TRADE

by Zumwalt

President Trump on Monday lashed out at communities that are protesting data centers, suggesting that residents who do not go along with the artificial intelligence revolution must prefer to be “backwards and poor.” —The New York Times, August 31, 2026

It’s a fair trade.

Water for compute.

Convert all the reservoirs.

Pump the aquifers to cool the language models.

Water for compute.

It’s a fair trade.

Energy for the processing.

Switch the substations to priority routing.

Make the desert a giant server farm.

Energy for the processing.

Prices are right for data and power.

Step up production:

More servers, more carbon in the air;

More processing, less rivers, more exhaust in our lungs.

Rising global temperatures are ripe to drive up prices.

Droughts increase water’s premium.

Aquifers get depleted.

Power becomes even scarcer.

Cooling costs rise.

Little Johnny wants to make money.

How can he not help to do so?

Invest in AI and pollute at the same time.

Easy money.

Pollute on a small scale:

Pocket change.

Pollute on a large scale:

Wealth beyond dreams.

Rising Temperatures,

Erratic Weather,

Algorithmic Growth,

Scarce Water Resources,

Civil Unrest

All put stress on

Grid supplies.

Now Johnny has to work harder.

He burns the midnight coal.

And makes more money.

Data centers, crypto mines and gigawatts

Make deserts out of wetlands.

Cooling fans, diesel backups and transformers

Make hazardous waste the specialty in trade.

But it’s a fair trade.

Quality of Life for Velocity of Life.

It’s a reasonable trade.

More processing for less plants and animals.

We will switch the future for the present.

Make our dreams a giant dustbowl.

Swap future prospects for a generated prompt.

Principles are right for the harvesting.

Let’s step up consumption:

More compute, more poison, hotter temperatures;

More processing, less rivers, less need for people.

It’s a good, honest trade.

I can write away the guilt.

Post my outrage to a monetized feed

And feel just a little better

As everyone increasingly feels worse.

Zumwalt’s poetry examines the intersection of identity, instability, and the mechanics of perception. Zumwalt is a proud repeat contributor to The New Verse News.

HERE, NOW, ON WOBBLY LEGS

by Ronald J. Pelias

AI graphic by Nightcafé for The New Verse News

When our earth stands on its wobbly legs,

its ankles broken, knee ligaments torn,

its lungs black with soot and sorrow

 

when our chemicals pollute and poison,

our air and water contaminate our bodies,

and pandemics become commonplace

 

when the heat rises each day to record levels

and oceans rise above our frightened feet

faster than any barrier can be built

 

when fires eat the landscape, tornadoes

tear through our homes, and hurricanes

can’t be measured with current categories

 

when polar bears starve as the ice melts,

whales wash on shore with bellies filled

with plastic, and bees die from insecticide

 

when steadfast scientists, overwhelmed

by the enormity of earth’s physical deterioration,

insist on triage priority for our fading planet

 

when environmentalists warn and warn

and the politicians do nothing to change course,

to save, here and now, the blue ball we call home

 

when other celestial bodies are beyond

reach, dreams of a better future fade,

and hope washes away with the latest flood

 

when words fall on the deaf ears of deniers

and our earth collapses on its wobbly legs,

it might be helpful to offer a steadying hand.

Ronald J. Pelias has spent his career working with the fusion of performance, literature, and qualitative research methods. His most recent books are The Creative Qualitative Researcher (Routledge), Lessons on Aging and Dying (Routledge) and Writing and Other Familiar Things (Routledge).

MAJOR OAK

by Matthew Murrey

‘Most famous tree in the world’: Sherwood Forest’s 1,000-year-old Major oak dies —The Guardian, June 18, 2026. Photo by Mark Chelu via Shutterstock.

I hold a thousand years of rings—

laws turned crimes, outlaws

heroes: Robin Hood to Mangione.

I have remained here

as posts were sunk, fences strung,

and commons turned to cost.

I have known the sadness of air

heavy with smoke and all the burnings:

coal, humans, forests, oil and gas.

I know there are limits,

only so much time,

and all of us must perish.

I am stark. You can see

every gnarl, burr, split, and break

in the bark, scar in the wood.

I have not put forth one leaf

in this heat of twenty twenty-six.

You and I stand bare beneath the sky.

Matthew Murrey is the author of Little Joy (Cornerstone Press, 2026) and Bulletproof (Jacar Press, 2019). He can be found on Bluesky and Instagram under the handle @mytwords.  

ODE TO PROGRESS

by Tim Walker

Where are the mayflies of years past?
Or their descendants for that matter,
missed for many a May? But hey, at least
our windshield’s free of bug splatter.

Are night-blooming plants bereft of pollination
by moths confused by light pollution?
Praise be to LED lights, so productive,
we splurge on ever greater wattage!

And how does the little busy bee
keep up morale in its collapsing colony?
Being a social insect is overrated, vastly,
like being a seed-dispersing beasty.

The plants will learn to do without them.
We’re all tightening our belts. In the long run
we’ll concoct “honey” from sorghum
and petroleum byproducts, Amen.

Tim Walker read, for pleasure, the complete novels of Charles Dickens while earning a BA in Environmental Studies, and the complete novels of Anthony Trollope while earning a PhD in Geological Sciences, and has worked as a computer programmer, healthcare data analyst, used book seller, and pet sitter. He lives largely in his own head, while he corporeally resides in Santa Barbara with his son Dana and their cat Cassiopeia. His essays and poems most recently appeared in Harpy Hybrid Review, 3:AM, Fatal Flaw, Rock Salt Journal, and are forthcoming in Sneaker Wave Magazine and TYPO: The International Journal of Prototypes.

HEALTH ALERT BULLETIN CONCERNING CAPITOL CLIMATE CHANGE

by Lynne Barnes

AI-generated graphic by NightCafé for The New Verse News.

AI-generated graphic by NightCafé for The New Verse News.

Be advised:

 

Now is a time of high stress.

It’s in the air like smoke and ash.

You must mask while you’re out

and get inside as soon as you can.

 

Get inside circles of humans who see, know

who you are, circles of people who allow you

to share your emotions and thoughts.

 

Sharing inside circles of trust

can boost your immune system,

help neutralize the pollution

of this air we are breathing now,

 

air hazy with particulate matter of fear

that has come upon us suddenly

in this last half of

the month of January, 2025.

 

Take care.

Lynne Barnes is a retired psychiatric nurse and librarian who has lived in San Francisco since 1969. Her poetry memoir, Falling into Flowers (Blue Light Press, 2017) was a finalist for the 2018 Eric Hoffer Book Award.

TO THE PLASTIC I SHARE THIS BODY WITH

by Laura Grace Weldon

Microplastic Pollution Is Everywhere, Even in the Exhaled Breath of Dolphins —Discover, October 28, 2024

You and your kind have been with me since 

my teething toy days. Since doll faces kissed

and freeze pops squeezed from clear cold tubes. 

 

Since hand-me-down raincoats and Halloween masks. 

Since yogurt cups and zippered sandwich bags.  

You’re in my clothes, my water, my breakfast. 

 

I now know you’re in my blood. 

In everyone's blood. 

In our breast milk, brains, muscle, hearts. 

 

You are carried in the bodies of snowy owls and orcas,

bonobos and brown bears and baobab trees.  

You are exhaled in dolphin breath. 

 

You ride through air and oceans, ride through us. 

When we die, you will persist

for thousands of years.

 

We humans dream of leaving a legacy  

but not like this. 

Not like this.

Laura Grace Weldon lives in a township too tiny for traffic lights where she works as a book editor, teaches writing workshops, serves as Braided Wayeditor, and chronically maxes out her library card. Laura was Ohio’s 2019 Poet of the Year and is the author of four books. 

MEAL FROM HELL

by Kay White Drew

AI-generated graphic from Shutterstock for The New Verse News

Mash together lies and conspiracy theories,
minced fine. Knead graft and greed
until soft and pliant. Chop bodily autonomy
with the knife of corrupt judgment
on the devil’s cutting board. Peel
rights and freedoms inexorably,
till only slivers remain,
then boil what’s left in oil.

Serve on a platter made of microplastics,
fossil fuels, and radioactive waste,
to all those white supremacists who dare
to call themselves Christians.

Pour the dish, still piping hot,
over their heads.

Kay White Drew, a.k.a. Katherine White, M.D., is a retired neonatal physician. Her essays, poems, and short stories appear in several anthologies and online journals; an essay in the Loch Raven Review was nominated for a Pushcart Prize. Her memoir Stress Test came out on 6/4/24. She lives in Rockville, MD, with her husband.

DEAR JASON ALDEAN

by Laurie Rosen

In my little town there were

moms at home doing laundry,

schools we could walk to,

one car in every driveway, sometimes two. 

Our neighborhoods teemed with children —

kick ball or wiffle ball in the middle of the street.

There was a bowling alley, ice cream parlor

and golf driving range, 

In my little town there were teachers 

who required us to memorize poems, 

write haikus, read Icarus, Hiroshima,

Shakespeare and the Bible. 

And in my little town, a football coach taught 

health class. A young teacher who spoke

openly on the VietNam war, civil rights 

and the slaughter of indigenous people

was disappeared, replaced

by an elderly retired teacher who bored us 

with dates and white washed facts,

screamed at us to pay attention. 

Our only lake, once a summer retreat, 

was declared a Superfund waste site. 

There was rampant drug and alcohol abuse, 

breast cancer, brain tumors, overdoses and suicides. 

In my little town, mostly white and Christian,

we sang China Town is Burning down, 

during recess, to the tune of ring-around-the-rosy 

at the one Chinese American boy 

in our third grade class, who stood

off to the side, while we held hands 

and skipped round and round.

Laurie Rosen is a lifelong New Englander. Her poetry has appeared in The Muddy River Poetry Review, Peregrine, Oddball Magazine, Gyroscope Review, The New Verse News, The Inquisitive Eater: a journal of  The New School, One Art, and elsewhere.

WHAT TO DO WITH MY DEAD BODY

by Lois Wickstrom

At his funeral, CJ looked as if he would sit up and laugh when he thought we had grieved enough. He wore his best suit and his best grin. But he never ate a bite of the food we brought. Nobody alive could have resisted that long. Nobody is that good at playing dead.

The casket, the rented hall. It’s all theater. Being dead doesn’t require props or an audience. When I’m dead I don’t want anybody to doubt it.

My mother was cremated, at the lowest priced place she could find in the yellow pages. My brother sprinkled her ashes beside one of her favorite mountain streams.

The smoke from cooking her dead body turned the air gray. I do not want my last act to be pollution.

At the green burial grounds, each corpse is wrapped in a shroud of cotton, and buried six feet under.

I like the idea of being eaten by worms. My corpse does not need a room of its own.

During the yellow fever, more than 10,000 bodies were piled up and buried together in what is now the parking lot where I worship. Being dead has not changed. Being buried means the same.

After embalming wears off, caskets corrode, and worms eat us, we will all become fertilizer.

Why wait?

As soon as I’m dead, throw my remains in the composter. Twirl the knob and spread my loam in the nearby woods. When all my organic parts have been consumed by new growth, layer new dead above me. And let them rot.

Lois is a former science teacher. She has written a series of science-based folktales, and turned some of them into plays. In each modernized tale, the protagonist achieves a better ending because of learning scientific principles. Lois likes to garden, ride her bike with her husband, cook, and she votes in every election.

LIGHTS OUT

by Alejandro Escudé

In 2014, Los Angeles cut its annual carbon emissions by 43% and saved $9 million in energy costs by replacing the bulbs in more than half of the city's street lamps with light-emitting diodes. That year, the Nobel Prize in physics went to three scientists whose work made those LEDs possible. "As about one fourth of world electricity consumption is used for lighting purposes, the LEDs contribute to saving the Earth's resources," the Nobel committee explained when it announced the award.... But that's not how Ruskin Hartley sees it. "The drive for efficient fixtures has come at the expense of a rapid increase in light pollution," he said. Hartley would know. He's the executive director of the International Dark-Sky Association, or IDA, and he's one of a growing number of people who say the dark sky is an undervalued and underappreciated natural resource. Its loss has detrimental consequences for wildlife and human health…. "We've taken a lot of the energy savings and just lit additional places," Hartley said. It's a classic example of the Jevons paradox, in which efficiency gains (such as better automobile gas mileage) are countered by an increase in consumption (people driving more often). —Phys.org, September 23, 2022. Photo Credit: Unsplash/CC0 Public Domain

There is nowhere on the Earth left for the human being.

We’re too blue and too bright, we (how to put this?)

destroy the night. It comes to me now, the cruise ship

I was on, northern Mediterranean, lightning-streaks

across the dining room windows as we ate, Titanic scene,

the ship listing to and fro. I went out to see it, to take in 

the storm and the ship’s lights were laying like a mermaid’s

gauzy hair across the tossing waves. I’d be shamed

by many others simply for recounting this trip, mocked

for excursions, games, scheduled meals. I’d think 

of Odysseus in Sicily, duping the Cyclops, hiding his 

men beneath the curly warmth of sheep. Sometimes, 

I also want to hide that way from the weaponizing shame

humanity turns against itself—more lethal than nuclear

weapons, toxic as a leaky oil tanker. We recognize

the firelight and so does the snake, the shoreline plover, 

but we choose the incandescence of daylight at night.

I have been in the center of my worldly city, lost in

absolute darkness, unable to walk my dog, a block

away the foraging lights of shark-like airliners taking

off into the gridded coordinates of the briny sky.

Shall I leap back into my Neanderthal skin yet eschew

the Sahara rat for the naked leaf? Shall I bore into

the ground, further and further, as the rich climb 

diamond-encrusted staircases into Olympus-sized

homes? My children are not guilty of the bright light!

My planet is not above me, and it isn’t below me,

and it’s certainly not flat. I eat LED light bulbs for 

a midnight snack, looking out over the shellshocked 

tapestry, basking in the sky glow, so I may light

the places within me that don’t need to be seen.

Alejandro Escudé published his first full-length collection of poems My Earthbound Eye in September 2013. He holds a master’s degree in creative writing from UC Davis and teaches high school English. Originally from Argentina, Alejandro lives in Los Angeles with his wife and two children.

MY HEART GOES OUT

by Joan Mazza

The morning after the storm. Photo tweeted by @miguelmarquez.

to those many people who lost

their homes, flattened and inundated

by Hurricane Ian’s smack down.

To people sifting through mud

and debris to salvage what’s useful,

from homes without roofs.

The videos and photos are published

of houses floating away, smashed.

Pets gone. My heart goes out

to the people of Pakistan weeks

after one third of their country

was flooded and now their children

are dying of cholera. Swathes

of forests have burned all over

the world. Whales are eating

plastic because the ocean is full

of it. Covid isn’t over. People

are dying every day, gasping

for breath. My heart goes out

to those too cold or too hot, breathing

mold or dust or smoke and ash.

For my friends Shaun and Karen

in a marathon to outrun cancer.

For Charlotte who said goodbye to her

beloved hound Maggie after sixteen

years. For everyone suffering

as humans always have in a world

that throws us beauty and abundance,

love, pleasure, and plush comforts,

leaves us anticipating, eager for more,

and then snatches it all away.

My heart goes out to you, to us. 

Joan Mazza has worked as a medical microbiologist and psychotherapist, and taught workshops  on understanding dreams and nightmares. She is the author of six books, including Dreaming Your Real Self, and her poetry has appeared in Valparaiso Poetry Review, Prairie Schooner, The Comstock Review, Poet Lore, Slant, and The Nation. She lives in rural central Virginia and writes every day.