PAGE FROM A BOOK OF DAYS

by David Chorlton

Swallows at the windswept pond

this morning, quick as good fortune, make the light

sway back and forth above

the water while it keeps

its secrets dark.

                         It’s a quiet time;

Say’s Phoebes barely clear the grass before

returning to the fence from which they came,

and a Loggerhead Shrike moves down

from the desert

with a prayer in his beak.

                                         The Red-tailed Hawk

has made the streets his hunting ground

where the pigeon flock

scatters left, right and skyward

as his shadow scythes between them.

One more day;

                       another step toward

the unknown, with a moodswing peak

to peak along the mountain

as it leans back against the sky. A different

message blows

                         from each direction: another

ten killed in Colorado; the doves

returning early from the tropics; music

on the radio so old

it wouldn’t recognize the world today;

and the voice within, too long

in solitude to know

what its next word should be.

Throughout the pandemic David Chorlton has lived quietly and communicated with the local wildlife. His new book Unmapped Worlds from FutureCycle Press features poems that hid in his files for too many years and which now enjoy new exposure. 

AVERSION TRAINING

by Robin S. Axworthy

Photo credit: Bette Ferber via The New York Times.

I have grown used to the moisture of my own breath 

on night walks, the mask, the sound of my own breathing 

pushed up past my ears.  Used to my own company at home, 

with only husband and sometimes daughter.  Used to any other

contacts as just the glass and scratch of microphone, letters 

appearing and sorting into sense on a screen. Used to touch

as poison to be scraped clean with alcohol and friction.

Accustomed now to nearness an electric buzz of warning

away from flesh, ears so used to staccato whine they have forgotten 

rippling waterfall of open mouth, mouth forgotten how breath 

feels naked and dry, thin in the bare air, my hands so used to solitude 

they’ve forgotten how to find their way to warmth.  

Robin S. Axworthy has been published in various anthologies including, most recently, Dark Ink: An Anthology Inspired by Horror (Moon Tide Press) and Is It Hot in Here or Is It Just Me? Women Over Forty Write on Aging (Beautiful Cadaver Project). Her chapbook Crabgrass World was published in March 2020 by Moon Tide Press. 

TO MUSCLE MEMORY

by Lynnie Gobeille

"Automat" (1927) by Edward Hopper

He says he plays by muscle memory
Stares off into space while on the stage
In some sort of out-of- body zone.
He asks if writers ever feel that way.
Do we experience the Zen
Of lost time and space?

I think of countless meals burned,
Eggs exploding on the range,
Long past “boiled”—moving on
To become lethal weapons;
As I sat patiently
Waiting for the arrival of the Muse.

I tell him—
Maybe that is what love will be
In this time of Covid19 and
Social distancing is really
All muscle memory with no touch.
I tell him not to worry—after all—
Hell—this is nothing new to us.

Artists are used to creative isolation.
And all this fear over Solitude?
—Just another name
For how we live our lives.
He picks up his guitar and plays—
I turn back to my computer.

Our words hanging there
Along with our silent fears
To be digested later.


Lynnie Gobeille: Co-founder and retired Co-Editor of the Origami Poems Project. Champion of all things Poetry & Magic.