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Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Showing posts with label Keys. Show all posts
Showing posts with label Keys. Show all posts

Tuesday, April 04, 2023

GUARDS AT THE BORDER

by Wendy Hoffman


A Mexican court issued arrest orders Thursday for six people in relation to the fire that killed 39 migrants at a detention facility this week in the border city of Ciudad Juarez, according to the federal prosecutor leading the investigation. Sara Irene Herrerías said they include three officials from the National Immigration Institute, two private security guards contracted by the agency and the detained migrant accused of starting the fire. She said five of the six had already been arrested and would face charges of homicide and causing injuries. At least 39 migrants died after apparently starting a fire inside a holding cell at the facility Monday night. More than two dozen others were injured. —AP, March 31, 2023


Keys dangled from belts
shone on nearby hooks
jangled next to coins in their pockets

Guards turned away, heads bent
as if in prayer, slithering into escape
escape for themselves, their moist

skin, escape from screaming mattresses
horrified lives who stepped upon
this land of freedom to meet souls

that judged who deserved to die
and those with burnt alive 
consciences


Wendy Hoffman has published three memoirs: The Enslaved Queen, White Witch in a Black Robe, and A Brain of My Own. The Enslaved Queen has been translated and published in Germany (Asanger-Verlag, 2021). Her book of poetry Forceps was published along with a book of essays From the Trenches written with Dr. Alison Miller. Her fourth memoir After Amnesia is published on the SmartNews and Survivorship websites. It also has been translated into German. Her poetry book Belonging is forthcoming from Kelsay Books.

Wednesday, June 08, 2022

SCHOOL DOORS

by Alejandro Escudé




Doors are important in schools.
That’s why when you’re a teacher
they give you lots of keys, keys
that you then have to return when 
you leave for summer break, which
is why leaving for summer break
feels so final, so like confronting
a kind of early retirement, or death.
It’s also why after twenty years
teaching English, I hate doors and
I hate keys, which feel so primitive
to me, those flecks of coded copper
that pinch your upper thigh, get stuck
in your sunglasses, become tangled
up within themselves and you have
to wrestle them free. Once, I lost
a whole set of school keys; I’d
stopped at a gas station and they
slipped out of my dress slacks.
I got home and reached into my
empty pockets, and I felt this
utter panic, my face turned cold.
I drove back and there they were 
beside the fuel pump, laying as if
waiting for me to swipe them.
I looked around and felt a welling
up of gratitude. Who could’ve
had access to this world of youth
that I was in charge of every day?
Who could’ve hurt them? I worked
at a school not long ago who often
left the back door to the gym open.
Mornings, I’d walk by and see
the door propped ajar, inviting 
anyone from off the street to come
inside, take anything they wished
from the locker rooms: gloves,
helmets, jerseys, pompoms, lives.
So I’m empathetic when I read 
about the school shooting, how  
a teacher left the door open. Then 
how it was shown she hadn’t, yet 
locked doors often refuse to stay
locked. Doors like remaining open,
they prefer to welcome others.
I’ve been around school doors
so long, I believe I can hear that 
thing screeching as the shooter 
yanked it back, the big rock 
the teacher had used to prop it 
against the grass, to one side.
And like that—nowhere to hide.


Alejandro Escudé published his first full-length collection of poems My Earthbound Eye in September 2013. He holds a master’s degree in creative writing from UC Davis and teaches high school English. Originally from Argentina, Alejandro lives in Los Angeles with his wife and two children.

Wednesday, October 27, 2021

ANTHROPOCENE ANXIETY

by Steven Croft


Illustration from The Guardian, October 23, 2021


As the beehive of news stories grew,
scientists reporting back from Greenland's
shrinking ice sheet, coral reefs in Australia, the Florida Keys,
the feedback loops of forests lost and wildfire,
a beehive building like the global sauna our
drowsy governments offer an impossible treaty to slake,
suddenly a question rose before me:
why are we losing our grip on our world's biggest problem?
Because it is too far gone to hold?
Because floodwater and crabgrass want our cities?
Miners complain about the earth's heat
as they dig lower for coal to send to the surface.
Metaphor become metamorphosis.

Today, I can't look at a dome of beautiful October sky
without my mind's eye seeing a blue-lit jail
for a fevered planet, without my mind's ear hearing
buffalo herds of wind speaking in tongues
of shrieks across this doomed green land.


Steven Croft lives on a barrier island off the coast of Georgia. He is the author of New World Poems (Alien Buddha Press, 2020).  His poems have appeared in Willawaw Journal, San Pedro River Review, The New Verse News, North of Oxford, Anti-Heroin Chic, and other places, and have been nominated for the Pushcart Prize and Best of the Net.