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Showing posts with label nurses. Show all posts
Showing posts with label nurses. Show all posts

Monday, September 29, 2025

MASS SHOOTING #5



by Ron Riekki


“the urge
to defy gravity    to dis-
arm another”
—Tarfia Faizullah,




“Journalist,” I say.  The police, polite, waves me over to parking.

 

I park.  I walk.  I feel sick.  I suspected there would be smoke, but

it’s not that.  The sickness comes from what has happened.  It’s one

dead, then two, then four, then five, reported on the news, last I’ve

heard.  Eight injured, last I’ve heard.  I walk towards the Church

of Jesus Christ of Latter-day Saints.  At about 10:45 a.m, the gunman

crashed his truck draped in American flags into the church.  I don’t go

to church, normally, rarely, but this morning I went late to 2|42

Community Church in Ann Arbor, so late that the service was over;

 

I’m guessing no one knew about the Grand Blanc shooting there, how

parishioners went to the truck to help, thinking it was an accident,

then realized it was done on purpose . . . Assault rifle.  A rifle made

for assault.  Sturmgewehr.  The origin, German.  Reportedly ‘assault

rifle’ comes from Hitler, from Nazi weapons production.  I walk

 

and I’m sick.  This is my sixth mass shooting I’ve gone to, but the first

time the numbers are in the double digits and the worry that it’s going

to turn out to be actually more.  I’m allowed to go further, where

the journalists are, and there are journalists.  Men behind cameras

that remind me of the David Van Driessen character in Beavis and

Butt-Head, a vibe of peace-loving pacifist, hipster, kind, quiet.  I talk

to some of them and they are soft-spoken.  Pointing cameras at super-

model females who are eloquent and efficient and focused; I don’t talk

 

to them and they don’t talk to me.  I scribble.  The building is hidden

by trees, but the sign is right there, the darkness lit up by police LED lights.

There’s little to see, except maybe five police vehicles, a fire engine,

but they very slowly keep leaving, until, by the end I stand there alone,

with about ten thin orange construction cones and a police officer

 

guarding the yellow-caution-tape entrance.  There’ve been six mass

shootings in the U.S. in the last three days— in Eagle Pass, TX;

both Southport and Raleigh, NC; both New Orleans and Alexandria, LA;

and here.  11 killed, 32 injured.  This is getting to be more and more normal.

More and more talk.  Less and less action to change things.  I scribble.

One of the last remaining telejournalists speaks to the cameraman:

“How about we do the bomb threats?”  She is laser focused on the lens,

speaks about “FBI” involvement now.  She speaks of “arson.”  I stay clear

 

of her shot.  Her Megyn Kelly vibe.  It’s 9:14 p.m.  The shootings happened

about ten-and-a-half hours ago.  They wrap up.  Two neighbors walk by.

There are houses.  A quiet neighborhood.  Middle-class.  Long one-

or two-story homes.  Simple.  Nice.  Not extravagant.  No Halloween

decorations.  I ask the two if they’ll talk to me.  They shake their heads no.

 

I ask a cop if he can answer some questions.  No.  But Dave, a “photo-

journalist” for a local CBS affiliate talks to me about the bomb threats,

lets me know that “multiple” churches in the area have been receiving

them recently.  He tells me of a “bomb squad” looking for “explosive

devices” in the vehicle.  The vehicle, I’m assuming, is just yards from us,

on the other side of the trees.  Or was.  I’m not sure if it was taken away.

He tells me that the “gunman was subdued by DNR,” says how strange

that is.  He’s working with camera equipment as he speaks, a talented

 

multitasker.  He moves into his faith.  I’m shocked at the transition,

but we’re standing in front of a church that’s just been attacked.  I ask

if he gets nervous, covering mass shootings, no, he says, “I have

a very strong faith.”  He tells me he’s good at “looking for things out

of place.”  He talks about Charlie Kirk and a “spiritual energy” he finds

 

emerging that’s unstoppable.  You sense he is affected by what’s just

happened, not burnt out by the job.  He talks about how “professional”

the police have been on-scene.  Oddly, he seems happy.  This is, after all,

his life, his profession, and you get the impression he’s good at what

he does.  Another cameraman sets up equipment nearby.  I was alone

for a bit, but new news crews move in.  Dave tells me of “people diving”

when the gunman entered and that, inside, parishioners were “doing things

courageously,” “being selfless,” “trying to save people.”  He talks of one

 

“evil” man, but multitudes of the brave.  He has to get back to work,

heading to the cones for a closer shot.  Walking away, I talk to another

photojournalist eating quickly.  He tells me “two more bodies” have

been discovered, says “two were shot” and “two not,” assuming they died

in the fire.  I ask if he feels unsafe covering mass shootings.  “You have

 

police presence,” he says.  He gives me advice, telling me to follow

whatever officers tell me to do.  “They have a tough job,” he says.

The police are all busy.  Staying in the journalist area, I’m ignored.

Getting near my car, I see a man broadcasting on his phone.  I tell him

journalists can go closer.  He says he’s not a journalist, but running

for Governor, that the police won’t allow him to go closer.  He tells me

he’s a trucker.  I see a live-stream feed on his phone on a tripod.

He holds a candle.  I ask him why he’s here.  He talks about how

 

he wants to reduce taxes.  It’s the main part of his platform.

I ask how to reduce gun violence.  Michelle, a person nearby,

says we need “free mental health.”  Six mass shootings with dozens

of people interviewed and she’s the first person to say “free mental health.”

I wonder why it doesn’t come up more.  The man who wants to be Governor

 

agrees.  I’m not sure how we stop taxes but then also have free mental health.

Michelle talks of how “domestic violence,” “alcoholism,” “crime” would all

be helped with “free mental health.”  She speaks with passion, how insurance

makes it unaffordable.  I ask if she has ever had mental health issues she’s

needed assistance with and couldn’t afford care.  She says, no, she doesn’t

have any mental health issues.  She takes out a vape and hits it.  I tell her

that counselors can help with tobacco use disorder.  She laughs.  I go

to get in my car.  94.7 FM plays Great White’s “Once Bitten, Twice Shy.”

 

The city we’re in—Grand Blanc—translates from the French as

Great White.  I think of the infamous Great White nightclub fire

in 2003 with 100 killed, 230 injured, after pyrotechnics caused

the building to catch fire.  I listen to the rest of the song, Jack Russell

singing “it’s the middle of the night on the open road” and it is

 

and the hospital comes up soon.  There are an unexpected mass

amount of tents set up around the hospital.  I walk to one of them.

I’m wondering if it’s a prayer vigil or tents set up for triaging

patients from earlier.  It’s neither.  I’m surprised to find out

it’s a strike.  Except most of the tents are abandoned with PRAYERS
FOR OUR COMMUNITY
 signs instead.  I approach a group of women

in a circle.  They don’t want to talk, point for me to try another tent.

I do.  Not far from an UNDERSTAFFED IS UNSAFE sign, the nurses

 

walk up to me.  Yes, they want to talk.  They tell me about ten-patients-

to-one-nurse ratios.  They tell me “we don’t have a psych ward” at

Henry Ford Health.  ProPublica lists HFH with a $4.5 billion revenue

in 2023, the CEO making over $3 million in salary.  The nurses talk

about safety.  They say they’re not interested in talking about pay, but,

 

rather, the safety of patient-to-nurse ratios, the safety of the patients with

reasonable nursing staff, and safety of keeping nurses from burnout.  They

say they were promised this, but Henry Ford Health ignored it.  History

keeps popping up.  The meaning of names.  The strange, again, connection

to Hitler, how Nazis were supposedly fans of Ford’s anti-Semitic writings.

It’s jarring, how Unhealthy that antisemitism is, but, yet, juxtaposing

Henry Ford + Health.  With three billboard-size signs with those three

words nearby.  I ignore bringing this up and instead ask for solutions.

 

Quickly, the conversation goes to “prayer.”  We talk about church.

I ask, why do mass shooters target schools and churches so frequently?

“For the innocent,” a nurse says.  I think about this.  It’s two places

where we’re supposed to have safety.  I hadn’t thought of that.

The five nurses semicircle around me.  They are open.  Almost open

 

wounds.  Hurting.  I tell one of the nurses I can feel her sadness.  She says,

“I’m not doing OK.”  I tell the other nurses to give her a hug.  They don’t.

They tell me that after COVID people got more distant, the worry is

that people are so distant nowadays, living in a “bubble.”  Even Christians,

they tell me.  “Befriend people who are loners, lonely,” one nurse says.

They tell me that the hospital here is understaffed, and that “other hospitals”

in the area are “overwhelmed.”  Before the shooting.  They expand this

to a nationwide problem.  I realize that the mass shooting happened

 

near a hospital with a nursing strike, how much worse this makes it.

They’re already understaffed; now add in that they’re on strike; and,

lastly, add in a mass shooting combined with the entire church catching fire.

A nurse says, “Satan.”  They tell me that they “just saw body recovery trucks.”

I ask when the strike will end.  They have no idea.  I realize there’s a national

 

issue with nursing understaffing and mass shootings.  Both.  Nationwide.

Why isn’t this on the news?  In fact, the news stories I’ve seen today,

this combination of nursing shortage, strike, mass shooting, and arson,

all combined, isn’t being talked about.  Instead, the word the news keeps

saying over and over and over, ad nauseum, is “veteran.”  One report

I heard said the shooter was in the Army.  Another says Marines.  The angle

the news outlets are going with is “veteran.”  I want to bring this up,

but the nurses are angry, for good reason, that the nursing shortage

 

shouldn’t even be happening, because, they tell me, there are “plenty”

of licensed nurses, but the problem is they don’t want to work, due to

the treatment they receive, the level of pay, and the patient ratios.

I ask if any of them has ever responded to a mass shooting.  None

of them have.  They tell me this hospital is level 3 trauma, that Flint

 

is prepped to respond to these sorts of incidents, not them.  I realize

we have the combination now of 1) nursing shortage, 2) current strike,

3) mass shooting, 4) arson with victims caught in the fire, and 5) this

hospital isn’t even a level 1 trauma hospital.  This feels straight out

of The Pitt, or maybe more of Antigone, that this is pure Greek tragedy

with hamartia and anagnorisis and the revelation is that the U.S. does

everything it can to be overloaded with guns and simultaneously

understaffed with hospitals.  What a hellish combo.  I feel I’m

 

exhausting the nurses after such a long day.  Leaving, I beg them

to give the one nurse who looks so sad a hug.  They do.  I walk up

to two nurses at the far end, alone, hanging out near a ten-foot tall

Halloween skeleton with a tiny American flag tucked into its hip.

One of the nurses is loquacious and the other, low-key.  The first

 

says she was “at the theater” all day.  I don’t know what this means.

Apparently, they turned a local theater into an MCI station.  Mass

Casualty Incident.  She says MTA buses took the parishioners there.

Why?  For “interviewing.”  For mental health?  Perhaps, but she says,

more as a crime scene.  But she adds “crisis counselors were there.”

She says they brought them “water, diapers, food, coloring books

for kids.”  I ask how she knew to go there if she was on strike.

“Facebook thread.”  Someone posted that there was “suspicion”

 

“with bombs.”  So she headed straight to the theater to help.

I ask what that was like.  “Crying, tearful.”  She witnessed

a wife being told that a “body was found,” the body being

her husband, and hearing “two kids scream” at the news and

“jumped into the arms of parents.”  She tells me of hearing

 

people asking if their loved ones were found.  She tells me of

“sister churches” coming to help people who were “shaking

and crying.”  I ask how this gets fixed, the solutions.  “I believe

it’s a mental health crisis.”  The mental health crisis is simple:

people can’t afford care or it’s not even available if you could

afford it.  She’s also upset with “so much hate in media,” saying

she’s sick of hearing the words “fascist” and “Hitler” and “Nazi”

and that sort of language “calls people to action.”  She says,

 

“Everything’s politicized” now and feels “gender or race”

isn’t the point, that the mental health crisis affects everyone.

She’s a vet.  Army.  She talks about PTSD and that “the military

does not help with that,” so vets turn to “drugs or alcohol.”

Overall, though, she says, “I do blame the news.”  I tell her

 

I’m the news.  She laughs.  I ask what I should do.  She says

we need "neutrality."  I don’t tell her The New Verse News

strongly leans left.  But, then, I also want to tell her that

true liberals are about diversity, of all viewpoints, that I’m

just collecting voices, ideas for solutions, from everyone

who’ll speak to me.  She reiterates this is about understaffing

for substance use disorders and mental health specifically.

She tells stories of how “we just stabilize them and toss them

 

out,” with no real treatment, if someone comes in with

a mental health disorder.  (I text a friend quickly: Still on

scene.  This is intense.)  She tells me of helping with gunshot

wounds in the military.  I realize she was on strike, couldn’t

help; but she tells me, no, nurses did try to go in and assist,

 

but “administration” told them “no, you need to leave,” so some

of the nurses headed to the theater and, the others, to the scene

of the shooting.  She says, “This is why I became a nurse,

to help people.”  She’s done this for thirty-seven years.

She’s tired.  It’s late.  I wave.  I walk by tents after tents

after tents after tents, many empty, signs of prayers, pleading

for funding, nurses alone by little heaters or a barrel with fire

inside, smoke in the air.  Waiting.  They just want to help people.



Ron Riekki co-edited Undocumented: Great Lakes Poets Laureate on Social Justice.

Tuesday, February 15, 2022

TABLE FOR ONE

by Bonnie Proudfoot




Warm some olive oil, let it spread  
slowly across the bottom of a saucepan,
sauté chopped garlic, watch bubbles form 
around the edge of each morsel,
chop red pepper, some mushrooms,
some onions, use bite sized pieces, watch 
them soften, watch the onions turn 
golden, use vegetables so fresh 
that they offer up their essence 
to the sauce, add some chopped tomatoes, 
crush basil leaves between your palms, 
add a dash of red wine, fresh ground pepper, 
meanwhile bring salted water to a rolling boil,
add vermicelli or linguini, stir as the steam
fills the air, inhale. Then one by one
subtract the smells, the extra virgin olive oil,
the garlic infusion, onion, mushrooms,
the tomatoes ripe and juicy, 
the warm semolina, shaved parmesan, 
subtract the taste too, so the pasta
tastes like paper, the sauce, some warmish swill,
the vegetables add a bland kind of texture,
something to chew on, softer than stones,
sort of, the red wine is not worth the cost,
not really worth the trouble of decanting,
swirling. Subtract the guests at the table, 
add candles where they used to sit, 
relatives, neighbors, doctors and nurses, 
songwriters, teachers, students, bartenders,
barbers, and servers, 900,000 Americans.
Feed the birds, set the table for one,
watch clouds move across the sky,
say Mass, say Kaddish, say Grace,
try to remember how it used to taste.
 
 
Bonnie Proudfoot’s fiction and poetry has appeared in The New Verse News, Rattle Poets Respond, and in many journals. Her novel Goshen Road (Swallow Press, 2020) was selected by the WNBA for its Great Group Reads and long-listed for the 2021 PEN/ Hemingway award. Her first chapbook of poems, Household Gods (Sheila-Na-Gig Press), is forthcoming in  Summer of 2022. 

Monday, May 18, 2020

DURING LOCKDOWN

by Michael Mark





I danced in my house, every room, Watusied
into the cul-de-sac, in my neighbors’ yards,
driving dogs mad, setting off alarms. I Twisted
and shimmied, broke it down home-style to
the blasts, screeches, and wails for my neighbors
in their afternoon pjs, who banged on their windows,
flipped the finger, pointed pistols, semis, until
their yelling and banging turned into yodeling
and bumping and they switched on their entertainment
systems and danced in their living rooms with me
on their lawns. We danced at a safe distance, masks
on. They must’ve thought, This is kinda marvelous.
I danced on the runways and on the one plane cleared
to fly me to my sick dad. I danced for the captain
and I danced in the hospital where my 94 year old pop
was able to—to the gasps of the ICU nurses, whom I
waltzed with—raise a finger and conduct the band
in my head and we held hands so he wasn’t alone,
scared, and he felt I was a good son.

               No

Here’s what really happened: I abided by the edict,
stayed in, ate canned soup, rationed toilet paper,
washed my hands with soap while I sang songs
for two full minutes, sang to make sure I didn’t skimp,
sudsing conscientiously to rub those viral germs away,
adhering to the officials, and to keep from getting bored
I danced to the song I sang in the bathroom, even while
I dried. I danced in my house, and in my neighbors’
yards. I Boogalooed in the grocery with the elderly,
the most vulnerable, like my dad, in New York, alone,
94, who I can’t be with, and we danced in the oatmeal aisle,
cookie aisle, the Depends aisle, the pet food aisle.
They knew all the steps and we wore masks and gloves
and I took them by their tiny hands and we twirled
and twirled.


Michael Mark’s poetry has been published or is forthcoming in Alaska Quarterly Review, Copper Nickel, Michigan Quarterly Review, Salamander, Salt Hill Journal, The Southern Review, The New York Times, The Sun, Waxwing, The Poetry Foundation's American Life in Poetry, Verse Daily. He’s the author of two books of stories including Toba and At the Hands of a Thief (Atheneum). @michaelgrow

Friday, April 10, 2020

PANDEMIC GOOD FRIDAY IN AMERICA

by Michael L. Ruffin


“I’m a Doctor at the ‘Epicenter of the Epicenter.’ Let’s not forget the social failures that allowed Covid-19 to overwhelm neighborhoods like Elmhurst in Queens.” —Ben McVane, The New York Times, April 5, 2020. Dr. McVane (pictured above) specializes in emergency medicine.


When this
is all over,
and we have
crucified
so many of
our doctors,
nurses, and
other medical
professionals,
will they say,
“Forgive them,
for they didn’t
know what they
were doing?”

Should they?

Didn’t we?


Michael L. Ruffin is a writer, editor, preacher, and teacher living and working in Georgia. He posts poems on Instagram (@michaell.ruffin) and prose opinions at On the Jericho Road. He is author of Fifty-Seven: A Memoir of Death and Life and  of the forthcoming Praying with Matthew. His poetry has appeared at TheNewVerse.News and is forthcoming in 3 Moon Magazine and Rat's Ass Review.

THESE FRAGMENTS I HAVE SHORED AGAINST THE VIRUS

by Eric Weil


 


with apologies to T. S. Eliot


I. The Burial of the Dead

April is a viral month, breeding
Contagion out of the air, mixing
Distance and desire, streaming
Dull shows with spring pollen.

I will show you fear in a handful of dust.


II. A Game of Chess

The Lectern he stands at, like a burnished throne,
Glows in TV lights, where the ass
Between the flags flings his fruited lies
While gilded sycophants peep out
(And Fauci hides his eyes behind his wing),
Doubles the flames of narcissistic rage.


III. The Fire Sermon

The hospitals are broken, the last surgical masks
Fray and sink into wet piles.

Twit twit twit
Jug jug jug jug jug jug

So rudely forc’d.


IV. Death by Water

Phlebas the Epidemiologist, a fortnight dead,
Has missed the nurses’ cries, ironic memes,
Corpses lain in reefer trucks.

O you unmasked who shop and cough to windward,
Consider Phlebas, who was once healthy and hale as you.


V. What the Thunder Said

After the ICU lights on sweaty faces
After the agony in sterile places
The shouting and the crying
Prison and palace and hospital hall
They who were living now are dead
We who are living now are dying
With a little patience
Shantih   shantih shantih


Eric Weil stays inside in Raleigh, NC. He's a retired English prof who has three chapbooks in print: A Horse at the Hirshhorn, Returning from Mars, and Ten Years In. Other poems have recently appeared or will soon appear in Red Planet Review, Free State Review, Pinesong, Kakalak, and Ponder Review.

Wednesday, April 08, 2020

PROFESSIONS DURING OUR WORLD'S CORONAVIRUS CRISIS

by Sister Lou Ella Hickman


Coalition for the Homeless

                there are thousands of gaping holes now
                and there will be too many more
                spaces once filled with art music love
                such a long list of griefs
                a census list too long
                doctors
                nurses
                parents
                friends
                priests
                                     sisters
                          as well as the other invisible
                                     hospital cleanup crews
                sanitation workers
                                     truckers
                stock boys
                cashiers of every stripe
                then there is the government’s own:
                the workers of neither rain or shine
                delivering our mail
                                     those who served
                                     the never counted away invisible
                the homeless addicts prisoners . . .
                each and every empty space
                a sterling silver invitation
                a call  a challenge
                to those who will come after
                                     to fill these gaping holes
                with the sacred earth of their lives


Sister Lou Ella Hickman, I.W.B.S. is a certified spiritual director whose poems and articles have appeared in numerous magazines and journals as well as four anthologies. She was nominated for the Pushcart Prize in 2017. Her first book of poetry entitled she: robed and wordless (Press 53) was published in 2015.