ELEMENTS: CUBIC ZIRCONIA

by Joan Colby

The authentic from the fake;
Even experts find it hard.
The man-made crystal
8.5 on the Mohs scale.
The diamond a perfect 10.

The naked eye cannot discern
Brilliance from brilliance.
The cheap version vs.
The blood diamond men die for.

Consider this ring: the 5 carat sparkler,
How it is envied
Or suspected.

The zircon entirely colorless
As a man without character.
The diamond leans into the prism
Of faint hues, like a man
Who still has doubts.

When it counts
Who can tell
The real glitter from the falsehood.
Facts of the matter
Or fake news.


Joan Colby has published widely in journals such as Poetry, Atlanta Review, South Dakota Review, The Spoon River Poetry Review, New York Quarterly, the new renaissance, Grand Street, Epoch, and Prairie Schooner. Awards include two Illinois Arts Council Literary Awards, Rhino Poetry Award, the new renaissance Award for Poetry, and an Illinois Arts Council Fellowship in Literature. She is the editor of Illinois Racing News, and lives on a small horse farm in Northern Illinois. She has published 11 books including The Lonely Hearts Killers and How the Sky Begins to Fall (Spoon River Press), The Atrocity Book (Lynx House Press), Dead Horses and Selected Poems (FutureCycle Press), and Properties of Matter (Aldrich Press). Colby is also an associate editor of Kentucky Review and FutureCycle Press.

DIHYDROGEN MONOXIDE

by Martin Elster

This is an illustration of water in our Solar System through time from before the Sun's birth through the creation of the planets. (Image source: Bill Saxton, NSF/AUI/NRAO via Science Daily) “Water was crucial to the rise of life on Earth and is also important to evaluating the possibility of life on other planets. Identifying the original source of Earth's water is key to understanding how life-fostering environments come into being and how likely they are to be found elsewhere. New work from a team including Carnegie's Conel Alexander found that much of our Solar System's water likely originated as ices that formed in interstellar space. Their work is published in Science.” --Science Daily, September 25, 2014

The molecules commingling in your glass

once swirled in clouds of interstellar gas,

surrendered to a leisurely collapse

and drenched a world whose pair of crystal caps

interns them under sleds and fleecy shoes,

while warmer zones allow them to infuse

the stems and stalks of your Kukicha tea

or trickle up your favorite apple tree.

A cornice softens on the Matterhorn,

hastens toward Green Lake to be reborn

a mirror amid the heights, evaporates,

condenses in a stretch of blue, then waits

for drops to fuse and fatten, fall and land

on forest, field or the parading band —

a rill of resonances drifting down

the central boulevard of some small town,

each drumming hand, each fifing lung, each brain

brimming with primeval, living rain.

Martin Elster, author of There’s a Dog in the Heavens!, is also a composer and serves as percussionist for the Hartford Symphony Orchestra. His poems have appeared in such journals as Astropoetica, The Flea, The Martian Wave, The Rotary Dial, and in the anthologies Taking Turns: Sonnets from Eratosphere, The 2012 Rhysling Anthology, and New Sun Rising: Stories for Japan. Martin’s poem, “Walking With the Birds and the Bones Through Fairview Cemetery” received first prize in the Thomas Gray Anniversary Poetry Competition 2014.