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Showing posts with label Keats. Show all posts
Showing posts with label Keats. Show all posts

Thursday, February 12, 2026

BRANKS

by Julie Steiner

Images of Epstein victims as depicted in Feb. 8, 2026, Super Bowl ad. Image of branks from an oil painting by John Willie, pseudonym for John Alexander Scott Coutts, for Bizarre, a sadomasochism magazine published 1946–1959. Public domain, via Wikimedia Commons.


Brank/branks: A device formerly used to punish women judged to be noisy and quarrelsome, consisting of an iron curb for the tongue, held in place by a frame around the head. Also called a scold’s bridle.


You have to tell the truth, but tell it slant.
To lay it bare’s unbearable. You’ve tried.
You’d like to leave it buried, but you can’t.

Too few have cared to hear a woman rant
since Homer (“Sing, O Muse, of anger”) died.
You have to tell the truth; but tell it slant,

since, frankly, even Keats would have to grant
this truth’s no beauty. This, you’ve had to hide.
You’d like to leave it buried. But you can’t,

so Dickinson’s advice is relevant.
She’ll be your Virgil, your inferno-guide.
You have to “Tell [...] the truth, but tell it slant— ”

“Tell all the truth.” But don’t get adamant,
“Or every man be blind—,” she qualified.
You’d like to leave it bare. (Read: But you can’t.)

Loud girls get label-gagged: once, Termagant,

ViragoShrew; now, Bitch. Take that in stride.

(You have, to tell the truth.) But tell it—slant

or no—you must. Omit the bitter. Scant
the pathos. Cut the caustic. Snip the snide.
(You’d like to leave it, buried.) But you can’t

accuse the rich of rape, or lawyers chant,

“No, he’s the victim! She’s a slut who lied.”

You have to tell the truth, but tell it slant.
You’d like to leave it buried. But you can’t.



Julie Steiner is a pseudonym in San Diego, California. Besides The New Verse News, recent venues in which Julie's poetry has appeared include the Ekphrastic Review, Light, Lighten Up Online, and Snakeskin. See more on her Substack, Off-Piste on Mount Parnassus.

Tuesday, September 26, 2023

GOODBYE

by Jacqueline Coleman-Fried

after Jorie Graham

 


Here it comes, at last, the nightingale,
after wintering in Africa—
black eyes on fire.
 
Listen to me.
Listen.
You searched for me in all England’s 
green patches,
but the land where Keats
wrote his great poem
has lost the low brush, the woodlands
where we nest.
Our wings
have shrunk, the journey
to sunshine and back too far, too ominous.
Why are you listening only now?
Why did you not
protect?
You didn’t notice my long,
thin beak opening wide—
O—
issuing more sounds
than any other bird.
And silence, repeated, like white
between stanzas.
Now you want to learn—
you write like you talk,
without music—
do you know I’m the bird of Ukraine?
Nation
of poets and musicians.
How many are dying? Dying every day.
Our songs call lovers,
shame all who close their ears.
 
And he left then,
the bird,
taking every living thing with him
in his ballooning, throbbing throat,
before I could say goodbye.
 
 
 
Jacqueline Coleman-Fried is a poet living in Tuckahoe, NY. Her work as appeared in The New Verse NewsThe Orchards Poetry JournalpacificREVIEWQuartet Journal, and soon, Consequence, and HerWords Magazine.

Friday, August 24, 2018

TRUTH IS

by David Spicer 






"Truth isn't truth." —Rudy Giuliani


If Truth isn’t Truth, what is it in this Twilight Zone of Lies?
A woman in a red dress who carries a tote bag of secret tapes?
Or a ghoul defending the King Kong of Truth’s desperate enemy?

Truth is Beauty, Keats said two hundred years ago.
Truth is in the mouth of the speaker mouthed to a mime of memes.
Truth is your mother, your mother said, offering you her Judas-goat
     milk.

Twenty women whirling in a field of tulips you lie in every morning
     is Truth.
The Grand Canyon at sunset echoing your prayers you recite on your
     rug.
Heartbeats between the breaths you breathe before you take a 
     morning jog.

I met Truth once in the guise of a beautiful femme fatale on the bed in
     my trailer.
She said, I just pity-loved you, clod, and you think we were lovers?
Truth is, that was her truth, truth is, it wasn’t pleasant, truth is, I’m 
     not over it.

Truth will knock your block off and demolish your stone-cold cities.
Truth will break your soul of week knees and tell you it did you a 
     solid.
Truth is, tell me a truth that doesn’t hurt and I’ll buy you a shot of 
     Truth vodka.

You’ll swig it like a liquid potato and savor it, you’ll swivel your head 
     and squint
your eyes in twisting pain that guts your gullet. Then you’ll make a 
     sound
like air escaping from a tire that’s tired from too much road. You’ll 
     feel good.

Now that’s Truth. Truth isn’t what you want it to be. Truth is what it 
     wants to be.
Truth is your grandmother standing naked in the kitchen in front of 
     you and you’ve
never seen a naked woman before and you don’t know what you’re
     seeing. It’s Truth, baby.

Truth is ugly, a bomb victim said that to me the other day when I
     visited him in the ICU.
Truth is callous. Your brother stealing your $600 while you’re
     sleeping, dreaming of beauty.
Dreaming of the time he outraced some knucklehead on the freeway 
     driving a Charger.

Truth was, your brother’s Chevy packed truth in its carbs and pistons
     and exhaust pipes.
Truth was, it wasn’t a chick magnet like the salesman said it would be.
     That was his truth.
My truth? I don’t know. Truth is the last thing I hope to see or 
     listen to before I disappear.

No, if truth isn’t truth, beauty isn’t beauty, ugly isn’t ugly, nothing is
     nothing but empty words
spinning from a lie peddler, a ghoul defending the King Kong of Lies.
     Truth is, his day
is coming. Truth is, it’ll be welcomed. Truth is, truth is death and it’ll 
     kill you where you stand.



David Spicer has published poems in Alcatraz, Gargoyle, Third Wednesday, Reed Magazine, Oddball Magazine, The Literary Nest,The Tipton Poetry Journal, Synaeresis, Chiron Review, PloughsharesThe American Poetry Review, and elsewhereand in the anthologies Silent Voices: Recent American Poems on Nature (Ally Press, 1978), Perfect in Their Art: Poems on Boxing From Homer to Ali (Southern Illinois University Press, 2003), and A Galaxy of Starfish: An Anthology of Modern Surrealism (Salo Press, 2016). He has been nominated for a Best of the Net three times and a Pushcart once, and is the author of one full-length collection of poems, Everybody Has a Story (St. Luke's Press), and five chapbooks, the latest of which is From the Limbs of a Pear Tree (Flutter Press), released in August of 2017. He is also the former editor of Raccoon, Outlaw, and Ion Books.