OUR FREE UNION

by Zumwalt

with respect to André Breton

Image by the poet using Nano Banana Pro

My country with the hair of embedded fiber-optic cable
With the thoughts of a backed-up four-lane freeway at dusk
With the waist of a redwood in the center of a scenic bypass;
My country with the lips of algae and silt from the Great Lakes

With the cheeks of a ticker tape parade on celluloid stock
With the teeth of a picket fence on a shifting, slumping shoreline;
The tongue of a cracked bell that just rings and rings on command
Of a televised courtroom, a satellite that spies in dark silence;

My country with the eyelashes of high-tension wires
With brows of the upper seats of a sold-out stadium
Of the blue light under the sheets
And of the steam rising from an executive sauna fifty stories high.

My country with shoulders of interstate concrete
And of a hydroelectric dam holding back the stars;
My country with the sticky, messy fingers of a contested ballot box
Of a strewn deck of plastic cards;

My country with armpits of coal dust and scented bubble tea
Of suburban sprawl and the nest of a bald eagle in a cell tower
With arms of Mississippi tributaries and of a thousand assembly lines
And of a mingling of the cornfield and ambushed migrant workers;

My country with legs of elusive wildfires
The movements of a swing state and a jazz festival
Calves of sequoia bark, feet of broken treaties and numbered amendments
Toes of subway tracks and tourists flicking coins into canyons.

My country with a neck of unharvested wheat
A throat of pulsing fiber and high-powered cooling fans
Of a protest stage shrieking in the bed of a dry river
With breasts of the Appalachian night;

With the ribs of a multi-story shopping mall
Of a ghost town shadowed by the noonday sun;
My country with the belly of a thumb-scrolled digital map
With a back of an abandoned silver screen;

My country with a nape of red clay and cooling asphalt
And of the threads of a smudged napkin on a diner counter at 3:00 AM.
My country with hips of a barreling NextGen Acela
With hips of a county rodeo and of Friday night tossed penalty flags

Of a pendulum swinging between fairground stand food and Michelin-rated dining.
My country with bones of Civil War reenactments
With the ligaments of uncirculated library books
With the tendons of a buffalo nickel gifted to a grandchild.

My country with the loins of an offshore drill and the grocery store pharmacy
Of prairie grass and vintage baseball cards.
My country with ears full of rotating sirens
Of eyes of parabolic, steerable radio telescopes.

My country with eyes of a flatscreen TV left on at night
With eyes of a forest gasping for breath…

My country that vowed to love us always:
Our hands held out for answers, trembling within rusty handcuffs.

Zumwalt's poetry feeds on alienation, shifting reality, and forced adaptation. Zumwalt is a repeat contributor to The New Verse News.

THE OTHER SIDE OF A WALL

by Mara Adamtz Scrupe

                       out beyond the blest kingdom

amongst the trackless traders & slavers & affluent technocrats 

            lands amassing & bomb shelters & clandestine

            airstrips & marble-tombed 

bathrooms & gated havens to get off on        on the other side

             

of the wall lizards dart in & out or lie in heat benumbed       

            amongst the Burdock catch-spring 

spurred ovate bolls/ reckless rule-less ghost moths skim

&lek/ scroll & whitecap        billow& spray exploding 

in quiver-pleasured olfactory raves & gullies            out beyond

                        the blest kingdom

insect/ amphibian/ mammalian females choose their mates

whilst the males of the species           

entice them uncontested/ none abstain in a homeland       

convinced of its quiddities

            I mark & mind an ancient détente as the eighty richest 

chock-full ride it out from a distance            

it’s a bad bad 

business the way the wall says                       

            inhale/ exhale            expect              nothing

as the dam diggers stem the flood over the faceless fence 

            & the wounded unwing-ed collapse & orange peacock-

eyed butterflies remind me 

            of rope & strand of knot & sign & climb 

& hold on tight           for dear    dear             

at the bottom of this breach 

holed & don’t they know it        up here  though

             on top between squab & hassock 

common six-line racerunner skinks queue a line 

            from my chaise across the porch floor not stiffs

            buried under a dune on the other side of a wall      

but languid/ marking a border

                        they simply                 slip over

Mara Adamitz Scrupe is the author of five poetry collections: BEAST (NFSPS Press, 2014), Sky Pilot (Chapbook, Finishing Line Press, 2012), Magnalia (Chapbook, Eyewear Publications, 2018) and a daughter’s aubade/ sailing out from Sognefjord (winner, Fledge Poetry Competition, Middle Creek Press, 2019). She is the winner of the 2018 Grindstone Literary International Poetry Competition, and the Brighthorse Press Poetry Book Prize for her manuscript in the bare bones house of was which will be published in 2019. Her poems have appeared in international literary journals and magazines and she has won or been shortlisted for the Kay Murphy Poetry Prize, Ron Pretty Poetry Prize, BigCi Environmental Fellowship, Erbacce Prize, Fish Poetry Prize, Aesthetica Creative Writing Award, University of Canberra Vice-Chancellor’s Prize, Bristol Prize, and the National Poetry Society Competition, among others. She divides her time between her farm in Virginia’s Blue Ridge Mountains piedmont and Philadelphia, Pennsylvania, where she is Professor of Fine Arts and Creative Writing at The University of the Arts.

THE ECO-DEMON

by Judith Barrington

What kind of beast—wounded or blind—blunders
across dunes, scattering sand with its bleeding limbs
or dives from the sky, fiery breath burning everything
that grows and breathes?

Take a good hard look at the colors of the earth—
even now, much remains behind and beneath
the concrete we’ve poured, the hills shorn of forests,
oceans hilly with trash.

This beast holds back the current of the river
with brute force harnessing the water’s power
to its own greedy strength. Fish slam into the dam
and fall back stunned.

Look at it all while you still can. Resolve
not to feel sorry for the beast’s thick skin
or its red, weeping eye. Step out, alone if you must,
but watch your back.


Judith Barrington has published three poetry collections, most recently Horses and the Human Soul and two chapbooks: Postcard from the Bottom of the Sea and Lost Lands (winner of the Robin Becker Chapbook Award). She was the winner of the 2012 Gregory O’Donoghue Poetry Prize (Cork International Poetry Festival) and her memoir, Lifesaving won the Lambda Book Award and was a finalist for the PEN/Martha Albrand Award. She teaches classes and workshops in the USA, England and The Almassera, Spain.

CROSSROADS

by Howard Winn

Red Oaks Mill dam - after collapse. Image source: Ed Nisley's Blog

At the crossroads, they call it Red Oaks Mill on the AAA map,
in an empty obeisance to some historic past.
Mill is gone, dam remains but crumbling,
the red oaks have long been dead.
Empty strip mall stores stare
blindly at each other across the highway.
The Sunny Day Gift Shop
and its Korean proprietor are gone
with the Hallmark cards
cheerily celebrating birthdays, weddings,
mothers' and secretaries' day,
along with Michael who made flower and fern
arrangements prettily next door.
Paper taped to plate glass makes mirrors of windows
reflecting upon absence, loss, and death.
Liquor, Wine and Lotto,
respite from diminishing reality,
has moved along to cheaper digs.
Phil the pharmacist has been absorbed
by a glittering Rite Aid
expanded to sell Wonderbread, Campbell Soup, Twinkies,  Kraft Cheddar, and beer
because Grand Union is gone,
directed by  numbers from a foreign land.
Closed, the lost Burger King where too  slow moving beef and fries
incinerated some franchised American Drive-Thru Dream.
The former hardware store owner wears
an orange apron at a distant Home Depot and smiles
when he makes eye contact
and perhaps, perhaps not, when he
receives his regular hired hand's paycheck.
The farm is foreclosed and subdivided,
Black Angus finished by abattoir,
not even picturesque tumbleweeds blown
against abandoned fences
but pools, dentists, and barbecues rampant.
Lawns staked through the heart with signs of Century 21.


Most recently Howard Winn had poems and fiction published in The Dalhousie Review, Descant (Canada), Cactus Heart, Main Street Rag, Caduceus, Burning Word,  Pennsylvania Literary Journal. Southern Humanities Review, Cutting Edgz and Borderlands. His B. A. is from Vassar College. His graduate degree is from the Writing Program at Stanford University. His doctoral work was done at New York University. He is a State University of New York faculty member.