DEMAGOGUERY FOR DUMMIES: LYING WITH IMPUNITY

by Paul Burgess

President Trump’s shifting positions and outright lies have presented the American public with dueling narratives at every turn. —The New York Times, March 8, 2025

When caught in bold, apparent lies,
Just look accusers in the eyes
And flash a grave, offended frown
While digging in to double down. 
 
When people say they've gotten proof,
Declare their sources stand aloof 
From all that's decent, true, or fair 
And freeze them with an icy stare.
 
Then take their claims and throw them back
And wear them out with your attack.
Their armor takes no time to rend.
They came to charge and not defend.
 
Insist they envy all your fame
And labor hard to smear your name.
To get the mob to take your side,
Appeal to people's sense of pride.
 
Convince them that their brains are wired
To see the way your foes conspired
And other folks are not as smart
Or simply play the villain's part.
 
What's true will shortly be defined 
In only ways you have in mind.
Their truth's not worth a bag of beans
Because you'll change what “honest” means.

Paul Burgess lives in Lexington, Kentucky. He is the sole proprietor of a business that offers ESL, translation, and interpretation services. He speaks several languages fluently and enjoys engaging with the cultures and intellectual histories of many nations. His poems have appeared in Blue Unicorn, The Orchards, Parody, Lighten Up Online, and other poetry publications.

HOW TO ERASE

by Ron Riekki

Sacheen Littlefeather

“Indigenous identity is complicated. 

What I do know is that the impact that Sacheen had on myself was very real” 

—Devery Jacobs 

  

—“The Sacheen Littlefeather controversy highlights a 

debate over what it means to be Native American,” CNN, November 5, 2022

 

“I like you the way you are” 

—Avril Lavigne, 

“Complicated” 

Sacheen Littlefeather’s sister says that Sacheen 

talked about being native in order to get fame. Yet 

her sister is having no trouble denying being native 

in order to get fame. Why wait until someone is dead 

to have the conversation about their identity?… I know 

someone who’s native. Her brother denies being 

native. & in his denial, it furthers his belief that 

 

he’s not native. Whereas, his sister—who is native— 

goes to native events, is deep friends with native 

people, & so she learns more & more about her

native heritage, but when she tries to explain 

those connections to her brother, he has no 

interest… If Sacheen Littlefeather’s sister 

wanted to understand her sister, then she 

 

would have needed to talk to her sister 

to find out what her sister knew, knows, 

will know. Native is narrative. It is 

the stories we unearth, how we grow 

by unravelling what is unknown. 

A CBS News article I read on 

Sacheen Littlefeather said it 

 

reveals the reality of her her- 

itage, but it misspelled her 

name twice in the article, 

listing her as: Sacheen 

Littlefather & Sacheen 

Littlefield (since 

corrected), but it 

 

made me think 

how the cloud 

outside my 

window 

right 

now 

is a 

 

dog, 

no, 

it’s 

a 

c 

a 

t 

. 

Ron Riekki co-edited Undocumented: Great Lakes Poets Laureate on Social Justice (Michigan State University Press).

WE REAL COPS

by Deirdre Fagan

The two vigilantes in their pickup chase Ahmaud Arbery whom they eventually kill.

After Gwendolyn Brooks

THE VIGILANTES.

TWO IN A PICKUP.

We real cops. We
Pop pops. We

Shoot straight. We
Leak lead. We

Trim thin. We
Spin sin. He

Die soon. We
Gain fame.

Deirdre Fagan is a widow, wife, mother of two, and associate professor and coordinator of creative writing in the English, Literature, and World Languages Department at Ferris State University. Fagan is the author of a chapbook of poetry Have Love published by Finishing Line Press. Her poetry, fiction, nonfiction, and academic essays on poetry, memoir, and pedagogy are available in various creative and academic print and online journals and collections.