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Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Showing posts with label lips. Show all posts
Showing posts with label lips. Show all posts

Sunday, May 29, 2022

APPROPRIATION

by Judy Juanita


Sources: Khloé Kardashian claps back at criticism she holds daughter True, 3, ‘too much’Khloe Kardashian Faces Backlash for Holding Baby True Dangerously: 'You're About to Break Her Neck!'The Kardashians' Legacy of Blackfishing and AppropriationKardashians and Cultural Appropriation | Penn State - Presidential Leadership Academy (PLA)


a kardashian butchers her face into
a kewpie doll with our lips
another apes us with silicone butt

mocking the slavemasters who auctioned us naked
inserting the middle finger to show our fertility

one nestles a brownbaby against that recast jaw
triggering envy hate monstrous anger
the reproach: you hold our brownbaby too much
she is defiant: we good

nah
you good
we not


Judy Juanita's poetry collection Manhattan my ass, you're in Oakland won the American Book Award 2021 from the Before Columbus Foundation. Her poem "Bling" was nominated for a Pushcart Prize in 2012. Her semi-autobiographical novel Virgin Soul is about a young woman who joins the Black Panther Party in the 60s (Viking, 2013). Her collection of essays DeFacto Feminism: Essays Straight Outta Oakland [EquiDistance, 2016] examines race, gender, politics and spirituality, as experienced by a black activist and self-described "feminist foot soldier." Winner of the Tartt Fiction Prize at the University of West Alabama [UWA], her short story collection The High Price of Freeways will be published by Livingston Press [UWA] in July, 2022. 

Thursday, September 03, 2020

COVID-19 LIPOGRAM

by Martin Elster


Kay Scanlon / Los Angeles Times; Getty Images


Masking my physiognomy
may blight my glorious bond with you.
Your shroud, part of your armory,
brings to mind this bugaboo

bugging all of us. So now
as you and I chat through our masks,
although your orbs and striking brow
may knit or grin, a ticklish task

awaits us: To concoct a way
to talk with hands, with nods, and know
that you and I can simply say,
“I want you!” though our lips won’t show.


Author's Note: This is a  poem without the letter “e."


Martin Elster, who never misses a beat, was for many years a percussionist with the Hartford Symphony Orchestra. His career in music has influenced his fondness for writing metrical verse, which has appeared in numerous literary journals and anthologies in the US and abroad. A full-length collection Celestial Euphony was published by Plum White Press in 2019.

Saturday, March 29, 2014

CYBER LIPS

by Susan Vespoli

            (after Lucille Clifton)


....................../´¯/)
....................,/¯../
.................../..../
............./´¯/'...'/´¯¯`·¸
........../'/.../..../......./¨¯\
........('(...´...´.... ¯~/'...')
.........\.................'...../
..........''...\.......... _.·´
............\..............(
..............\.............\...


watch out for online lips.
they need no face
to move around on.
they speak in virtual blips
from keyboard
cell phone screens
they tweet and twitter
spit. those lips

are chicken clicks
they snap their words like whips
flip posts like middle finger.


Susan Vespoli
lives mainly in Phoenix, but sometimes in Prescott, with her partner and dogs. She is a teacher, poet, and born-again-bicyclist.