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Showing posts with label red line. Show all posts
Showing posts with label red line. Show all posts

Friday, January 09, 2026

AND SO IT BEGINS

by Imogen Arate


Art by Ann Telnaes


I.
The video stunned
The spin followed

An award-winning poet
has been silenced
by the shrill bullets from a
21st-century fast-drawing
cowboy on the man-made
frontiers of the new wild West

Yet we’re subjected 
to the lies of a rapist

Another man trying 
to justify violence
against women

A bad remake
of another family 
forced into mourning

another community
thrown into chaos

II.
Yet we still think in terms
of elephants and donkeys

while neither will draw down
on the military budget

sunset high-tech toys
hardware for the police and
other testosterone-charged 
angst-driven angry boys

tear down boundaries
that gate-check
investments in decency
beyond the borders
of “me and my”

Repulsive successive local waves 
reinforce the national and the 
global of political expedience 
and small and large lies stack 
upon one another to enrage
as the bodies of the sacrificed
emit the noxious gas
of corruption to explode
in a tsunami of grief and fury

III.
He who became
a millionaire at eight
nursed on government subsidies
bailouts and tax breaks
feeds us the fast-food diet of rancor 
while he grabs a pussy a plane 
a tanker a president oil fields 
Greenland and lusts after resort money
built on a still-hemorrhaging mass grave

But he’s just another opportunist
a symptom mushrooming on the 
advantages of Eugenicist 
elitism ripened by everyday
brand ambassadors gladiating
for a piece of the imaginary pie

IV.
Our pens may ink mighty words
but their impressions are paper thin 
against the hurried tunneling
of semi-automatic street artillery
bump-stocked by the political will
of fuel-guzzling AI overtaking human 
value as they peel away with the 
breeze blasé over endless shootings
grown accustomed to washing away 
anguish with yet more agony while 
prayers whistling show tunes 
to soundtrack the cha-ching
of firearms outstripping humans

V.
But she was a white citizen
Why should that be the red line
when we don’t let spilt blood
rust before sacrificing more lives
to our inane judgement of worth 

This social engineering
was never meant to end well
when chaos has no red line
maelstrom cannot be reined in

The hunger of greed 
self-perpetuates
in unchecked growth
to unleash the pandemonium
of a self-fulfilling prophecy


Imogen Arate is an Asian-American poet in search of hope: that humanity will overcome our self-destructive tendencies to work together against the onslaught of the climate crisis. She's also the Executive Director of Poets and Muses, an award-winning multimedia artist platform that has featured diverse contemporary poetic voices from around the globe. She believes that we will only be able to value lives equally when we lend our ears and hearts to the life stories of those we don't readily recognize as our kin and stop requiring the presence of certain socioeconomic trappings to recognize people's right to a dignified existence.

Sunday, June 09, 2024

RED LINE

by Lynn White


Thousands circle White House to demand Biden enforce Gaza “red line.” Demonstrators said that if President Biden would not draw a “red line” after Israeli forces began an assault on Rafah, they would draw the red line for him. —The Washington Post, June 8, 2024


It was thin at first,
the line of blood
hardly a trickle
easily crossed
though visibly
to those paying attention.

But with each crossing it widened
a stream bleeding out into a river
and then a sea
bleeding out
from the river to the sea
stronger and stronger
wider and wider
every crossing
widening it.

Making a line that can never be crossed
however many times it is crossed
its crossing becomes impossible.


Lynn White lives in north Wales. Her work is influenced by issues of social justice and events, places and people she has known or imagined. She is especially interested in exploring the boundaries of dream, fantasy and reality and writes hoping to find an audience for her musings. She was shortlisted in the Theatre Cloud 'War Poetry for Today' competition and has been nominated for a Pushcart Prize, Best of the Net and a Rhysling Award. Her poetry has appeared in many publications including: Apogee, Firewords, Peach Velvet, Light Journal, and So It Goes.

Friday, April 08, 2022

THE SPECTRUM

by Peter Neil Carroll


“Spectrum I” painting by Ellsworth Kelly (1953) San Francisco Museum of Modern Art, the Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art, and promised gift of Helen and Charles Schwab


War began as predicted, a vision of fire.
I pulled the blanket over my head, safe,
thousands of miles from personal tragedy.
 
Maybe I should send my blanket to the Red
Cross, they could forward it to a child in
Ukraine. Surely that’s the least I could do.
 
Not enough, though. Maybe tomorrow I will
purchase a box of soft diapers for a children’s
hospital in Kyiv or a can of condensed milk.
 
I saw a photo of a woman weeping in the street,
her arms bare, blood on her naked legs, shoeless.
Clothing. That’s what she needs, a little warmth.
 
Yes, I realize, the wounded need bandages, anti-
biotics, plain aspirin in an emergency. It’s okay
to send medical aid. They call it humanitarian.
 
I know there are many Doctors without Borders
already there, and volunteer cooks boiling soups,
and stews to nourish folks who have lost kitchens.
 
Those helpers are so brave, sincere, real menschen.
I should support them, too, but will money arrive
in time to save a country? Can I buy an ambulance?
 
Can I drive an ambulance? That’s a peaceful way
to help strangers trapped in a war. It would be good
for my conscience. But can one person matter?
 
What the soldiers who are fighting really want are
more weapons and ammunition or, better still, tanks
and rockets. They could use airplanes and bombs.
 
But stop there. They must be only old-fashioned bombs
built on TNT. Not atom bombs or hydrogen bombs
because that could kill too many people plus animals.
 
Where does it end? What is it the right thing to send,
to help someone in trouble? Or a whole country? As if
I could draw a red line on a spectrum or cross over it.

 
Peter Neil Carroll is currently Poetry Moderator of Portside.org. His latest collection of poetry is  Talking to Strangers (Turning Point Press). Forthcoming is This Land, These People: 50 States of the Nation, winner of the Prize Americana. Earlier titles include Something is Bound to Break and Fracking Dakota.  He is also the author of the memoir Keeping Time (Georgia). 

Thursday, September 12, 2013

JEAN-PAUL SARTRE INTERVIEWS BASHAR AL-ASSAD

by Judith Terzi




Jean-Paul:      La ligne rouge? Have you crossed the red line?

Bashar:            Qu'est-ce que c'est?

Jean-Paul:      Did your regime use chemical weapons?

Bashar:            Facebook is a loaded pistol. A powder keg.
                          We are Syrians, not tweets. The story does
                          not hold together. Let me tell you the truth:
                          Hell is social media.

Jean-Paul:       If you were a philosopher, what would you do?

Bashar:            I would stop dyeing my hair, for one. It looks
                          horrible on screen. I would strive to become
                          authentic. How do you say: authentique?
                          I would dance naked with French women.
                          Naked as a worm. French women kiss like rebels,
                          n'est-ce pas? Oh, pardon, I mean like...terrorists.
                          I would sing  Non, je ne regrette rien. Wonderful
                          song. Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha...
                       
Jean-Paul:       Did your regime use chemical weapons?

Bashar:            When the rich go to war, women and children
                          die in the blink of an explosion in a tunnel. Red
                          line, red blood, red tulip, jungle red (my wife's
                          lipstick), Russian red, Rudolph red. You see,
                          Syria is a secular regime, Jean-Paul. Stockpiles
                          have no meaning if you are condemned to be free.
           
Jean-Paul:      Would you leave Syria if safe passage were offered?

Bashar:            Ah, Jean-Paul, the chips are not yet down. How do you
                          say: Les jeux ne sont pas faits?

Jean-Paul:      Oh, you have it wrong, cher Bashar. Les jeux sont faits.
                          So you read my play? What will happen if France
                          decides to strike? Or the U.S.?

Bashar:            I am no fortune teller, Jean-Paul. You can expect
                          the unexpected anywhere, anytime. Ha, ha, ha, ha...
                          Your peoples are no strangers to the accessories
                          of war. Engagement is an act, not a dot.com. Kind
                          regards from my wife. She wishes you would chill.
                                    

Recent poems by Judith Terzi have appeared or are forthcoming in: Malala: Poems for Malala Yousafzai (FutureCycle Press); Myrrh, Mothwing, Smoke: Erotic Poems (Tupelo Press); The Raintown Review; Times They Were A-Changing: Women Remember the 60s & 70s (She Writes Press); and elsewhere. Her fourth chapbook, Ghazal for a Chambermaid, is forthcoming from Finishing Line.