Guidelines



Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Showing posts with label boys. Show all posts
Showing posts with label boys. Show all posts

Saturday, February 22, 2025

SWITCH

by Arlene Weiner



For more than a decade, the West has faced off against the East again in what was widely called a new cold war. But with President Trump back in office, America is giving the impression that it could be switching sides. —The New York Times, February 18, 2025


The boys thought it would be fun
to throw the switch, watch trains
derail. It would be rich
to watch passengers tumble out,
scream. Maybe some would be naked.
 
There were deaths. The feral boys
didn’t care. Order and law
were boring. Boys would be boys
making noise, making money,
thinking it funny to upset sacred cows.
 
Watch it on Twitch, a sport
putting people through the woodchipper
the boys’ skipper, a double dipper, boasted,
who boosted his gaming scores.
Nobody came to stop the boys. 
 
Some men would be boys, breaking trust,
ghosting friends, tribal, looting, bribing,
gleeful masculine energy in a red hat. 


Arlene Weiner lives in Pittsburgh, where she is active in community poetry groups. Ragged Sky Press has published three collections of her poetry, most recently More (2022).

Saturday, August 10, 2024

MARCH OF THE POSTER BOYS

by Scott LaMascus

for Robin Davis


He Took His 68-Year-Old Secret to Court and Finally Confronted His Ghost: Robin Davis (above) spent a long career in finance and philanthropy haunted by what had happened to him as a boy. Could an unusual trial on Long Island help him find peace? —Michael Wilson, The New York Times, August 5, 2024


The poster boys for this malady 
each stare into their mirrors hoping to see the ghost
they would be able to fight now
their feet are no longer frozen to the spots

of their only crimes — the car ride with a coach, 
an after-school job, a church’s back room. 
They gather now in a spectral locker room of boys
chosen by chance and dark intention, charged 

and armor-plated by twenty, thirty, sixty years
of silent shame driving them to something else.
However much success they find, the juries snicker
and some doze, nodding away at lack of blood

and gore, for they cannot see the fright of spirits
gathered on each side of the glass, a throng of 
poster boys facing ghosts who picked them out 
of the schoolyards of time. No justice can redress 

the fraids on either side of the mirror, peering 
in with one hand on gavel and one on a scale, 
sometimes seeing the wispy victims, sometimes not,
I suspect. All velocity has settled now into sleep.

The pardon Robin seeks is in that mirror, too,
as he speaks before the harsher judge and jury all in one,
a lone poster boy standing again before his ghost
testifying now into the wisp of time he cannot unimagine.


Author’s Note:  This poem puts Davis (and me) into the company of a myriad of ghostly perpetrators and ghostly victims. A “fraid” is the technical name for a gathering of spirits, in this poem’s vision a two-sided confrontation of ghosts of perpetrators and of survivors. The poem also turns on found language from the Michael Wilson article including the three F’s (fight or flight or freeze) quoted by Wilson from the courtroom testimony of the psychologist, Valentina Stoycheva.


Scott LaMascus
is a writer and public-humanities advocate living in Oklahoma City. His recent work may be found in World Literature Today, The Writer’s Chronicle, Bracken, Red Door, and Epiphany.

Sunday, October 23, 2022

THIS WAS NOT A NEWS STORY

by Catherine Gonick




Cold Spring, NY, October 15, 2022
 
The trees were at their red and orange height
as we drove toward our town and had to stop
for a parade. A police car parked sideways 
on the road blocked our way. At first
we thought the line of cars was a funeral
procession, until we noticed the drivers
and passengers were all boys, some standing 
to wave American flags from top-down convertibles,
open moon-roofs, the backs of 4 x 4s. They smiled
as they passed, and a few saluted like Nazis.
The next week, the editor of the local paper said it sounded
like the high school parade held the previous Friday.
But we’d seen this procession the next day. The police
said they knew nothing about it. As far as we knew,
only my husband and I had seen it. I saw just one
Hitler salute, but he saw three. Afterward
we kept driving to a birthday party for a friend,
a Holocaust survivor still going strong at 95.
He told the guests about the night the doorbell rang
and his father was taken to Dachau. We reported
the parade we’d just seen, which already felt like a dream.


Catherine Gonick has published poetry in journals including Notre Dame Review, Beltway Poetry Quarterly, Forge, Live Encounters, Soul-Lit, and Amethyst Review, and in anthologies including Grabbed, Support Ukraine, and, forthcoming, Rumors, Secrets, Lies: Poems about Pregnancy, Abortion and Choice. She lives in Cold Spring, NY and works in a company that slows the rate of global warming through projects that repair and restore the climate.

Tuesday, July 10, 2018

RESCUE EFFORT

by Catherine D’Andrea 


“Rescue Effort Still Underway to Save Boys Trapped in America” by Pia Guerra TheNib, July 9, 2018


A cave in the earth holds
rushes of water
foreign hearts
trapped in a hidden chamber.

Rushes of
familiar blood
move
with atrial
ventricular
compulsion.

The dark
pump and pound
whooshes
inside and around us.
We dive
into waiting
the drain
the exchange
knowing each other’s need
to breathe.


Catherine D’Andrea lives in Connecticut with a fat, orange tabby, a crazy calico, and a funny husband. She is a mother, teacher, and student, who believes life is a mystery, not to solve, but to explore. Poetry helps her do that.

Wednesday, August 19, 2015

WHAT THE NEWS BRINGS: TOO MUCH, NOT ENOUGH

by Shirley Brewer

I




The sea calls, deep with freedom
and risk. A sparkling summer day,
a fishing adventure off the Florida coast
in their 19-foot boat. Born on the water,
the two teens learned to walk in water.
Are they heading toward a destination,
maybe the Bahamas, paradise,
an escape from the mundane? Nature
sings in open air, until the squalls.
When the boat capsizes, they become
lost boys. The ocean no longer a home;
it swallows them whole. Despite
days of searching, the sea rules.
The boat turns up, far away from the place
where they set out. The boys are missing.
Too much. Too much water.


II




A family of three from France
plans for a whole year to visit
the Wild West. A five-week journey.
Week One goes well. Then, New Mexico,
White Sands National Monument. They arrive
at noon, 100+ in the August desert.
What prompts them to set out
on the longest trail—4.6 miles, no shade—
with only two small bottles of water?
In the dreamer’s mind, a vision of adventure
doesn’t come with a temperature.
Mother heads back to the truck, feeling unwell.
She drops and dies. Father falls, stops breathing—
his tongue swollen. Their 9-year-old son will live.
Sands blow and shift: cruel beauty, brutal sun.
Not enough. Not enough water.


Shirley J. Brewer (Baltimore, Maryland) is a poet, educator and workshop facilitator. In addition to TheNewVerse.News, her poems appear in Passager, Stone Canoe, Spillway, Little Patuxent Review, Gargoyle, The Comstock Review, and other journals. Her poetry chapbooks include A Little Breast Music, 2008, Passager Books, and After Words, 2013, Apprentice House/Loyola University. 

Thursday, February 06, 2014

DEFROCKING

by James M. Croteau





Defrocking numbers thrown about,
I think of "mine",
the pedophile priest
in the parish of my youth,
all us Catholic boys
had one in my day, lucky
boys just didn't know
at the time. Just heard
he'd been brought to justice,
though the phrase barely fits,
he was tried and convicted
in a court that was Catholic,
and of course
he was sentenced, poor man,
to no priestly duties, not ever,
and told to spend the rest of his life
in prayer, and in penance.


James M. Croteau lives in Kalamazoo, Michigan with his partner of 28 years, Darryl, and their two Labrador retrievers. Jim grew up gay and Catholic in the southern United States and loved his mother very much. He has had poems published in Hoot: a Postcard review of {mini} poetry and prose, The New Verse News, and Right Hand Pointing. He has a series of poems upcoming in April 2014 in Assaracus: A Journal of Gay Poetry.

Monday, July 29, 2013

WHO AM I TO JUDGE?

by James M. Croteau





I guess it's better,
your tone and all,
but get back to me
when you're ready
to end your claims
to nature's law,
and calls to chastity.
Rescind your stance
on who's "intrinsically disordered"
and I'm all ears.
I think your conscience
needs closer examination--
you have to know
that catechism words
like "grave depravity"
are the nails
in the coffins
of too many Catholic boys.


James M. Croteau lives in Kalamazoo, Michigan with his partner of 28 years, Darryl, and their two Labrador retrievers. Jim grew up gay and Catholic in the southern United States and loved his mother very much. He has had poems published in Hoot: a Postcard review of {mini} poetry and prose, New Verse News, and Right Hand Pointing.