TO TELL YOU THE TRUTH, I’M NOT SO SURE ABOUT THE VENT

by Eric Oak

A government handout photograph showed weapon remnants displayed on a table near the ruins of the Shajarah Tayyebeh elementary school, where a precision strike reportedly killed 175 people, mostly children, on Feb. 28. The remnants have been identified by The Times as components of a modern, U.S.-made Tomahawk missile. Credit...IRIB, via Telegram

It was not the Israelis, after all,

who triple tapped the school in Minab.

It was US, according to the Times—

our bombs 

that blasted babies into doll parts, 

scattered them among the concrete-

silica dust of their classrooms.

But it was always our bombs, really–

Arab Salim and Jabalia, Biden’s

red line to Rafah. Bombs with

our names on them. Cruz and 

Haley chickenhawked in Sharpie, 

mine and yours scratched san-serif 

onto the shells in bolder relief with 

each paycheck deposited.

I read the article about Minab 

during my planning period, and

it lingers with me now around

this crater-quiet classroom.

The kids are taking a test, but I 

don’t care whether they pass it. 

I just want to talk to them.

I just want to believe that it's 

not too late to talk, that it’s 

not too late to believe.

Something about the way the 

big vent grumbles when 

the air kicks on reminds me:

the surprise lockdown drill

has to be this week or next. 

They’re quiet, like now,

the drills at least. 

The kids are used to them.

Winder and Uvalde, Gaza and Minab.

Maybe bullets stop when bombs do.

I remember now why that vent rattles—  

I took out most the screws that hold

it to the wall, and a few more outside. 

The maintenance guy showed me how

to kick and climb our way out there

in case we ever need to flee, to run

outside, unafraid as we are of a 

brush smoke sky.

Eric Oak is the pseudonym of a teacher of social studies at a middle school near Chattanooga, TN. He sometimes asks people to read the things he writes so that they may exist.

REQUIEM FOR THE CANADA WELL

by Tricia Knoll

in memory of Rachel Corrie

Lying semi-conscious… is nine-year-old Yunis Jumaa, who has cerebral palsy… His mother Ghanima says eight months of war have dramatically worsened his health. "When he developed this malnutrition and dehydration, he became as you see him now," she says. "There is no bottled water. The children walk a long distance—when they get water it reaches us contaminated," she adds. —BBC, June 21, 2024

On Friday, I discovered a video posted on Instagram by an Israeli soldier from the 601st Combat Engineering Battalion, showing the calculated demolition of a chief water facility in Rafah…The water facility, also known as the Canada Well, is situated in Tel Sultan Neighborhood, in the western part of Rafah city. U.S. human rights activist Rachel Corrie, who was crushed to death in 2003 by an Israeli military bulldozer while attempting to prevent demolitions in the city, spent much of her time during the last month of her life helping to protect the municipality workers at the Canada Well. The workers were repairing damage done to the well due to the Israeli military bulldozers in the area, according to Gordon Murray, one of her fellow activists. —Younis Tirawi, Portside, July 29, 2024

To know the land, dig for water.
An angel found Hagar at the well.
Stories told of Rebekah and the women
coming together where the pool stills,
the well fills in slow rising. To find
stillness and life. Safe haven. Give me
something cool to drink. I will love you.
Be my oasis. Honor the flow of vows. 
This is the spirit of life. 
 
And now, quiet municipal services:
no sirens. No flashing lights. Backhoes
attending to unanticipated main breaks,
diggers repairing the aftermath 
of earthquakes. Repair. Filter. Deliver. 
 
Villains poison the well.
Cruelty blows it up—
we are told from old times
women gather
to carry water home
again and again
going to the well. 

Tricia Knoll worked for a municipal water utility for fifteen years, including emergency response to New Orleans following Katrina to help restore drinking water service. In 2024, two new poetry books were published: Wild Apples (poems of downsizing and moving 3,000 miles to Vermont) and The Unknown Daughter (27 poems of voiced personas responding to a Tomb of the Unknown Daughter).

THE INNER LIFE OF A HENCHMAN

by Michael Brockley

Photo by Amy Volovski at Birds&Blooms.

The cardinals nesting in the barberry bush beneath my bedroom window work together as if they have fledged many chicks during their brief lives. The mother, dusty brown and patient, approaches her chicks through aerial feints. And by hopping from lower branches to the upper fork where the hatchlings await the spiders and crickets she delivers. The scarlet male darts and barrel rolls toward its forage with what I pretend is pride. 

Soldiers were once children in such a hurry to fly. I was such a boy aiming toy bazookas and sniper rifles at Lincoln Log forts under siege. Now I celebrate the appetites of five hungry gullets, hoping the chicks survive the neighbor cat’s overnight prowls. If I can’t protect the spring’s latest brood, how can I save the children of Jerusalem and Rafah.

Michael Brockley is a retired school psychologist who lives in Muncie, Indiana. His poems have appeared in The Parliament Literary Journal, Stormwash: Environmental Poems, and Barstow and Grand. Poems are forthcoming in Of Rust and Glass, Ryder Magazine, Otherwise Elsewhere Literature and Arts Journal, and The Prose Poem. 

LEAFLET

by William Aarnes

Imagine yourself old enough

to have survived Operations

Cast Lead and Protective Edge.

 

Imagine a fellow refugee

            videoing flyers drifting

down from a blue sky,

 

then focusing on you

            as you pick up a leaflet

                        at once a plea for news

 

about pictured hostages

            and an implicit warning

                        that soon your current shelter

 

will be demolished by bombs.

Imagine knowing the world

can see what’s happening.

 

Imagine knowing the world

keeps failing to react.

Imagine your dulled terror,  

 

your bewildered loyalty,

your desperate rage.

Imagine your aimless trek.

 

Imagine your imagining

there’s somewhere to go

where the flyers

 

won’t drift down again

to tell you to keep moving.

Imagine the leaflet

 

as one of the keepsakes

            that will give purpose

to your children’s lives.   

William Aarnes lives in Manhattan.  For perspective he recommends Norman C. Finkelstein's Gaza: An Inquest into Its Martyrdom.

SEARCHING

by Karen Warinsky

I type “Is Bisan” in the search bar

and the next two words appear automatically

with their furtive question mark, “still alive?”

 

Bisan, a Palestinian journalist popped into my Facebook feed

one morning during this latest Mideast roil,

her fresh, round face full of promise 

her troubled brown eyes alert as she posted

cell phone videos of the wreckage of Palestine, the slaughter of the people.

The videos are raw, wound the eyes, sear the soul.

She posts each time she must flee, relocate,

so many displacements now she’s lost count.

One day she shows us her favorite flower

the passionate poppy, Hannoun, red, alive

pushing forth in the spring air,

another day she videos a small boy selling homemade potato chips.

“Delicious, tasty!” she says, almost smiling,

boys flying kites on the beach behind her.  

These moments are her sustenance 

as she shares pictures of her home in the Gaza ruins,

a video of the day a bomb at Al-Shifa hospital just missed her

by two minutes,

her refugee life in Rafah,

stories of others spit out by this war

hundreds of thousands with no safe place to go,

their way home stalled, like the peace talks.

 

Bisan is 27.

She is forthright, emotional, outraged, 

bewildered.

She wonders, "Where is help?  Why is this allowed to go on?"  

Seven months now.

 

She looks into the phone’s lens. Begs, “Don’t get used to

what is happening in Gaza!”

She is searching for rationality, for assistance.

I will keep searching for her, 

pray she can send more videos of children flying their kites, 

sending up wishes,

pray that those wishes get answered.

Karen Warinsky is the author of three collections: Gold in Autumn (2020), Sunrise Ruby (2022 Human Error Publishing), and Dining with War (2023 Alien Buddha Press); a former finalist of the Montreal International Poetry Contest; a Best of the Net nominee; and runs Poets at Large.

NAVALNY, RAFAH

by dana yost

burning cars.

gas in the air.

navalny dead.

someone lights

a cigarette.

marley’s words.

bottle of teeth

on the vanity.

navalny dead.

arctic nights.

while we stand

aside and look.

forgive them?

not yet.

pick at the meat

with your 

squirmy fingers.

roasted logs

by the missouri.

fog in daylight,

doorways

and dust.

in rafah

women

and children

are the real

poets.

Dana Yost was a journalist for 29 years and, still, sometimes, when news happens he can’t help but comment on events as they happen. He wrote the poem in lower case to try, in some way, a mode of protest or a bit of anarchy in response to too many strongmen and would-be strongmen. We have to speak against them.