DURING LOCKDOWN

by Michael Mark





I danced in my house, every room, Watusied
into the cul-de-sac, in my neighbors’ yards,
driving dogs mad, setting off alarms. I Twisted
and shimmied, broke it down home-style to
the blasts, screeches, and wails for my neighbors
in their afternoon pjs, who banged on their windows,
flipped the finger, pointed pistols, semis, until
their yelling and banging turned into yodeling
and bumping and they switched on their entertainment
systems and danced in their living rooms with me
on their lawns. We danced at a safe distance, masks
on. They must’ve thought, This is kinda marvelous.
I danced on the runways and on the one plane cleared
to fly me to my sick dad. I danced for the captain
and I danced in the hospital where my 94 year old pop
was able to—to the gasps of the ICU nurses, whom I
waltzed with—raise a finger and conduct the band
in my head and we held hands so he wasn’t alone,
scared, and he felt I was a good son.

               No

Here’s what really happened: I abided by the edict,
stayed in, ate canned soup, rationed toilet paper,
washed my hands with soap while I sang songs
for two full minutes, sang to make sure I didn’t skimp,
sudsing conscientiously to rub those viral germs away,
adhering to the officials, and to keep from getting bored
I danced to the song I sang in the bathroom, even while
I dried. I danced in my house, and in my neighbors’
yards. I Boogalooed in the grocery with the elderly,
the most vulnerable, like my dad, in New York, alone,
94, who I can’t be with, and we danced in the oatmeal aisle,
cookie aisle, the Depends aisle, the pet food aisle.
They knew all the steps and we wore masks and gloves
and I took them by their tiny hands and we twirled
and twirled.

Michael Mark’s poetry has been published or is forthcoming in Alaska Quarterly Review, Copper Nickel, Michigan Quarterly Review, Salamander, Salt Hill Journal, The Southern Review, The New York Times, The Sun, Waxwing, The Poetry Foundation's American Life in Poetry, Verse Daily. He’s the author of two books of stories including Toba and At the Hands of a Thief (Atheneum). @michaelgrow

NOT WANTING TO TALK POLITICS WITH THE CHECK-OUT GUY

by Patty Mosco Holloway

I came to buy just milk and whole grain bread.
The chips, the dips, free samples make me sick.
No chocolate kale for me until I'm dead--
Was that a voice in Health Aids I heard click?
"Have you tried ever in your life a 'cleanse'?"
Please, take me out of here, just let me pay.
It's more than my shy colon she offends--
Oh, no! Now Check-Out Guy cites the Debates.
I don't care what you think about Herr Trump,
won't listen to your "done is Hillary."
It's mum I'll be, on my own log, a bump.
But do tell Ted my bread is gluten-free.
   Now hurry, bag my stuff. I'm in a rush!
   "At least Mark Rubio is nice," you gush.


Patty Mosco Holloway is a writing teacher.  She lives in Denver, Colorado. She often "hears" the starts of poems in conversations.  Advice:  Don't talk to her.

PARIS 1974, 2015

by Martha Deed

Photo by Ian Berry

What has the sun said to you, my child ‒

that the world is a dangerous place

and this is a day to stay in bed?

But, No. It said

Do you see the shine of morning dew

on the cobblestone streets

and the spires of Notre Dame

kissing the clouds

The cafes bursting with coffee

and croissants in the hands of kids

on their way to school

on their way to work?

This is a day

the sun said

to take a good walk

along the quay

This is a day to look for a book

to visit the market of live birds

to hear them call

to admire their feathers

shining in the sun

the light flashing on them like sparklers

not like bullets at the newspaper

not like flash grenades

at the grocery store

This I tell you:

Because you heeded the sun,

you will live another day

your survival as accidental

as those held hostage

as those who died

at your grocery store

you did not visit

because you were taking 

a walk in the sun 

In this poem, Martha Deed has woven the close call she had in Paris in 1974 or 1975 when Millie was a baby.  They usually went to the news stand for the Sunday paper at 10:30 AM.  Regular as clockwork.  But that day, Martha simply thought to take a walk to a farther away news stand instead.  Carlos, the Jackal, had planted a bomb at her usual place, and it exploded, killing people, as Martha pushed Millie in her stroller down the Blvd Saint-Germaine.