by Chris Reed
The deepening fall stalls my step,
invites a seasonal sabbath,
a slowing of time, luring me
to witness the dying world,
the retreat of light, warmth, color,
a trail of endings,
this yearly dress rehearsal.
invites a seasonal sabbath,
a slowing of time, luring me
to witness the dying world,
the retreat of light, warmth, color,
a trail of endings,
this yearly dress rehearsal.
Here is the world.
Leaves, red-rimmed, rustle silently
like yesterday’s still photos from Gaza,
Israel, Ukraine, blood-tinged.
The deck is wet from recent rain,
as water runs out in war-torn lands,
runs out for all, as rivers
and aquifers shrink, while torrents
wash cities into the sea.
A rest. A time away from politics,
like leaving the red-faced relatives,
arguing in the sunroom, laced
with whisky fumes, surrounded
by blue-blossomed African violets.
I’d sneak into the kitchen
filled with the smells and warmth
of my grandmother’s baking bread
as she hugged me and nodded,
a knowing smile on her face.
Was it in Coetzee, I read that politics
is just a form we use for the hate
and frustration already there?
Was it in Miller, I read that when
as children, love is denied, politics
and how we treat our own children,
are where we fine-tune our cruelty?
The leaves turn paler, start to yellow,
the sky, a cleaner blue after the rains.
Sabbath is about sitting with gratitude,
sitting with possibilities,
sitting with some kind of god,
some kind of love.
I wait.
Author’s Note: The seed for this poem was this week's New York Times story about the Amazon River.
Chris Reed is a retired Unitarian minister. Her poems have recently been published in River Heron Review, The NewVerse News, and US1 Worksheets, among other journals.
