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Showing posts with label monarch butterfly. Show all posts
Showing posts with label monarch butterfly. Show all posts

Wednesday, August 03, 2022

A STRENGTH & BEAUTY RARE

by Dick Altman




Flying jewels I thought they were
as a child.  To entice one onto
a finger, to bring it up to the nose,
as the black-bordered tangerine
wings slowly opened and closed—
could a little boy be any more
smitten?
                        *
Thirty-five years later, on a lake
in upstate New York, I rediscover
Monarchs—beguiling not of fragile
sweetness, but ferocity almost beyond
the syntax of belief.  I’m transfixed
at how they tilt against late summer’s
gusting head winds.  As if they had
no choice.  As if wings were oars—
as if boats launched from shore
into raging tidal seas—as they press
forward, only to be repulsed—again
and again.  As they fight, tirelessly,
to stay aloft above the aqueous grave
awaiting any that falter.  Fight as if
drowning in air, frantic to surface
in northern Mexico’s Mil Cumbres hills. 
Frantic to give birth, after voyaging
twenty-five hundred hectoring miles,
until they all but drop.
                        *
The vision of embattled, desperate
fleets returns, when I drive into
the Cumbres, dumbstruck by forests
black and orange, pulsing, folding,
unfolding, eager after winter to create
a new generation. One destined
to traverse, like their forbears, lake’s
grueling flyways north to Canada.
                          *
I pee as a kid on a log bordering
our cabin’s path to the water.  What
of my essences lures Monarchs
to the spot in droves, I’ll never know. 
Part of me evolves into part of them.
An entwining of winged and bipedal,
one bound to earth, the other to air—
a lifetime ago, and I behold it yet
with a child’s wonder un-frayed.
                            *      
Days of Monarchs’ madness pass.
The lake’s autumnal transit
a fragment of memory.  Gales black
and orange out-fought, out-flew
the winds.  When Milkweed,
their caterpillars’ favorite food,
their only food, succumbs to man’s
punishment of earth, winged courage
proves no match.  But when
imagination wanders back to those
bejeweled days on the water, I conjure
soaring, gliding gems of fortitude. 
Pray for the day skies confetti again
with their dancing fury. Odysseus
takes twenty years to sail home.
Monarchs, but a few months.


Dick Altman writes in the high, thin, magical air of Santa Fe, NM, where,at 7,000 feet, reality and imagination often blur. He is published in Santa Fe Literary Review, American Journal of Poetry, riverSedge, Fredericksburg Literary Review, Foliate Oak, Blue Line, THE Magazine, Humana obscura, The Offbeat, Haunted Waters Press, Split Rock Review, The RavensPerch, Beyond Words, The New Verse News, Sky Island Journal, and others here and abroad. A poetry winner of Santa Fe New Mexican’s annual literary competition, he has in progress two collections of some 100 published poems. His work has been selected for the forthcoming first volume of The New Mexico Anthology of Poetry to be published by the New Mexico Museum Press.

A MONARCH BUTTERFLY POSES SOME QUESTIONS

by Mary K O'Melveny




Do you remember the noise of my wings?
A lace veil as it flirts with a summer breeze.
A blade of grass as it shakes off morning dew.
 
In Mexico, a million of us sound like waterfalls.
At rest, we cling to tree limbs like gold, onyx,
ivory jewelry that has been hidden from thieves.
 
We fly high above sleeping migrants everywhere,
whose hopes pirouette in zephyrs and exospheres
as they dream of flight patterns to safety.
 
Do you recall the first time you saw one of us?
How you were awed by our delicate wings, how
we landed like a first kiss on a purple cone flower? 
 
How you imagined what it would be like to float,
unfettered, without apology? Without accountability?
How it takes so little to ignite imagination’s fiery call.
 
Our journeys from your garden to jungle sanctuaries
span generations. Some days the ground is littered
with bodies that resemble coins from Spanish galleons.
 
I have been airborne for 2,500 miles. I have traversed
obstacles my ancestors never knew: poisoned fields,
droughts, drones and planes, wildfires, clearcut forests.
 
Still, think of that moment of lift, when air currents
lick your skin as a lover might. Always optimists,
we remain your ardent guides to Elysian Fields.


Mary K O'Melveny is a recently retired labor rights attorney who lives in Washington DC and Woodstock NY.  Her work has appeared in various print and on-line journals. Her most recent poetry collection is Dispatches From the Memory Care Museum, just out from Kelsay Books. Her first poetry chapbook A Woman of a Certain Age is available from Finishing Line Press. Mary’s poetry collection Merging Star Hypotheses was published by Finishing Line Press in January, 2020.

Saturday, February 06, 2021

TO KNOW A MONARCH

by Phyllis Klein




To know it only as a photograph, a memory.
Never to witness again a community of millions clustered 
on Eucalyptus branches, now empty.
These fragile slivers of stained glass
no longer clinging to winter respites.
What is a world that would allow
this extravagant pollinator to die off?
This migrational miracle. 
Rumi says, You were born 
with wings, why prefer to crawl through life?
I want a humanity that weeps 
copiously for this animal who starts off 
in a crawl, shows us how to fly. I want
processions, dirges everywhere,
want to howl over milkweed, bereft, without 
purpose. So much loss. I want to rend my garments.
Burn kaleidoscopes of butterflies into my skin.
What good would that do? Or I could slice
open the sky, so their ghosts torrent down. 

What do I know of softness—my origins 
in an ice-house, in a tradition of cruelty,
of abhorration, torn appendages. Where
are the wings for this? Where the flashes 
of orange slipped through our fingers?


Phyllis Klein’s work has appeared in numerous journals and anthologies. She is a finalist in the Sweet Poetry Contest, 2017, the Carolyn Forché Humanitarian Poetry Contest, 2019, and the Fischer Prize, 2019. She was nominated for a Pushcart prize in 2018 and again in 2020. She has a new book, The Full Moon Herald  from Grayson Books. Living in the San Francisco Bay Area for over 30 years, she sees writing as artistic dialogue between author and readers—an intimate relationship-building process that fosters healing on many levels. 

Saturday, February 01, 2020

SANCTUARY

by Mary K O'Melveny    

                       
A Mexican environmental activist who fought to protect the wintering grounds of the monarch butterfly has been found dead in the western state of Michoacán, two weeks after he disappeared. Homero Gómez González, a former logger who managed El Rosario butterfly reserve, vanished on 13 January. His body was found floating in a well on January 29, 2020, reportedly showing signs of torture. The motive for his murder remains unknown, but some activists speculated that it could have been related to disputes over illegal logging. —The Guardian, January 30, 2020. Photo from CNN, January 31, 2020.


I was not always a lover of butterflies.
Once I was once a logger, clear cutting these pine
forests like those who later turned against me.

One autumn morning I saw conifers tremble
like a young bride, heard sounds that danced like silk in wind.
I understood then that my job was to save them.

How can such tiny creatures travel three thousand miles?
I queried them as they shivered, shimmied there,
circled around each limb like jeweled bracelets.

For two months, sunshine is their compass as they fly.
They come to rest here in our pines. Skies thicken with orange,
yellow, white, laced with black. My silhouettes of autumn.

No one prayed as hard as me for their safe arrival.
They write their memoirs in these deep woods.
It is their great-grandchildren who will return next year.

Sometimes I stood at the edge of the tree line to listen
to their angel sounds.  Each synchronized wing beat calmed me.
It was like heaven, if one believes in such magical thinking.

I felt such sorrow when their arrival began to thin down,
turn translucent, like a memory that fades when we most need
it to be sharp.  I craved vivid images of sunlight at rest.

When the end was near, I pleaded for mercy.  Not for me.
My expendability was always understood.  For my floating
charges whose safety is all we have left as refuge from ourselves.


Mary K O'Melveny is a recently retired labor rights attorney who lives in Washington DC and Woodstock NY.  Her work has appeared in various print and on-line journals. Her first poetry chapbook A Woman of a Certain Age is available from Finishing Line Press. Mary’s poetry collection Merging Star Hypotheses was published by Finishing Line Press in January, 2020.

Wednesday, October 09, 2019

IN THE NEW CLIMATE

by Elizabeth Kerlikowske


This is what it looks like when national parks are sacrificed for a #borderwall. Footage at Organ Pipe Cactus National Monument via Kevin Dahl, NPCA Arizona Senior Program Manager pic.twitter.com/VE9UKziPzl
— National Parks Conservation Association (@NPCA) October 4, 2019


no need to migrate, so geese fly laps around the county
lake to lake at dawn, louder than garbage trucks.

A friend makes a demon cozy, so she doesn’t always have to face it.
She can know where it is even if she doesn’t know what it is

unlike mosquitos with valises full of Eastern equine encephalitis
come to visit. Swatting lunchmates, even on the face, becomes socially acceptable.

A friend draws stories with her own language of shapes not everyone can read.
That’s okay. Lilacs do not bloom this year; there is a mid-April blizzard.

Fawns come to the door wanting the cat to play.  Children holding hands
walk across a lake of grass. Yard lights never let the trees sleep, not deeply.

A friend grieves deeply and with laughter, at once. She raises monarchs
and tonight the government will poison them as well as mosquitos.

On her balcony flickers and doves fight squirrels and raccoons for seeds
and a little honey.  Tomorrow the butterfly rain.


Elizabeth Kerlikowske most recent book is Art Speaks with painter Mary Hatch. She tries to live outside as much as possible while owning a house.

Sunday, February 23, 2014

THE DEMISE OF THE MONARCH

by Tricia Knoll




“Monsanto’s Roundup and genetically modified crops are harming everybody’s favorite butterfly.” -- Warren Cornwall, Slate, January 29, 2014
 

“The monarch earned a mention yesterday at the summit between the leaders of Mexico, the United States and Canada. ‘We have also agreed to work on the preservation of the monarch butterfly as an emblematic species of North America which unites our three countries,’ Mexican President Enrique Pena Nieto said at the conclusion of the one-day summit.” -- Tim Johnson, Miami Herald, February 20, 2014


Lear floated his orange and black king-robe
over a land of riches, undivided by boundaries,
surrounded by gilded butterflies of court,

assuming he had many to choose
from, the daughter-flowers of his loins,
his flight certain in reign and retinue.

Sorrow. His good world
not so good. Poisoned. Vicious.
Short-sighted. All he took

for granted a last wingless jump
from a low cliff, obscure.
His day of the monarch dwindling

as branches wind-ripped from firs,
the flattering tongues of milkweed
and sycophants lying, patterns

dividing machinations
of the false from the loyalty
of the good

magnetized migrations.
Lear asks Cordelia to share
who wins, who loses.

This monarch,
the oldest who hath born
the most.


Tricia Knoll is a Portland poet, snowbound alone in her house for seven days. Her chapbook Urban Wild is now available from Finishing Line Press.