THE INHERITANCE

by Jim Bellanca

Gainesville, Georgia, 2020 (Shutterstock)

Jim Crow’s obituary read,

“After a lengthy illness, Jim has passed away,

His Crow name now just history.” 

I thought “maybe not, maybe so.”

(You cannot trust the news these days.)

 

I knew Jim’s sister Jane had moved to Toronto

with her DACA son Juan

a surprise, a ten-year caboose

behind three sisters college gone,

had joined the family late.

Juan Crow was the most interesting one,

a son who’d volunteered for war, 

three tours in Afghanistan’s battle fields,

a Silver Cross and long times spent from love.

Back home, a hero named, he learned again, 

(most definitely not his first experience),

the curse of Jim Crow’s name, 

with his life separated by skin

in school,

        —at water fountains

        —on school bus ride

        —in restaurants

        —in restrooms

        —in voting booths

        —in marriage beds

the profile depicting all brown men

as one no matter where or who or when

ICE labeled shady caricatures,  

        —“beaner”

        —“wetback”

        —“gringo”​

        —“spic”

who tequila too much, siesta too long, 

just “don’t belong” on our turf;

accused of job stealing, rape, and more, 

tattooed as M-13,

by Presidential decree,

      —“the worst of hombres”

      —“the most detestable of human beings”

      —“the lowest despicable animal beast”

      —“a greaser druggy poisoning our lands”

any excuse the man can name

while hooded fiends from ICE 

day-quota-sized kidnapping any brown man

      —in church or school  

      —in hospital bed

      —in shopping mall

      —in strawberry fields 

      —in pizza huts

all blared and shared in local tv news, 

dread images bent with bowed shaved heads, 

arms tattoed with criminal marks

slow marched to caged jail cells,

(no one knows where)

—to scare the most innocent

—to leave their family love 

—to end their journey to freedom’s land

—to prove the power of the President

            by breaking what laws, he wished.

 

Juan Crow’s red blood

once given to save the land, the nation he loved,

no longer flows free. Juan sits in Alcatraz,

in his separate unequal cell

all son and martyr and hero dream

of Jim Crow newborn, a cosmic transfer,

a heritage inherited without recourse

Jim’s curse transferred to Juan, 

a lifetime injustice to bare, 

all ball and chain and prison wrack, 

all Sisyphus rock on his back.

Jim Bellanca, former English teacher, publisher and gadfly, now a late blooming poet, favors paining memory images about nature, family, peace, social justice and wry comments about senior life. He fervently assumes a “No Prufrock I” position when he writes about social injustice. More than two dozen poetry journals including Witcraft, Write City zine, Aerial Journey. Down In the Dirt, Sparks of Caliope, Westwood Quarterly, The Lyric, and East on Central have published his poems.

THE DAY I FOUND OUT TIMOTHY SNYDER MOVED TO CANADA

by Nan Ottenritter

after “The Day Lady Died,” a lunch poem by Frank O'Hara

It is 12:20 pm in Richmond, VA a Monday

several days after Saturday Night Live’s skit

featuring James Austin Johnson 

portraying President Trump airs.

I will watch more TV news tonight.

Yes, perhaps not a great idea.

 

Dinner is served on TV table trays, 

7:00 pm sharp to see if Amna will join Geoff

on the PBS News Hour, and learn about 

what they consider important 

                                     

    I scroll, remote in hand,

to my YouTube library, search TCM for a 

movie I might have saved, and do what I

swear I wouldn’t – start watching recorded 

segments of Rachel and Lawrence and 

Amanpour (I like her the best. What’s not

to like about Walter Issacson interviewing

Ron Chernow about Mark Twain?)

Holy cow! Life in TV-media-land is good

 

so I opt out and switch to another streaming 

service to pick up an interview with one of my

favorite authors on fascism—Timothy Snyder.

The interviewer asks about his living in 

Canada now—what’s it like? The food in my 

stomach curdles 

 

and I learn that his academic inquiry resulted

in a move to Canada. He said the move had nothing 

to do with Trump. But for a moment I paused and 

imagine many, along with me, stopped breathing

Nan Ottenritter has published chapbooks Eleanor, Speak (Finishing Line Press, 2021) and My Year 2023 (2024).  She co-edited Discovery, Recovery: A Journey with Veterans (2023) and has been published in Artemis, Still Points Quarterly, Poetry Society of Virginia Anthologies, Dissent: an anthology to end war and capitalism (2023), and Writing the Land: Virginia (NatureCulture LLC, 2024). Her concern about American democracy has prompted her to read and understand the books of contemporary historians and host informal Citizens' Salons with friends, neighbors, and strangers in informal settings. 

ELECTION:2016

by Wendy Taylor Carlisle

Dora vs. Trump Cartoon by ELISE MCCOMB, age14, ROSEVILLE, MINN. (New York Times 2015 Cartoon Contest)

There are only seven plots, we’re told,

        and blunder is this world’s first and second.

                The desire for triumph shoulders at

                        the mother-belly of moral vacuity although,

                                mercifully, not quite hard enough to squeeze out

                                        yet. My friends who are conscientious objectors

or Buddhist, my friends who are in the intellectual closet,

                 even my apathetic friends are all

                         on Short Pierre Street waiting to see

                                 what happens. Because it has been so unbearable,

                                         we have borne it for 18 months—

the N words sprayed on one of our two city busses,

        the theories of corruption, actual corruption. And now,

                after arguing and lamentations, we are a chorus

                        of the damaged, counting their wounds, storing up

                                  experience for a later excuse to whine, Cabo,

                                         Toronto and stark survival on our minds.

Wendy Taylor Carlisle lives and write in the Ozarks. She is the author of two books and three chapbooks, most recently Persephone on the Metro. See her work in Concis, Rat’s Ass Review, Mom Egg Review, and the Kentucky Review.

PARAPHERNALIA

by Kristina England

Image source: TaxProf Blog (in response to “The Sex Toys in the Attic” in the NY Times, November 9, 2013).

The most popular article of the week:
New York Time's "Sex Toys in the Attic,"
some older woman's concerns
about her "romping" days,
some toy she collected from a boyfriend.
Surely she's seen the news -
child porn ring broken up in Canada,
over 300 people involved.
Maybe she wrote the article before
the Toronto mayor took crack,
got cracked, cracked a nation.
Or she wanted to lighten the load.
God knows we need a good laugh
and perhaps the occasional mishap
of some not-so-cozy artifact
found under our mother's bed
is enough to pause this avalanche.
There is, after all, some innocence
left in this disjointed world.
And if there's not,
let's keep pretending
vibrators matter
in all these earthquakes,
tsunamis, the tremor
of our minds.


Kristina England resides in Worcester, Massachusetts.  Her fiction and poetry is published or forthcoming at Gargoyle, Found Poetry Review, The Story Shack, Tipton Poetry Journal, and other journals.