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Showing posts with label Jean-Paul Sartre. Show all posts
Showing posts with label Jean-Paul Sartre. Show all posts

Monday, October 24, 2016

IMPOLITE AND ARROGANT

by Joan Mazza




the Swedish Academy for the Nobel
says of Bob Dylan, who hasn’t acknowledged
his prize for literature or the invitation
to the event. He can be difficult, they say,

as if this is insightful news of his psychology,
as if he’d care what anyone thought about
his need to be alone, hide out. They say
his behavior is unprecedented, forgetting

Jean-Paul Sartre refused the prize, and that
Doris Lessing, returned from shopping
and approached by a reporter with the news,
responded, Oh, Christ! Not delight or prayer.

Were I indiscreet, I’d tell you where he’s
holed up. You sure wouldn’t believe that he’s
here, underground in my basement, playing
cassettes on the stereo so loud my floors

vibrate. He's smoking,  stinking up my entire
house. My cats like him, as does my old dog,
but he doesn’t always come upstairs for meals
I’ve fixed, only shrugs when I ask him

if he wants shrimp or crab. Don’t answer
the phone, he told me as soon as he arrived.
It hardly ever rings, I said, astonished
at his demand, when I recognized him

on my porch and let him in. He parked his
car out back, but there’s no one here to see.
I’m deep in the woods, far from the road.
Today I hear him singing, strumming

his guitar. He says prizes don’t mean a thing.
I ask if I can take a photo before he leaves.
(When is he leaving?) He sticks out
his pouty lip, says, It ain’t me, babe.


Joan Mazza has worked as a medical microbiologist, psychotherapist, seminar leader, and has been a Pushcart Prize and Best of the Net nominee. Author of six self-help psychology books, including Dreaming Your Real Self (Penguin/Putnam), her poetry has appeared in Rattle, Kestrel, The MacGuffin, Mezzo Cammin, Slipstream, and The Nation. She ran away from the hurricanes of South Florida to be surprised by the earthquakes and tornadoes of rural central Virginia, where she writes poetry and does fabric and paper art.

Thursday, September 12, 2013

JEAN-PAUL SARTRE INTERVIEWS BASHAR AL-ASSAD

by Judith Terzi




Jean-Paul:      La ligne rouge? Have you crossed the red line?

Bashar:            Qu'est-ce que c'est?

Jean-Paul:      Did your regime use chemical weapons?

Bashar:            Facebook is a loaded pistol. A powder keg.
                          We are Syrians, not tweets. The story does
                          not hold together. Let me tell you the truth:
                          Hell is social media.

Jean-Paul:       If you were a philosopher, what would you do?

Bashar:            I would stop dyeing my hair, for one. It looks
                          horrible on screen. I would strive to become
                          authentic. How do you say: authentique?
                          I would dance naked with French women.
                          Naked as a worm. French women kiss like rebels,
                          n'est-ce pas? Oh, pardon, I mean like...terrorists.
                          I would sing  Non, je ne regrette rien. Wonderful
                          song. Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha...
                       
Jean-Paul:       Did your regime use chemical weapons?

Bashar:            When the rich go to war, women and children
                          die in the blink of an explosion in a tunnel. Red
                          line, red blood, red tulip, jungle red (my wife's
                          lipstick), Russian red, Rudolph red. You see,
                          Syria is a secular regime, Jean-Paul. Stockpiles
                          have no meaning if you are condemned to be free.
           
Jean-Paul:      Would you leave Syria if safe passage were offered?

Bashar:            Ah, Jean-Paul, the chips are not yet down. How do you
                          say: Les jeux ne sont pas faits?

Jean-Paul:      Oh, you have it wrong, cher Bashar. Les jeux sont faits.
                          So you read my play? What will happen if France
                          decides to strike? Or the U.S.?

Bashar:            I am no fortune teller, Jean-Paul. You can expect
                          the unexpected anywhere, anytime. Ha, ha, ha, ha...
                          Your peoples are no strangers to the accessories
                          of war. Engagement is an act, not a dot.com. Kind
                          regards from my wife. She wishes you would chill.
                                    

Recent poems by Judith Terzi have appeared or are forthcoming in: Malala: Poems for Malala Yousafzai (FutureCycle Press); Myrrh, Mothwing, Smoke: Erotic Poems (Tupelo Press); The Raintown Review; Times They Were A-Changing: Women Remember the 60s & 70s (She Writes Press); and elsewhere. Her fourth chapbook, Ghazal for a Chambermaid, is forthcoming from Finishing Line.