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Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Showing posts with label EU. Show all posts
Showing posts with label EU. Show all posts

Friday, September 29, 2023

X

by Rob McClure

X Is The Biggest Source Of Fake News And Disinformation, EU Warns —Forbes, September 26, 2023



A great Antarctic ice-wall girds our world

and JFK Junior flies his plane there

first across Idaho, false flags unfurled,

where Bigfoot is a forest-ranger bear.

Junior’s chemtrails stream upon 51

where the freemasons faked the moon-landing 

and spaceship dismantling has just begun,

for alien tech gets swift rebranding.

Soros builds birds there, makes 5G fluoride,

listens to tunes penned by surrogate Paul

who offed Diana on that fateful ride

(9/11 sonic death-waves installed),

while adrenochrome demons mixed vaccines,

fixed birth certificates, voting machines…



Rob McClure’s creative work has appeared in many magazines—Gettysburg Review, Manchester Review, Barcelona Review, New Ohio Review.

Monday, December 16, 2019

TRADE WAR FALLOUT

by Devon Balwit


The Trump administration is considering tariffs as high as 100 percent on Scotch and Irish whiskey, Belgian waffles and wines from across Europe, as part of its retaliation against the European Union for illegal airline subsidies. —The New York Times, December 13, 2019


Just as I learn to love Laphroaig, the tariffs
come, T***p ever the buzz-kill.
Bled for an extra 100%, I’ll shift
from the peat-smoke of Islay to a local distillery.
For two hundred years, the Scots have bunged
casks. I hope they can hold out. Maybe
bootleggers will sneak crates ashore in dinghies.
I’ll learn the codewords and hiss, Hey
Pal, down by the docks, then hurry home
to shots. The hit-list includes many
favorites: Gouda, Olive Oil, Cashmere,
Wine—all now harvested for dusty
warehouses. O Airbus, what have you done?
You’ve greyed the grey world for everyone.


Devon Balwit's most recent collection is titled A Brief Way to Identify a Body (Ursus Americanus Press). Her individual poems can be found in here as well as in Jet Fuel, The Worcester Review, The Cincinnati Review, Tampa Review, Apt (long-form issue), Tule Review, Grist, and Rattle among others.

Friday, March 02, 2018

REGREXIT

by John Beaton


Donald Tusk has said Theresa May needs to come up with "a better idea" than the EU's controversial plan to prevent a hard border in Northern Ireland. The PM has rejected keeping Northern Ireland in the EU's customs area saying this would split the UK in two. But the European Council president said one of the "possible negative consequences" of the kind of Brexit Mrs May wants would be a hard border. The two met in No 10 ahead of a big Brexit speech on Friday by Mrs May. —BBC, February 2, 2018


There’s strength in numbers so we bond,
then disagree and split apart
from those of whom we once were fond.

A hand extends and we respond,
a glance invites a heart-to-heart—
there’s strength in numbers so we bond.

Then, clashing over all we’ve spawned,
we take back Cupid’s stupid dart
from those of whom we once were fond.

Yet, faced with fighting tout le monde,
our breaking up seems not so smart:
there’s strength in numbers—we re-bond.

But squabbles we can’t get beyond
reset our course—we rip the chart
from those of whom we once were fond.

If Fate could wave a magic wand
and right the upset applecart,
for strength in numbers, we’d re-bond
with those of whom we once were fond.


John Beaton, a retired actuary who was born in Scotland, is a widely published poet and spoken word performer from Vancouver Island, Canada.

Thursday, February 08, 2018

CRAWPOCALYPSO

by Rick Mullin


The marbled crayfish is a mutant species that clones itself, scientists report. The population is exploding in Europe, but the species appears to have originated only about 25 years ago. Ranja Andriantsoa for The New York Times, February 5, 2018

Met excuses aan Hank Williams.


Goodbye Zoe, whaddya know, me oh my oh,
Me gotta go throw ‘way dem books filed under “Bio”!
Frankenstein got claws ‘n’ spine, me oh my oh,
Clone of a beast gonna have some feast like Russian spy-o!
Jambalaya and a crawfish pie a la car-tay.
Eurozone gotta crustay-shone too big to par-tay!
Au revoir to the reservoir, and adieu to you all,
Ain’t no bang gonna end our thang cause it’s a-sex-ual.






Rick Mullin's newest poetry collection is Transom.

Sunday, June 26, 2016

EU BORDERS


A migrant pushes a wheelbarrow in a muddy field at a camp of makeshift shelters called the Grande Synthe jungle, near Calais in February, 2016. Thomson Reuters via Business Insider.


Cally Conan-Davies is a writer who lives by the sea.

Friday, March 25, 2016

THE LAST SURVIVOR

by Lisa Suhair Majaj



A tent in Idomeni Camp. Image source: Cyprus Refugee Solidarity, March 16, 2016


                                    “Hope is a tough bitch to kill.” —Faye Karavasili, Cyprus Refugee Solidarity


They trudge through rain and mud, their wrecked shoes
and sodden clothes a testament to everything broken,
lives reduced to rubble like the shattered hulls
of homes they left behind. Ahead lie footsore roads,
barbed wire,grim officials thrusting the press of bodies back
and back, floodwater rising on all sides, relentless
as the memories that pursue them no matter how far
they walk, heads bent beneath the rain, children clinging
to a parent’s back or borne on a weary shoulder,
a small hand in a larger hand, a long column of people
trekking weary, undeterred, from bone-chilled morn
to damp, cold dusk, snatching sleep in cramped tents
or open fields where they wait for dawn, for refuge,
for a border opening. But dawn comes each morning
with its orange refusal: rain, closed borders, stolen dreams.

The desperate do not give up. They escape to illegal crossings,
wade into swiftly-flowing rivers, pass babies and toddlers
hand to hand in a human chain, threading the cloth of desolation
with a thin gleam of hope, even as muddy currents sweep away
the unlucky, the overly-weary. Their goal?
The future, the other bank, a chance to keep on walking.

In Idomeni camp, illness and despair permeate
everything: the sucking mud, the weighted sky,
the grim and cheerless air. A Yazidi child
peers out from a torn and tiny tent,
her face a bright beacon amid the gloom and muck.
She begs for a balloon, but there are no balloons
to be had here, only sodden rags that hang
from trees and tent poles – limp flags
that have long ago given up the dream of flying.
Yet at her plea something bright and colorful
rises wisp-like in the dank, cold air,
floating improbably above the tent-city
pitched on the razor-edge between despair and hope.

The mother smiles as she gently strokes
her daughter’s hair. “How can you smile?”
an aide worker asks, "amid all this?"
The mother pauses, then replies.  “They wanted
to chop her hand off for offending the faith.
Here, no one wants to chop off our hands or heads.
We can be free.” She speaks calmly, her eyes seeking
the gray horizon. Behind her, ghosts murmur,
their soft keening an echoing whisper
in the darkening sky, rising above this graveyard of dreams
where hope is the last survivor.


Lisa Suhair Majaj is the author of Geographies of Light, winner of the Del Sol Press Poetry Prize. She lives in Cyprus. This poem responds to the refugee crisis in Greece, particularly at Idomeni camp.

Wednesday, March 09, 2016

DOORS IN THE EYES OF A REFUGEE CHILD

by Debasis Mukhopadhyay

Image source: Provence Today


Doors break loose during transit
They lie scattered across the hills and rivers
Their edges drown in the map
I wait until the ripples turn me out into the street

At times I am old enough to chase them like fireflies
And when I crawl into my dreams
Leaving out the hard parts of travel
Doors smolder crying softly
You are home

Morning brings me back to the waters
And our boat churns its way once more
I keep thinking

How to rip them out of the map


Debasis Mukhopadhyay lives & writes in Montreal. Recent poems have appeared in The Curly Mind, Yellow Chair Review, Thirteen Myna Birds, Of/With, I am not a silent poet, With Painted Words, Silver Birch Press, Foliate Oak, The Bitchin’ Kitsch, Snapping Twig, Eunoia Review, Revolution John, Down in the Dirt, and elsewhere. @dbasis_m