Guidelines



Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Showing posts with label move. Show all posts
Showing posts with label move. Show all posts

Saturday, January 18, 2025

CLOSE TO THE ABYSS

by Marybeth Rua-Larsen


AI-generated graphic by NightCafé for The New Verse News.

 
We’ve never lived so close to the abyss—
a felon in the White House—yet you, my knight,
ride in. I wouldn’t think to call it bliss
 
with tensions at a high-pitched, python hiss
in news reports: so many crimes. Indict!
We’ve never lived so close to the abyss,
 
and you distract me as we reminisce
about our kids, the work we love, hold tight
to us, and still, I couldn’t call it bliss
 
when daughters, sons, so young, are stuck with this:
his lies, the vitriol he spews, the spite.
We’ve never lived so close to the abyss.
 
You vow we’ll move to Portugal, dismiss
the obstacles of language, passports, flight,
the cost. Is now the time to call it bliss?
 
A lunatic— his head ballooned with hubris—
rouses me to stand, to choose to fight.
We’ve never lived so close to the abyss,
but I have you. I will. I’ll call it bliss.

 
Marybeth Rua-Larsen lives on the South Coast of Massachusetts and works in her hometown library as Head of the Reference department. Her poems have appeared in Lily Poetry Review, Magma, Orbis, Crannóg, Eclectica Magazine and American Arts Quarterly, among others. She won the 2017 Luso-American Fellowship for the DISQUIET International Literary Program in Lisbon, Portugal, was a Hawthornden Fellow in Scotland, and was accepted into Marge Piercy’s Summer Poetry Intensive in Wellfleet. She is a member of the Powow River poets, and her chapbook Nothing In-Between is available from Barefoot Muse Press.

Sunday, July 26, 2020

LIFE IN THE PANDEMIC

by John Guzlowski


"The Persistence of Memory" (1931) by Salvador Dali


Things are slowing down.

It takes me 2 days to drink a cup of coffee,
A week to read a book,
A month to water the bushes we re-planted in June.

I move from one room to another
looking for shoes I haven’t worn in 2 months.
If I come across my car keys
I won’t recognize them.

I’ve stopped listening to the news
Stopped looking out the window
Stopped wondering what tomorrow
Will be like.

I started this poem in March
Maybe I’ll finish it
By Christmas.


John Guzlowski's poems and stories have appeared in North American Review, Ontario Review, Rattle, Atlanta Review, Nimrod, Crab Orchard Review, and Salon. Garrison Keillor read his poem “What My Father Believed” on his program The Writers Almanac.  Guzlowski's poems have won the Eric Hoffer/Montaigne Award for most thought provoking book of 2017, the Ben Franklin Poetry Award, and the $7500 Illinois Arts Award for Poetry. 

Friday, February 15, 2013

PAPAL BAGGAGE

by David Feela


I think a pope was trying to hide from me...


Getting ready to leave,
the Pope has suitcases
opened for airing,
vestments dry-cleaned
and prayer books stacked
on the bedside table
like a miniature Pisa.

He knows enough to take
just what he needs,
to fold his hands,
to visualize a better world.
If the moving men
do their job, then
nothing more needs to be said

about those other men
who took what didn’t belong
to them.  Aren’t we all
brothers and sisters? 
Don’t we live together
in a house belonging to God?
Let us give thanks

so many knickknacks
broken during the last move
have been swept away,
and that our closets
are so large, the daylight
will never illuminate
what gets left behind.


David Feela writes a monthly column for The Four Corners Free Press and for The Durango Telegraph. A poetry chapbook, Thought Experiments, won the Southwest Poet Series. His first full length poetry book, The Home Atlas appeared in 2009. His new book of essays, How Delicate These Arches  , released through Raven's Eye Press, has been chosen as a finalist for the Colorado Book Award.