A TRUMP SUPPORTER

by Ralph Dranow

ANGRY POET. SUMMER 2008. From a cycle "ART FAIR AND ITS INHABITANTS" Print by Yuri Kachkin Ukraine

"Why do you like Trump?" I ask.

It's his first term.

Bill's pale forehead furrows,

bespectacled eyes twin fires.

"He's a strong leader and a successful capitalist.

I happen to like capitalism."

After a poetry reading at night,

we're drinking beer in a pizza parlor,

amidst a hum of conversation

and clatter of glasses and dishes.

We go on talking politics,

our voices civil

despite disagreeing on every issue.

But troubled, I wonder:

How can a nice, intelligent guy like Bill,

who's treated me tonight,

embrace a monster like Trump?

We part, shaking hands,

like two diplomats from countries

somewhat wary of each other,

neither friend or foe.

Later, at home, a detective in search of clues,

I reread Bill's poetry book,

and some of the lines cry out to me,

like forlorn children:

"Rage burns deeply inside me.

It always has."

"Alone and miserable.

Maybe I deserve it."

Politics fades away.

My heart opens its gates,

as I give Bill a long distance hug.

Ralph Dranow is an editor and poetry teacher.

AND SOON RELIEF

by tom bauer

United States Congresswoman Rashida Tlaib has introduced a resolution to recognise the Palestinian Nakba, the term used to describe the forced displacement of hundreds of thousands of Palestinians before and during the establishment of the State of Israel in 1948. —AlJazeera, May 11, 2023

The United Nations for the first time on Monday officially commemorated the displacement of hundreds of thousands of Palestinians in the war surrounding the creation of Israel 75 years ago, drawing a sharp response from the Israeli ambassador to the world body. —The New York Times, May 15, 2023

how long the shame of saying words all wrong

not knowing who is right or wrong in harm.

how long to never criticize for fear
of self-betrayal, life, and friend-betrayal,
the edge betrayals of a world of stone.

the concrete streets and building fronts are full.
emptiness is everywhere in loneliness.

whatever loss there is, life returns in full.
spring flowers come again in spring for all.
it is but one promise of being in life.

we must not waste it all, we cannot waste
it all, we dare not waste it all again.

a moving field of faces growing warm
in sunlight, yellow sand, dusky nights, rain
refreshing all the land, crumbly when
we climb the yielding earth with fresh roots.

tom bauer lives in montreal with his sons and plays boardgames.

I AND THOU, CHATGPT

by Barbara Simmons

Shutterstock AI-generated image in response to “trapped in darkness” line created by ChatGPT 

Can you write poetry?
                Free verse or form?
A sonnet on aging?
                Sure, here’s one that rhymes~
the words that show your golden hue
can stay aglow, even with wrinkles
that start to show.
 
Your words come quickly, resonate, too,
reminding me that aging carries its grace
I’m glad my sonnet resonates with you, I’m glad
I’ve helped express your thoughts. Anything else you’d like to have me write about?
 
Loneliness abounds in this post COVID world, 
so would you write a poem helping me to deal
with it?
 
I try to fill the void with noise,
But it echoes back with disdain,
I try to find joy in simple things,
But it feels like a never-ending strain
I fear my loneliness smothers
And I’ll be trapped in this darkness, enthralled
But then I remind myself
That I am not alone in this fight
 
Again, my thanks, dear ChatGPT, 
you seem to understand humanity’s plight,
so now I ask you for more help:
how to write about a marriage’s ending?
Would you? For my son?
 
Farewell, my dear, we part
Our love was true, but now it’s dark
The memories we shared the vows we spoke
Will linger forever, a permanent cloak.
 
I understand the lines, though not all ring true, 
the breaking bringing darkness of its own
to what had been the marriage’s light.
 
My poem was one perspective on letting go,
and may not resonate with all.
Let me add this is a process, not always easy,
important to focus on good memories, moments
of happiness, learning from past ones to be able 
to move forward. 
Please let me know if there’s anything else I can do to help.
 
I know my generative pre-trained transformer, ChatGPT,
generates human responses in its tool-trained ways, but
for that moment, I feel a virtual hug, feel someone
in this universe of merged moments cares, 
a universe responding when my own world’s cursor 
frequently is still.
 

Barbara Simmons, a Bostonian and Californian, says both coasts inspire her. An alumna of Wellesley and Johns Hopkins’ Writing Seminars, and a retired educator, she savors life, envisions, celebrates, and understands with words.  Some publications: Boston Accent, The New Verse News, Soul-Lit, Capsule Stories 2022: Swimming, and her book, Offertories: Exclamations and Disequilibriums.

IN MEMORY OF ALBERT WOODFOX

by Mary K O'Melveny

Albert Woodfox, who is thought to have been held in solitary confinement longer than any individual in US history, having survived 43 years in a 6ft x 9ft cell in one of America’s most brutal prisons, has died aged 75. Woodfox’s death was made public on [August 4]… Woodfox was a member of the so-called “Angola Three”—prisoners who were wrongfully convicted of the 1972 murder of a prison guard, Brent Miller, in Louisiana state penitentiary. The prison was built on the site of a former slave plantation and was commonly known as Angola, after the country from which most of the plantation’s enslaved people had been transported. —The Guardian, August 4, 2022. Photo: Albert Woodfox after his release from prison in 2016. —Credit Brian Tarnowski, The New York Times, August 5, 2022

Some say we are alone throughout our life.

Others say loneliness is just a state of mind.

One’s search for inner peace is filled with strife

on our best days. Imagine doing it alone, confined

for forty-three years in a closet-sized prison cell

where one must confront inner demons, serious

fears, failures of will, spirit. He traveled through hell,

emerged home, freed by wisdom. Like Odysseus.

Mary K O'Melveny is a recently retired labor rights attorney who lives in Washington DC and Woodstock NY.  Her work has appeared in various print and on-line journals. Her most recent poetry collection is Dispatches From the Memory Care Museum, just out from Kelsay Books. Her first poetry chapbook A Woman of a Certain Age is available from Finishing Line Press. Mary’s poetry collection Merging Star Hypotheses was published by Finishing Line Press in January, 2020.

TABLE FOR ONE

by Bonnie Proudfoot

Warm some olive oil, let it spread  

slowly across the bottom of a saucepan,

sauté chopped garlic, watch bubbles form 

around the edge of each morsel,

chop red pepper, some mushrooms,

some onions, use bite sized pieces, watch 

them soften, watch the onions turn 

golden, use vegetables so fresh 

that they offer up their essence 

to the sauce, add some chopped tomatoes, 

crush basil leaves between your palms, 

add a dash of red wine, fresh ground pepper, 

meanwhile bring salted water to a rolling boil,

add vermicelli or linguini, stir as the steam

fills the air, inhale. Then one by one

subtract the smells, the extra virgin olive oil,

the garlic infusion, onion, mushrooms,

the tomatoes ripe and juicy, 

the warm semolina, shaved parmesan, 

subtract the taste too, so the pasta

tastes like paper, the sauce, some warmish swill,

the vegetables add a bland kind of texture,

something to chew on, softer than stones,

sort of, the red wine is not worth the cost,

not really worth the trouble of decanting,

swirling. Subtract the guests at the table, 

add candles where they used to sit, 

relatives, neighbors, doctors and nurses, 

songwriters, teachers, students, bartenders,

barbers, and servers, 900,000 Americans.

Feed the birds, set the table for one,

watch clouds move across the sky,

say Mass, say Kaddish, say Grace,

try to remember how it used to taste.

 

 

Bonnie Proudfoot’s fiction and poetry has appeared in The New Verse News, Rattle Poets Respond, and in many journals. Her novel Goshen Road (Swallow Press, 2020) was selected by the WNBA for its Great Group Reads and long-listed for the 2021 PEN/ Hemingway award. Her first chapbook of poems, Household Gods (Sheila-Na-Gig Press), is forthcoming in  Summer of 2022. 

BRAVE RED

by Ellen White Rook

Posted on May 25, 2017 by Maggie at The Magical, Magnificent, Miraculous Amaryllis Journey.

on the one-year anniversary of the last time I got dressed up

 

In this country,

there is no minister for loneliness.

We make do with general anxiety.

The wind, loose, plucks

the last pinecones and builds

horizontal crowns across the snow.

After this year of quizzical

breath and fingers pressed 

against glass walls, houseplants 

are overgrown from too much care: 

Ivies overthrow terracotta 

and aloe spikes weave 

through jades.

An amaryllis 

that hasn’t bloomed in years,

this week leapt a green arc from its nest 

of tiny stones. The thumb-bud aims 

precisely where the sun comes up

even though I turn the pot

each morning and some days, 

the sky stays winter pale. 

The red sepals unfold

precisely the shade

of that last lipstick smile.

Ellen White Rook is a poet and teacher of contemplative arts residing in upstate New York and southern Maine. In the pre-COVID-19 world, she offered workshops on Japanese flower arranging and led day-long Sit, Walk, Write retreats that merge meditation, movement, and writing. In 2021, you can find her on Zoom. Although a senior citizen, Ellen is a recent graduate from the Master of Fine Arts program at Lindenwood University. Her work has been published in Montana Mouthful and Trolley Literary Journal.

ODE TO A CHAINED SONGBIRD IN THE TIME OF CORONAVIRUS

by Julia Meylor

Credit: Mauritshuis, The Hague

      In response to The Goldfinch, Carel Fabritius, 1654


We, too, sing behind locked doors, sweet bird.
Bound by restraints of fear, desire, the absurd.
We listen to operas, Broadway musicals, country western, jazz,
our deafening heartbeats, razzamatazz.
We open wide our patio doors to blast our fancy stereos,
to strum our guitars, to serenade our masked heroes.
We ask Alexa to drown out our loneliness, our unrest,
our entitled nonessentialness.

Tethered bird, we are appeased by sweet useless notes
that spin off to full pink moons and aligned planets.
Simple refrains of all for one—lean on me, come together,
rise up, sweet Caroline. Alleluia.
But it is the specters on empty streets and poisoned ships
we fear as much as touching our face, our lips.
It is a choked scream echoing across a backyard fence,
why we soap our hands and rinse.

Oh, feathered thing, keep vigil on your solitary throne,
feed us the seeds of a hopeful tune we can call our own.
For we are stumbling blindly into a craven new world,
with no elixir, no redeemer, no magic sword.
Give us this day, this week, this greening season of hush.
Show us how to bless it all without human touch.
For we are chastened by all we thought we knew,
by all we’ve lost, by all we cannot do.

Julia Meylor, of Groton, Connecticut, is a published poet and essayist, freelance editor, proofreader, and occasional babysitter. She retired in 2018 after working as a corporate communications manager, high school English teacher, and newspaper editor. Her poems have appeared in numerous literary journals and anthologies. She shares her poems, essays, and photography in her blog, Between Land and Sky, and she loves words almost as much as her grandchildren.

THINKING OF FROST, WALLS, AND THE PANDEMIC LONELINESS OF THE OLD

by Darrell Petska

Neighbor, on his side, calls over
to the scratchings of my rake:
“How are you faring?”

“We’re managing.” My voice
clears that slatted wooden fence
neither he nor I erected
nor wished taken down.

Beyond that slender chink:
the most I’ve seen of him for days.
Hale youth to seasoned elder:
“Do you have all you need?”

Opposite that fence a decade,
we’ve seldom spoken—different lives,
yet on this day quite cordially:
“Of goods, yes. Family and friends we miss.”

“Same here,” and “Give a shout
for anything you need. We’ll help.”
Brent. His name I learned
through a postal worker’s error.

“Thank you,” and “Stay well.”
Then back we turn to our private cares,
abiding by a fence unseen, cruel wall
we raise between us as we go.


Darrell Petska, a Wisconsin writer, misses the hugs of his children and grandchildren.

5TH AND AVENUE E

by Stephen Cafagna

“Bus Stop” by Reginald Marsh. Image source: Encore Editions

i stod at the bus stop as a man late for work
looking down the street
wishing this bus would appare from thin air
I’d trade the life of every passing car for my bus

I stod at the bus stop alone
feeling as if i where to die at any moment
almost in shock that i wasnt

i stod as a man looking for his only ride
like when I was four
me and my father waited for the tractor
to take us around the apple ranch
i look down

staring at my hands
think if all i have done with these
ive build, destroyed, takin and give
but what did you do?
What was your triumph?

I stod at the bus stop as a boy
hearing the rpms
twine as when the transmission shifts
the complete stop
Kushhh! brakes awoke me to another dream…

And the only thing i had of my father’s was a glass from Venezuela
He died when i was 5, his glass went when i was 21
the corner where it broke still smells of old whiskey

I had my heart ripped out before
I dont like doing it to others, tho it happens…
Would you rather be the gun shot victum?


This poem by Stephen Cafagna is from his dissertation, finalized in Fayetteville. It functions in the interstices of language and urban life -- in dialect, representing a bridge of sorts, connecting the world of illiteracy, in all its unappreciated beauty, to the literary world.