THE ADMINISTRATION

by Susan Martell Huebner

AI-generated graphic by NightCafé for The New Verse News.

At the kitchen table watching the birds,

a normal comfort, seeing them fly, flit, feed.

 

Jay lands on seed tray, all command blue,

tail feathers angled upward in smart salute.

 

Finches wearing winter beiges swerve

and weave, perch on metal crooks, chittering warnings.

 

Downy woodpecker's folded flat, composed

against the peanut tube, eyeing the suet lock.

 

I drink my coffee, extra cream, admiring

their careless freedom, unworried song

 

when Coopers Hawk threatens overhead

and each bird freezes.

 

On this side of the window, a sharp inhale.

I understand the instinct.

Susan Martell Huebner lives and writes in Mukwonago WI. Her work has appeared in many online and print journals. She writes across the genres. Find her printed work at Finishing Line Press, Kelsay Publications, and Amazon.

INAUGURATION DAY 2025, THE PELICANS ARRIVE

by Catherine Arra

White grace floats the lake, rippling in icy torrents

of another Trump tirade.

 

A stopover in migration, a congregation

of reacquaintance-feeding-reuniting in purpose.

 

They paddle in silent choreography, know nothing

of deportations, hate-vengeance-greed.

 

Know to stay clear of marsh grass, where alligators

nest-hunt-eat more than needed.

 

Their long-bowed faces remember loss—how easy

to destroy a nest than to build one.

 

They glide into flight formation. Broad webbed feet

flapflapflap in domino percussion.

 

Snowy wings underscore the black of mourning.

They fly away. 

Catherine Arra is a native of the Hudson Valley in upstate New York, where she lives with wildlife and changing seasons until winter, when she migrates to the Space Coast of Florida. Arra teaches part-time and facilitates local writing groups. She is the author of four full-length collections and four chapbooks. Recent work appears in Unleash Lit., Eclectica Magazine, LitBreak Magazine, Poem Alone, and The Ekphrastic Review.

THE GULF OF AMERICA, NÉE MEXICO

by Susan Ayres

The U.S. Department of the Interior announced on Friday that they will implement President Trump’s name change for the Gulf Coast.(wjhg)

 

                        I laugh at what you call dissolution,

                        And I know the amplitude of time.

                                                            —Walt Whitman

 

And yet she too is dissolved in a sea

of fears and worries. Will the rocks smash

her if the saltwater lets her go? In the muted

submersion there’s an isolation. The air

 

bubbles rise in a tickle. Small fish nibble

her toes. It’s not like she’s fallen to pieces.

She’s just lost her reason, her name.

She’s the brain mush and muscle mash

 

of dark swirls in the clear green water,

the murky way men possess women. Her particles

bond to the tickles. The waves push her

forward with the incoming tide. She laughs

 

at what they call dissolution. Floating

face down she knows the amplitude of time.

Susan Ayres is the author of Walk Like the Bird Flies (Finishing Line, 2023) and Red Cardinal, White Snow (Main Street Rag, 2024). Her work has been nominated for a Pushcart Prize, and her poems and translations have appeared in numerous journals. She studied Spanish in Cuernavaca, Mexico, practiced karate for nine years with her son, and now spends time in Texas writing, collaging, teaching, and learning tai chi.

LIFE AT LAND’S END

by Mary Eileen Knoff

In January, for thirty years, I have left behind
grey Seattle skies to sit beside the Pacific shore
at Land’s End, on the Baja’s southern tip,
seeking respite from the northern chill.

Each year, thunderous surf lashes the land,
crashing against its standing stone, La Roca,
filling the sky with mist and foam.
This year the scene turns my thoughts toward home:

there an explosion of presidential orders
overwhelms like a deluge, threatening
to reshape truth as surf reshapes the sand.
Can our country withstand the onslaught thrust upon us?

Many of us now cast about for a course
to follow through these treacherous times.

Life at Land’s End calls out to me through the fog:

Stand firm like this rock, persist like the tide
shine like lighthouses for those who ride on stormy seas.
Your words and deeds of truth and mercy will be guides,
like bright, shining stars in a blackening sky,
like rafts of life on fear and greed’s wicked seas.

Mary Eileen Knoff spent the first two decades of her professional life as an English teacher, editor, and freelance writer. In the mid-1990s she studied for pastoral ministry and then served as a spiritual companion and small group facilitator since the early 2000s. She has lived in Redmond, Washington near the foothills of the Cascades for the last thirty years. For the last decade I have been crafting a collection of poems about life on the pond that I call Ponderings. I am in search for a publisher of that collection these days. In 2012, as part of a doctoral program in ministry, she collected, edited, and published writings by myself and others, now in a second edition, called Seasoning the Soul: Meditations for the Celtic Year.

ELEVEN WAYS OF LOOKING AT AN INAUGURATION

by Roberto Christiano

"I am out with lanters (sic) looking for myself."    

—Emily Dickinson

 

I am awake. I am a foreigner. Illegal. I am my 
parents. I know that I am not illegal. I feel that I 
am. I am scared.

My father was illegal. If you were stuck in 
poverty with Hitler’s trains running through you 
and countries crumbling before you, you’d be 
illegal too.

Musk gives the Hitler salute. Or is it the Roman 
salute? You know, the one you do to Mussolini.

My mother’s row house in the Italian section of 
D.C. was searched by the FBI for possible 
connections to Mussolini. Every Italian house 
was.

Male and female. Since when was that an easy 
divide?

Melania hides her face under a boater hat just as 
America hides her soul under a bushel.

Humpty Dumpty sat on a wall.

It snowed here. I can’t shovel. Uncontrolled high 
blood pressure. A man and his brother shoveled 
for me. Carlos and Zé. They won’t be here 
tomorrow.

I worked at the Library of Congress for twenty 
years. Our guards are the same as the Capitol 

guards. On January 6^th our guard was killed.
There are no degrees of separation. Separation is 
an illusion.

I am scared. I feel that I am. I know that I am not 
illegal. I am my parents. Illegal. I am a foreigner. 

I am awake.

Author’s note: Father married Mother and became a U.S. citizen. Mother was already a citizen.

Roberto Christiano won the 2010 Fiction Prize from Northern Virginia Review. He received a Pushcart Prize nomination for his poem, Why I Sang at Dinner, in Prairie Schooner. His poetry is anthologized in The Gávea–Brown Book of Portuguese-American Poetry (Brown University). His full legnth collection, Port of Leaving, is published by Finishing Line Press. Other poems have appeared in The New Verse News, Rattle, The Washington Post, Writer.org, and The Sow's Ear.