, can I rent a birdhouse? 
I am a Boomer. I won’t sing for long.


Al Ortolani, a winner of the Rattle Chapbook Prize, has been featured in Garrison Keillor’s Writer’s Almanac, Ted Kooser’s American Life in Poetry, and George Bilgere’s Poetry Town. He was the recipient of the Bill Hickok Humor Award from I-70 Review. He’s a contributing editor to the Chiron Review.