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Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Showing posts with label prop. Show all posts
Showing posts with label prop. Show all posts

Tuesday, January 09, 2024

THREE YEARS SINCE JANUARY 6TH

by David Feela

Traitor Trump is a drawing by Mike Scott which was uploaded to Fine Art America on December 8th, 2022.


the rhetoric simmers
the threats rise like steam
the traitor still leading the charge
the office in florida a command post
the golf course his bunker
the tower branded by his babel 
the lies
the three years burning like acid reflux in democracy’s gut
the smell of pepper spray in everything he says
the mass deportation of his conscience  
the rumor he doesn’t have one
the constitutional disdain he swears to protect
the lies
the charisma he carries like a infected boil
the rule of law that doesn’t apply to him
the courtroom where he sits and glares
the indictments and mug shot 
the lies
the money he grifts 
the pussy he’s entitled to grab
the election he never won
the lies
the reelection he continues to rig 
the bible raised as a prop
the lies
the comb over that covers his heart


David Feela writes monthly columns for The Four Corners Free Press and The Durango Telegraph. Unsolicited Press released his latest chapbook Little Acres.

Wednesday, June 08, 2022

SCHOOL DOORS

by Alejandro Escudé




Doors are important in schools.
That’s why when you’re a teacher
they give you lots of keys, keys
that you then have to return when 
you leave for summer break, which
is why leaving for summer break
feels so final, so like confronting
a kind of early retirement, or death.
It’s also why after twenty years
teaching English, I hate doors and
I hate keys, which feel so primitive
to me, those flecks of coded copper
that pinch your upper thigh, get stuck
in your sunglasses, become tangled
up within themselves and you have
to wrestle them free. Once, I lost
a whole set of school keys; I’d
stopped at a gas station and they
slipped out of my dress slacks.
I got home and reached into my
empty pockets, and I felt this
utter panic, my face turned cold.
I drove back and there they were 
beside the fuel pump, laying as if
waiting for me to swipe them.
I looked around and felt a welling
up of gratitude. Who could’ve
had access to this world of youth
that I was in charge of every day?
Who could’ve hurt them? I worked
at a school not long ago who often
left the back door to the gym open.
Mornings, I’d walk by and see
the door propped ajar, inviting 
anyone from off the street to come
inside, take anything they wished
from the locker rooms: gloves,
helmets, jerseys, pompoms, lives.
So I’m empathetic when I read 
about the school shooting, how  
a teacher left the door open. Then 
how it was shown she hadn’t, yet 
locked doors often refuse to stay
locked. Doors like remaining open,
they prefer to welcome others.
I’ve been around school doors
so long, I believe I can hear that 
thing screeching as the shooter 
yanked it back, the big rock 
the teacher had used to prop it 
against the grass, to one side.
And like that—nowhere to hide.


Alejandro Escudé published his first full-length collection of poems My Earthbound Eye in September 2013. He holds a master’s degree in creative writing from UC Davis and teaches high school English. Originally from Argentina, Alejandro lives in Los Angeles with his wife and two children.