WE GET TO CHOOSE

by Cecil Morris

Art by Luis Ricardo

Many people, of course, feel America is broken. You can hear about the country’s many troubles—its ideological divides, its anger, its lack of civility—from conservatives and liberals, from socialist firebrands and evangelical preachers, from Democrats and Republicans. It is, perhaps, one of the few beliefs that unites Americans right now. So many seem to genuinely want those divides to be mended, for the country to be knitted back together. But the question of why America is broken, and who is to blame, and how to repair it? That’s where things get complicated. —Tim Sullivan, AP, September 13, 2025

In the choose-your-own-adventure America, 
you get to choose which expert to believe, 
which news source delivers the truth to eyes and ears, 
which problem needs solution and which solution 
you like best and think will work and ought, therefore, 
be funded beyond your wildest ability 
to count the cents one by one in your little life. 
So close your eyes and jump to page 47, 
the just say no, the walls and cages, the answer 
that puts ever more troops and officers and masks 
on your streets, the security of surveillance, 
of armed patrols—here, there, and everywhere. Or jump 
to page 76 and guns for everyone 
and self-defense in every hand and every home. 
Or turn to page 2021: the moment 
we decide which police we must obey 
and which we must overrun to guarantee our rights. 
Or, maybe, see what happens when we choose that page 
where we realize that schools and social services 
are less expensive than prisons or where we build 
villages of tiny homes for our veterans 
unhoused and struggling instead of casting them, 
so much chaff, to streets and parks, to make-shift tents, 
where they like dandelions can sprout in the cracks. 
Which America will we choose for our families?

Cecil Morris, a retired high school English teacher and Pushcart and Best of the Net nominee, has poems appearing in The 2River View, the Common Ground Review, Hole in the Head Review, The New Verse News, Rust + Moth, and elsewhere. His debut poetry collection At Work in the Garden of Possibilities (Main Street Rag) came out in 2025.  He and his wife, mother of their children, divide their year between the cool coast of Oregon and the relatively hot Central Valley of California.

THE DREAD

by William Aarnes

 after reading Stanley’s Kunitz’s translations of Anna Akhmatova

        for the contributors to The New Verse News

“He’s Threatened To Put Them In Jail”: Joe Biden Tells Katie Couric That Journalists Have Told Him Of Their Fears If Donald Trump Returns To White House —Deadline, February 22, 2024

Of course, they will jail

the journalists first

 

but the time will come

when you will pass your days

aware that the authorities

are letting you live

a circumscribed life,  

 

a couple of years

of the woman at the window  

of the apartment across the street

always fixing a stare

on you when you draw

your curtains open 

an intimidating reminder

that whatever you do

on your cell and laptop

is under surveillance,

your movements tracked,

 

a then two, three years in,

impossible to miss,

the agents in the parked car

always quick to get out

to openly follow you,

one just a few steps

above you on the escalator

and never standing more

than four people away

on a crowded subway,

you beginning to wish

you dared to confront them

with your puzzlement

about how much they are paid,

 

the time at last coming

when, one of your shadows

sipping coffee four tables away,

a dear friend will fail

to show for the lunch     

where you planned to lie

that you are too scared

to write any more poems,

not even in your head,

 

your friend not responding

to texts, you lingering

over your salad, dreading

the escorted ride home.

William Aarnes lives in Manhattan.

THE MAN NEXT DOOR

by David Chorlton

Image source: still from The End of Violence by Wim Wenders

The neighbor who wants to know everything
has a way of asking, even though
it’s none of his business. But he seems harmless
so you tell him where you’re going, why
the next house along has been empty for a week,
and put it down to friendly conversation.
You’re aware that he’s watching

you leave and come home, not that it matters
any more than being recorded
wherever you go, by a camera that sees
each withdrawal and deposit, by one
placed in the stairway where you work
and one above the swing
in the playground at the park.
Why should you care?
If you’ve done nothing wrong
there’s no need to worry.
It’s all to keep you safe,

even if safety is a state of mind
when the camera doesn’t stop
bad things from happening
but just records them when they do.
Where can you go to snuggle in peace,

let alone have a discreet affair?
How wrong is wrong enough for consequences?
The cameras never sleep. Do you? Do you know
who the four thousand in Lower Manhattan
are focused on? You get facial recognition
thrown in for no charge.
How far apart are your eyes?
How broad is your nose?
Who does the measuring?
If you need to feel secure

install your own system
with a dummy for only fifteen bucks
positioned to intimidate.
If you’ve done nothing wrong
there’s no need to worry.

China installed ten million cameras in a single year.
London has one for every thirty-two people.
Chicago has ten thousand recording
the income gap between the rich and the poor.
These cameras announce a place is safe for investment,
a nice place to shop
and buy more than you need.
Even if someone is watching, keeping count,

nobody will stop you
before you spend too much
and when the man next door asks
how much your purchase cost
you can never be sure whether he knows already.

David Chorlton has lived in Phoenix since 1978, and still sees his surroundings with an outsider's eye. This helps his writing projects, which include a new poetry collection,"The Devil's Sonata," from FutureCycle Press.

BRIEF SONNET FOR SNOOPS

by Jen Karetnick

Image credit: mjak / 123RF Stock Photo

The government is reading my emails,
they say. I wish they’d read my poems instead.
I would submit them for review as shells
of free-verse, villanelle grenades, bomb threats
whose line breaks they can’t unworm from their ears.
I would send them to the front lines to serve,
volunteer them as SEALs, special forces,
if that’s what it takes, poems leading the charge
in the fight to be the best in the world,
submissive soldiers of allegory
and slant rhyme. But poems are dismissed as girls.
Metaphors don’t receive the attention they
deserve. My emails are scanned, deleted,
the poems in them no gun to anyone’s head.


Jen Karetnick is a Miami poet with three published chapbooks, the latest called Landscaping for Wildlife (BigWonderful Press, 2012). Her next two books, an anthology of South Florida poetry and prose, Sun-Struck Matches (Tigertail Productions), and a cookbook, Mango (University of Florida Press), are forthcoming in fall 2013 and fall 2014. Jen works as the Creative Writing Director for Miami Arts Charter School and a freelance food-travel critic and writer. These poems are from a manuscript-in-progress, My Buddha Wears a Pout.

COMING-OF-AGE POEM USING 50 WORDS THAT MIGHT CAUSE THE NSA TO FLAG YOU AS A TERRORIST

by Martin Ott

Image source: popdecay.

Source for the 50 words in the poem: Business Insider: Australia.

His impatient mother would place her mace in an indigo
purse, and badger him, “Slow-poke the artichoke,”
for preferring Reno to the college snuffle, beef market
of lacrosse tossers, Jello shots, and credit card fraud.

His sometimes flame Jasmine got him in the zone,
loin to loin, on the basement couch, their chosen niche,
utopia of quiche and salsa, his red-headed Capricorn
quick to unzip for sex, and call his thrashing fish a minnow.

His friend Jack told him to run, Austin nerd, full of cocaine
and malaise, afraid of Texas, and dropping dead from blowfish
darts from gorilla boyfriends transformed into clandestine snipers
with Ninja stealth from keyhole eavesdropping on his sister’s friends.

Today he suited up, Roswell cowboy, not afraid to strap on his big
asset, his Macintosh, to face the fangs of starving career advisors
peering at him like a veggie burger without French fries or a bun,
the enigma of missing something almost as hard as missing none.


A former U.S Army interrogator, Martin Ott currently lives in Los Angeles, where he writes poetry and fiction, often about his misunderstood city. He is the author of 3 books of poetry: Underdays, Notre Dame University Press (to be published in 2015); Captive, De Novo Prize winner, C&R Press; and Poets’ Guide to America, co-written with John F. Buckley In 2013, he published his debut novel The Interrogator’s Notebook, Story Merchant Books. His blog - writeliving.wordpress.com - has thousands of readers in more than 75 countries.

BE OUTRAGED

by Joan Mazza

Image source: Mashable

The morning news is meant to wake you up.

Your phone records are being collected
at the government’s request. The deep sea
floor is littered with trash, most of it recyclable.

A man running for lieutenant governor in Virginia
warns that Yoga lures Satan into your life because
you empty yourself during meditation.

In Texas, a man was acquitted of murder after a date
with an escort who refused to have sex with him.
He shot her and took back the 150 dollars he’d paid.

It’s not even six and I haven’t made coffee and gray
wolves are no longer an endangered species. Isn’t it
too early to despair, especially over gray hair?

China, whose milk industry killed and maimed
their own children, now owns Smithfield farms,
largest pork producer to the world.

A pregnant actress tried to frame her estranged
husband for bioterrorism by sending ricin letters
to President Obama and Mayor Bloomberg.

Why worry when there’s so much good news? Cheating
wives are ready to have an affair with me NOW!
Beautiful Russian women want to marry me.

Plenty of Viagra available for the many men
in my life. And yours, too. We can have solar
power installed in our homes at no cost at all.

Several lending companies will deposit 2,500
dollars into my account in the next ninety seconds.
Why would I accept a pittance when I can have

9.2 million? Surprise— I’m next of kin to Roger Morris
who died in a plane crash in 2004! I’ll just tell them
where to deposit the money. No bad news today.


Joan Mazza has worked as a medical microbiologist, psychotherapist, sex therapist, writing coach and seminar leader. She is the author of six books, including Dreaming Your Real Self (Perigee/Penguin/Putnam), and her work has appeared in Cider Press Review, Rattle, Off the Coast, Kestrel, Permafrost, Slipstream, American Journal of Nursing, The MacGuffin, Writer’s Digest, Emerge Literary Journal, the minnesota review, Personal Journaling, and Playgirl. She now writes poetry and does fabric and paper art in rural central Virginia. “By reading and writing poetry, I come to terms with my obsessions.”

FOR WALT AND ALLEN

by Rick Gray

                                                                 

My name is announced before takeoff.
It’s JFK again, but this is a new terminal.
I haul my carry-on past rich kids pouting
In First-Class, already juiced,
 and step back onto the homeland.

Outside waits a man in a blue uniform and a silver badge.
“Are you a writer?” he asks.  There are tribal scars
On his fat cheeks.  I don’t ask.
“Follow me,” he tells me, and we walk together back
Down the tube to America. Our footsteps echo out of rhythm.

At the American Airlines check-out desk ten men are hovering over
my lost notebook of poems. I relapsed in the wine bar and my God punishes.
A man no older than thirty introduces himself as Tim from the Terrorism Task Force.
I told him I was not impressed, and that I believe in respect for elders.
I’m very traditional that way, Tim. Maybe it was my years in Africa when I lived in a hut.
Tim’s training did not include humor and, confused, he steps away.                                                          

The Boss moves in, a man with the pink alcoholic shade my ancestors taught me.
His face looks frozen in 1974. Very pre 9/11, with a suit that looks
lifted from the costume room of The French Connection.
“You’re a poet?” he starts. “You said it,” I swing back at him, “not me.”
“ A woman found your notebook and was very alarmed,” he frowns.
I try to break his Popeye scowl with a grin. He goes grim.

“Your poem called Bomb Threat is of concern,” he continues,
Lifting a torn page out of my notebook. Everything is written in green.
“And your comments about Homeland Security we all find curious.”
“That shit is weird,” the black guy with the scars exclaims. Everyone nods before
French Connection waves them still.

“I’m missing my plane,” I say, and a cop tells me to forget about flight.
“What was your destination?” another one asks.
I am going to Afghanistan to teach Shakespeare, I calmly explain.
I finally get my first laugh. But when I tell them to go fuck themselves, fascist pigs,
They’re back to business with my notebooks.     

But not I.
No, I now have a growing audience of passengers for the Paris flight
And I was raised not to waste. Children are starving in Africa.
THIS IS NOT AMERICA! I shout to them.                                                                                  
I AM BEING HELD FOR POETRY! I cry, and don’t know why I raise my fist.
This must be the oral thrill of the spoken word I’ve read about    
And I can feel Whitman and Ginsberg grinning below the New York dirt of JFK.
“Front page!” I bluff to the boss, flushed with my little fame, “New York Times!”
and pull out another notebook and start writing, staring into his badge.

Walkie-talkies come out and soon an alternative ticket is being printed.
They give an Irish cop the job of returning my notebooks; no one else will touch them.
“Hold onto these,” he gives me a wink I might, in a better mood, call Whitmanesque.
“It’s a shitty job,“ he apologizes as I take back my poems and head to another gate.
“Any good publications?” I hear him call out to me.
“Nope,” I shout back, “my job sucks too.”

Oh America, I don’t want to leave you!
I want to stay and write poems that make men huddle in airports!
I want to be pulled off your American Airlines and asked by scarred men if I’m a writer!
I want to make speeches about liberty to passengers to Paris!
I want to alarm everyone in the country!
But instead I’m off to another stupid war
To pay for my daughter’s ballet.
No one in America responds to my resume,
only these lost notebooks that don’t pay.
So before I step away from my homeland
I get one last jab at the Irish cop trailing me.
“I’m coming back soon!” I shout back at him from the tube.
“And we’ll be waiting!” he calls back to me, waving a little blue book.


Rick Gray served in the Peace Corps in Kenya and currently teaches at the American University of Afghanistan in Kabul. He was a finalist for the Editor's Award at Margie, and has an essay that will be appearing in the forthcoming book, Neither Here Nor There: An Anthology of Reverse Culture Shock. When not in Kabul, he lives with his wife Ghizlane and twin daughters Rania and Maria in Florida.

THE WIRETAPPERS BALL

by Deborah Gang

An FBI internet surveillance unit will collaborate with the coming NSA data center in Utah to decipher and monitor email between private citizens. Homeland Security recently began to monitor social media using version 2.1.3 key words & search terms.*

Some are obvious. Do not use assassination, 

Taliban, bomb, bomb squad, bomb threat.

Al Qaeda (all spellings). But electric? Blackout. 

Metro. Power. Smart? Is it worth the risk to say

failure? Dock. Airport. Airplane and its derivatives. 

Cancelled. Delays. Flood. Snow. Blizzard.

Why, these are some of your necessary words--

everyone’s necessary words. If you suffer blizzards

you need to talk about them and if you don’t, you

need to gloat. Wildfire. Ice. Stranded. Stuck.

Temblor. All suspect. Use sleet at your own risk 

along with plague. Plume. Enriched. Collapse. 

They have marked the best words as hazardous. 

Including hazardous. Breach. Mudslide. Grid. San Diego!

Say goodbye to relief and closure. And cyber terror.

Cyber terror is not to be used.         Warning

is on the list. 



*Sources: 

• "The Department of Homeland Security Is Searching Your Facebook and Twitter for These Words" by Joel Johnson, Animal New York, February 27, 2012.
• "The NSA Is Building the Country’s Biggest Spy Center (Watch What You Say)" by James Bamford Wired, March 15, 2012.
• "Avoid these words to prevent Homeland Security from spying on your social networks"
  --Technology News Blog by Tecca, Today in Tech, Yahoo! News, May 29, 2012.
• "U.S. Terrorism Agency to Tap a Vast Database of Citizens" by Julia Angwin, The Wall Street Journal, December 13, 2012.

Originally from Washington D.C., Deborah Gang moved to Kalamazoo, Michigan to attend graduate school and remained there, both for her work as a psychotherapist and the proximity to Lake Michigan. Her research has been published in Education and Treatment of Children and her prose and poems in Literary Mama, Encore, The Michigan Poet and J Journal (CUNY).

TOTAL INFORMATION AWARENESS

by Buff Whitman-Bradley

Surveillance Shoe | Legoland by Jill Magid

In order to save the National Security Agency
The trouble and expense
I am planning to spy on myself –
After all who is in a better position
To do so?
I will record and report
My every move
But even more than that
I will reveal my inner life
To the authorities
The shapes and colors and contents
Of my thoughts musings longings moods
Memories dreams reflections
In this way providing crucial data
For psychological profiling
That could lead to my arrest
And indefinite detention
Lest single-handedly
On some Tuesday afternoon
I overthrow the government.
I would proudly and humbly
Accept a medal from Congress
And the thanks of a grateful nation
For helping to avert anarchy in the streets
But whether or not I receive a hero’s acclaim
For my innovative and brilliant spooking
I will pass my days
In maximum security solitary confinement
Comforted by the knowledge
That I have rendered invaluable service in the struggle
To keep America free


Buff Whitman-Bradley is the author of four books of poetry, b. eagle, poet; The Honey Philosophies; Realpolitik; and When Compasses Grow Old; and the chapbook, Everything Wakes Up! His poetry has appeared in many print and online journals. He is also co-editor, with Cynthia Whitman-Bradley and Sarah Lazare, of the book About Face: Military Resisters Turn Against War.  He has co-produced/directed two documentary films, the award-winning Outside In (with Cynthia Whitman-Bradley) and Por Que Venimos (with the MIRC Film Collective).  He lives in northern California.