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Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Showing posts with label jailed. Show all posts
Showing posts with label jailed. Show all posts

Tuesday, November 25, 2025

A COUP DOH! TO BRAZIL

by Steven Kent



"Jailhouse shock: Brazil coup monger Bolsonaro finally faces life behind bars" —The Guardian, November 20, 2025


There's a shift in opinion: Today

Bolsominions indignantly say

Jails are too inhumane,

Though they've made it quite plain

Up till now that's the only Right way.



Steven Kent is the poetic alter ego of writer and musician Kent Burnside. His work appears in 251, Asses of Parnassus, The Dirigible Balloon, Light, Lighten Up Online, The Lyric, New Verse News, The Orchards Poetry Journal, Philosophy Now, The Pierian, Pulsebeat Poetry Journal, The Road Not Taken: A Journal of Formal Poetry, Snakeskin, and Well Read. His collections I Tried (And Other Poems, Too) (2023) and Home at Last (2025) are published by Kelsay Books.

Tuesday, January 02, 2024

SMALL VICTORIES

by M. Benjamin Thorne


Two Russian poets have been handed long jail sentences for taking part in a reading of anti-war poems in Moscow. A Moscow court gave Artyom Kamardin seven years and Yegor Shtovba five and a half years for "inciting hatred" against Russian troops and making "appeals against state security". Both had pleaded not guilty… A third poet who had taken part in the poetry reading, Nikolai Dayneko, was given a four-year sentence earlier this year after pleading guilty and co-operating with the investigation. —BBC, December 28, 2023. Photo: Russian poets Artyom Kamardin (L) and Yegor Shtovba (R) stand inside the defendants' glass cage as the verdict against them is announced at a court in Moscow, on December 28, 2023 [Alexander Nemenov/ AFP via AlJazeera]



Artyom Kamardin, the scuttling hands
of Putin’s comrade army clutched you away.  
Yegor Shtovba, they broke you in prison, brutally 

shoved their weakness inside you. 

Today they sought to silence freedom,
and tonight Akhmatova’s ghost screams.

 

All for the crime of poetry. A few words
that sat heavily in public, burning
like Chernobyl rubble, glowing in the dark.
What will their half-life be?
Already the rallied crowd shuffles
back into quiet anonymity.
Who bows their head lower now                  
in shame, them or Pushkin?
Where are the souls so moved
reciting Eugene Onegin from memory?
Where the fierce courageous applause
that followed Shostakovich and Yevtushenko?
Freedom is still a young and starving child,
will you like Tsvetaeva give her to the state to die?
Why grieve for fallen soldiers
when you murder them at home?

Perhaps their poems were as meaningless
as Soviet ration cards for milk past 10 am,
or victory claimed in a burned-out village.
One poem may not change the world.
But words are radioactive and once heard
can decay the most calcified mind’s
defenses. Perhaps the sense of resistance
is not to succeed, but inspire others to resist.
A poem may change the world for one person.



M. Benjamin Thorne is an Associate Professor of Modern European History at Wingate University. As an historian and poet, he is interested in what—and how—societies choose to remember and forget traumatic episodes from the past. He has poems forthcoming from Topical Poetry and The Main Street Rag.

Friday, October 15, 2021

WHERE TRUTH AND THREAT TANGLE IN KNOTS OF NO NAME

by Jen Schneider


Judge Donna Scott Davenport during a 2017 deposition. Credit: Obtained by ProPublica and Nashville Public Radio.


Black Children Were Jailed for a Crime That Doesn’t Exist. Almost Nothing Happened to the Adults in Charge: Judge Donna Scott Davenport oversees a juvenile justice system in Rutherford County, Tennessee, with a staggering history of jailing children. She said kids must face consequences, which rarely seem to apply to her or the other adults in charge. —Meribah Knight, Nashville Public Radio, and Ken Armstrong, ProPublica, October 8, 2021


tiny babies on metal swings,
toss rubber balls on concrete
tiny babies clothed in fabric
of NBA stars & NBC scenes
chalk words on concrete
tiny babies entrusted
to institutions of unknown pores
& unsuspecting wills
serve time on concrete
 
NO
           1. __ 2. __ 3. __
 
cold benches
cold eyes
filters everywhere
 
tiny babies on metal cots
fight demons of demonstrative
power & fail to sleep
 
NO
           1. __ 2. __ 3. __
 
cold lots (& bots)
cold plots
filters everywhere
 
dark curtains blanket lives
& squash truths
dark curtains conceal filters
& give breadth to those who
struggle to breathe
journals fail not to reveal
false truths. journalists
fight to reveal hidden truths
 
NO
           1. __ 2. __ 3. __
 
cold data
cold calls
filters everywhere
 
as locks turn right
& shifts (shifty eyes) turn left
truths & threats tangle
in knots (& playground lots) of no name

time ticks. clocks run.colds (& charges) linger.
tiny babies of metal
fences take charge. document false charges.
tally lives on indefinite pause
& subject to indeterminate pain
judicial oaths & pledges
of allegiance
stream syllables of familiar
themes
1. Liberty 2. Justice 3. All
& strings of familiar
knots
1. Truth 2. Transparency 3. All
& cracks of familiar
ideals
1. Peace 2. Fairness 3. All

frayed fibers, tangled twine
false/falsified/fabricated (truths, charges, crimes)  
true fear (& dark curtains) everywhere


Jen Schneider is an educator who lives, writes, and works in small spaces throughout Pennsylvania. She is a Best of the Net nominee, with stories, poems, and essays published in a wide variety of literary and scholarly journals. She is the author of Invisible Ink (Toho Pub), On Daily Puzzles: (Un)locking Invisibility (forthcoming, Moonstone Press), and Blindfolds, Bruises, and Breakups (forthcoming Atmosphere Press).