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Showing posts sorted by relevance for query this dangerous place. Sort by date Show all posts
Showing posts sorted by relevance for query this dangerous place. Sort by date Show all posts

Monday, August 03, 2020

THIS DANGEROUS PLACE

by Ann E. Wallace


New Jersey’s virus transmission rate jumped to 1.35 and Governor Phil Murphy warned of rising cases due to a lack of compliance with mask and social distancing rules. The state, where cases peaked months ago, is in “a very dangerous place,” Murphy said at a Trenton news conference. Photographer: Michael Mancuso/Pool via Getty Images —Bloomberg News, August 1, 2020


We are standing 
in a very dangerous place
calling the children to peer over the edge
of the precipice
as if it is a class trip
to the Grand Canyon.

We call out be safe,
don’t go too far,
but also 
don’t lag,
you need to be here,
we are here because of you. 
Yet we know 
that when one falls, 
others, 
perhaps we, 
will follow, 
linked arm 
to arm 
like a barrel
of plastic monkeys
tossed 
over the edge.

And though many 
will break free,
catch themselves
on ledges and climb up 
scraped,
battered, bruised, 
to laugh at the close 
call or scoff 
that it was nothing, 
a breeze even, 
some 
will fall
all the way 
down.


Ann E. Wallace is a longhaul COVID-19 survivor, writing essays and poetry on the pandemic from her home in Jersey City, NJ as she recovers. Her poetry collection Counting by Sevens (2019) is available from Main Street Rag. She is on Twitter @annwlace409.

Tuesday, February 01, 2022

AND SOMEBODY LAY THIS BOOK DOWN

A found poem of lines selected from the transcript of the January meeting of the McMinn County, Tennessee School Board considering the removal of the Pulitzer Prize winning book Maus from their curriculum teaching about the Holocaust.

by Dick Westheimer


Cartoon by Andy Marlette, Pensacola News Journal, January 29, 2022


     “There are no dangerous thoughts; thinking itself is dangerous.” 
― Hannah Arendt


You see the naked pictures. You see the razor.
You see the blade where the mom is cutting herself. 
You see her laying in a pool of her own blood.
Please, somebody lay this book down.

Sure, we do the Holocaust, but we have
processes and procedures in place here. 
We can tell the kids what happened, but we don’t need 
all the nakedness and all the other stuff.

Can I lay that in front of a child?
It ain’t happening. It is not happening.

It’s like when you’re watching TV 
and a cuss word or nude scene comes on
and you don’t look at it. You don’t look at it.

Again, reading this to myself, it was decent 
until the end. Until the end,
I really enjoyed it. I liked it. 

The end was stupid, though.
It shows people hanging, it shows them 
killing kids. It is not wise or healthy

Somebody lay this book down and say 
Look it was taught! Look it was taught! 
Say! Look! It was taught!

If I was trying to indoctrinate somebody’s kids, 
this is how I would do it. You put this stuff just so, 
this vulgarity, and the kids, they soak it in.

We don’t need the scene of the mice hanging from the tree.
We don’t need all the nakedness and all the other stuff.
We don’t need the curse words and foul language.

I never had a book with a naked picture in it! 
I never had a book with foul language!
So I vote to do away with the book.

I Vote To Do Away With The Book!

And somebody lay this book down, because
somebody will say look, it was taught in the classrooms. 
So, Madam Chairman. I’m going to bring this to a head. 

I started it so now I am going to bring it to a head. 
I move that we remove this book.
I move that we remove this book!


Dick Westheimer has—in the company of his wife Debbie—lived, gardened and raised five children on their plot of land in rural southwest Ohio. He is a Rattle Poetry Prize finalist. In addition, his recent poems have appeared or are upcoming in Pine Mountain Sand and Gravel, Rise Up Review, Sheila Na-Gig, Snapdragon Journal of Art and Healing, and Cutthroat.

Sunday, January 11, 2015

PARIS 1974, 2015

by Martha Deed




What has the sun said to you, my child ‒
that the world is a dangerous place
and this is a day to stay in bed?

But, No. It said
Do you see the shine of morning dew
on the cobblestone streets
and the spires of Notre Dame
kissing the clouds

The cafes bursting with coffee
and croissants in the hands of kids
on their way to school
on their way to work?

This is a day
the sun said
to take a good walk
along the quay

This is a day to look for a book
to visit the market of live birds
to hear them call
to admire their feathers
shining in the sun

the light flashing on them like sparklers
not like bullets at the newspaper
not like flash grenades
at the grocery store

This I tell you:
Because you heeded the sun,
you will live another day
your survival as accidental
as those held hostage
as those who died
at your grocery store
you did not visit
because you were taking 
a walk in the sun 


In this poem, Martha Deed has woven the close call she had in Paris in 1974 or 1975 when Millie was a baby.  They usually went to the news stand for the Sunday paper at 10:30 AM.  Regular as clockwork.  But that day, Martha simply thought to take a walk to a farther away news stand instead.  Carlos, the Jackal, had planted a bomb at her usual place, and it exploded, killing people, as Martha pushed Millie in her stroller down the Blvd Saint-Germaine.

Thursday, September 25, 2025

MASS SHOOTING #4



by Ron Riekki




I see fog: the feel of San Francisco,
of swamp, of isolation, of Gothic,
 
of Dickens, of Doyle, of death.
A girl's dressed Goth, smoking
outside the bar across the street.
The air is thick with cannabis,
 
so much so that I feel high just
walking.  I get food.  While I
wait, I go to other businesses
nearby.  There’s multiple, all
 
supplying either food or drink,
signs with a bright white VAPE
and a thick red BEER/LIQUOR.
I’ve come late, to get a feel for
 
what it was like at the time that
the shooting happened.  This is
Michigan’s fourth mass shooting
in two months.  We’re borderline
 
on campus/off campus.  I wonder
where in the parking lot that it
happened.  I go to a pizza place
while waiting for my food.  They
 
nod that, yes, they know about
the shooting.  It happened at
the building next door.  I go
across the street, to a bar, ask
 
for water.  They give me some.
I talk to the security guard, ask
him if he knows anything about
the shooting.  He points where
 
it happened, across the street.
I ask if he’s worried about any
more shootings.  No, he says.
I go in Two Fellas Grill.  Its
 
name reminds me of the film
Goodfellas.  “Layla.”  Tommy
gets whacked.  The place is
empty, totally empty, except
 
four employees.  I ask if they
heard about the shooting.
They look me over.  Why’m
I asking about the shooting?
 
One guy looks to see what’s
in my hand.  I’m holding
a notebook.  I don’t take
notes.  The guy says he
 
took video, of the aftermath.
Was he here when it happened?
No.  But he lives nearby.
He came right away.  I ask
 
what caused it.  A girl
behind the counter says
there’s lots of rumors,
maybe gang-related, or
 
maybe somebody got
jumped.  She says that
Kalamazoo used to be
the 4th most dangerous
 
city, but now it’s 2nd.
The guy says changes
are going to happen.
I ask what.  He says,
 
Changes.  Like what?
He says that’s being
talked about, but they
used to close at 4 a.m.,
 
but now they’re going
to close at 3 a.m. instead.
I ask about cameras and
he says they have those
 
already.  I tell him that
there must be incentive,
since this is campus and
there’s students to protect.
 
He says we have to protect
everyone.  He asks if I’m
going to order anything.
I can tell he’s done.  I go
 
back to the place where I
ordered food.  I eat next
to another table covered
with boxes, old computer
 
screens, a big bag of soy
sauce, the feel more like
warehouse than restaurant.
I talk to the workers there—
 
a chef, a driver, a guy who
takes the orders.  One says
he lives in Battle Creek, sees
shootings all the time, more
 
than I can count on my hands,
that’s for sure.  I ask what can
be done to lessen the violence.
It can’t be helped.  I ask if there
 
is anything we can do.  All three
say that they don’t think anything
is going to change gun violence
in America.  Nothing.  There’s
 
a tip jar nearby that’s marked:
Tiperoni 😊 Thank yoooooooo
The phone rings constantly.
Nobody eats inside, but Door
 
Dash people keep coming in
and out.  The guy asks me if
I want to see the footage of
the shooting.  I’m stunned.
 
You have it on camera?  He
pulls out his phone and in
a few seconds I’m seeing it
happen in front of me.  It’s
 
five black kids.  Children,
really.  Looking high-school
age.  And it lasts for just
seconds.  Maybe eight or
 
so seconds.  An ugly brawl
where fists are flailing and
it feels a bit like four against
one, except it’s too chaotic
 
to fully know who fights who
and quick, incredibly quick,
so quick that I have him show
me the footage three times:
 
one of them pulls out a gun
and starts shooting.  One kid
shot in the stomach and three
shot in the feet.  This is what
 
I realize—how incredibly
fast someone can pull out
a gun.  Another revelation:
how having a gun doesn’t
 
protect you.  He fired five
shots before I even realized
he’d pulled a gun out.  Where
did he get it? I ask.  It seems
 
like it just magically appeared.
From his pants, the guy says,
taking his phone back.  That’s
how fast, in three seconds, less,
 
you can shoot four people.  I
pull out my phone, time it.
It’s maybe two seconds and
four people have been shot.
 
And all of them could have
concealed weapons/permits
and it would do nothing.
We have this conversation
 
just ten days after Charlie
Kirk’s debating gun violence
was ended by gun violence
and I ask the three in front
 
of me, saying, you must have
some ideas of solutions, and
they say, no, there is nothing
we can do, and I push them
 
on this, but they stick to it,
this feeling of hopelessness.
I leave.  I’ve gone to three
other mass shootings and
 
people there have had ideas
of how to fix things, but now
the feeling is there’s nothing
we can do.  I go to the parking
 
lot and have this revelation that
the shooting happened inside
the restaurant.  I had just seen
the footage.  I’d assumed it
 
was in the parking lot, but
it was inside.  I get in my car.
A podcast starts up.  It’s three
men talking in toxic hyper-
 
masculine language.  I turn
it off.  I start to drive down
the street.  A car is alongside
me, going the exact same speed.
 
They’re in the passing lane, but
they don’t pass, just riding along-
side.  I make a turn I don’t need
to make.  I stop to get some gas.
 
The signs here say:
5 C OFF A GAL
REWARDS
and
 
2 SLICE S OF
P IZZA   &
L G  BI G GLUP
4 W  RE WARDS
 
I’m feeling depressed, but I laugh
at the word “GLUP.”  I pay, sit
down and look up to see another
sign on a pawn shop nearby:
 
GUNS &
AMMO


Wednesday, September 30, 2026

“YOU’RE THE ONLY PERSON WHO’S BROUGHT UP THAT QUESTION IN THIRTY YEARS”

by Ron Riekki


Protest #3—block of Professional Dr., Ann Arbor, MI, September 27, 2026 (approximate number of protestors: 31)
 

AI-generated graphic by NightCafé for The New Verse News.


 

I went to three protests this month that turned out to be only one protest.
The first was billed as a Detroit Anti-War Committee Public Meeting.
It turned out to be an anti-meeting. It happens every Friday at 6 p.m.,
which ensures participants will face breathtakingly horrid traffic,
traffic that, on the way, just got comically more dangerous, potholes
getting deeper, people going from rolling stops at red lights to just
simply blasting right through them, illegal turns, and signs that, as
you got more to the center of Detroit, just got more confusing, as if
they were designed to make people get pulled over.  I stopped to get
gas, paid, and, walking away, the person at the counter yelled,
“No rewards?” I didn’t know what she even meant, saying, out loud,
“No.” Adding, “Just punishments.” I got to the protest, which was
a plague of abandoned buildings, a maze of haunted-house buildings,
buildings that were the opposite of building, were tearing-downs,
slowly-rottings, passersby rare, and not any clichés of pimps or
prostitutes, but instead white joggers doing white jogging in white
socks under white clouds with white ghosts hovering in the dark
broken-glass windows. One of the buildings had a Michigan
Historic Site plaque, in MSU Spartan green and white with maize
lettering, letting me know it’d previously been a recording studio, for artists
like John Lee Hooker (memorable album title of It Serve You Right
to Suffer), Johnnie Ray (memorable chart hit “What’s the Use?”), and
bad-ass Dizzy Gillespie (memorable everything). This place is holy
and abandoned. Imagine areas of Heaven where the angels have all lost
their jobs, diaspora elsewhere, dispersion to the point of no person, or
rare person, medium rare, pale, pulled by their jogging route and gone.
Pearly Gates weeded, locked, closed. Across the street is the protest.
A can’t-miss building I found hard to find, but then this window
with a NO MORE WAR sign that, the first time I misread as
NO MO’ REWARD. Signs of punishments lining the window, about
Palestine, martial law, racism, Ukraine, Ukraine again, Venezuela,
 
the Pentagon, Black Lives Mattering, genocide, apartheid, Detroit,
Iran, and a final sign I couldn’t read. Global-minded. Concerned about
the world. But absent. No one. Noon-bright in the empty evening.
Police siren noise pollution fading. The building closed. The meeting
offering no one to meet. I was interested in anti-war, but this is just
anti-. The opposite of a protest. A pre-test? A practice? Just a test?
To see if you’d come. I’ve come. For nothing. For no one. I think
of how disappointing this would be for a protestor.  Know there’s
an hour drive back. To think about wasting time.  I think of the close
to one-trillion-dollar US military budget. One trillion. Do you know
how much Republicans and Democrats have to work together
to create a one-trillion-dollar military budget? I think of the RATM
video for “Testify,” how Gore is Bush, Bush is gore, how they bore,
gush, the same rhetoric, the same party pretending to be two,
the dichotomy of the two-party system really being a craniotomy
one-party system pretending that it’s two. I sat in my car,
realized how many of these protests are absences, one protestor
in Iowa, no protestors in Detroit, where two protests equal one
person, how the listing of protests online might be fake, done
to pretend there are the 66 upcoming events posted on findaprotest
for Michigan, but how many are there? Nothing? 0.0 protests?
Or is it conservatives posting fake protests? How much of it
is smoke-and-mirages? Across the board. I think of the Ann Arbor
Human Rights Commission, how I’ve heard of complaints that it’s
fake, how hard it is to find any information online on how to file
a complaint against the quote-unquote ‘Human Rights’ Commission
that seems to be a Corporate Rights Commission, whose mission
seems to be omission. Could they form another Human Rights
Commission that will examine the practices of the Human Rights
Commission? I sat in my car thinking maybe we just sleep now in the fire.
It’s a powerful thing to show up to a protest and have no one be there.
 
It speaks volumes. Except those volumes have been book-burned.
That was the first protest. The second protest was a Jewish gentleman
standing in front of the U of M library. He looked like he was protesting.
I wanted to hear his voice. I approached, asked if he was protesting.
“No,” he said, shocked, actually, honestly, looking afraid. I apologized.
There was something about his presence, the pacing, the waiting,
where it felt he was standing there to be seen. He was. He clarified.
“It’s a Jewish holiday,” he said. I didn’t know, found out it’s Sukkot,
celebrating Israelites forty years wandering in the desert, from what
I found online.  And that’s what he looked like, felt like, like he
was wandering, wondering. When I spoke to him, there was
gentleness, but mixed with fear. He reminded me of one of the newly
partially paralyzed boys in the movie Murderball, one of my favorite
documentaries ever, deceptive title, but a film about disabled
empowerment, but a boy in the film who’d just had his accident,
freshly dealing with the reality he’d never walk again, and how
quiet-voiced he was, this revelation of how deeply life can hurt you,
how vulnerable we are, how much more vulnerable he is now
that—as a scene shows in the film—he struggles with Velcro,
how taking on and off a shoe is struggle, a motocross competitor
now competing against everything. Jesus Christ, did I cry during
viewing that film. Even though it’s filled with comedy. But this man,
telling me he’s from England, married an American, why he’s here,
shy, shyly, everything humble, but fear, this feel of fear, him asking me
why I’m talking to him, me telling him I went to Brandeis, looking
for some connection, him telling me he’s heard of it, barely, and my
shock, saying, “Brandeis?” as if the word is just filled with Jewishness.
I leave him alone. It’s not a protest. But it is, sort of, a protest.
U of M, to be honest, when I studied there, and I’ve taken classes here
and there, random, multiple universities, sometimes just one class,
a dozen universities, but University of Michigan, by far, was the most
 
anti-Semitic college I ever studied at, comments in class where I was
just shocked—from subtle anti-Jewish microaggressions to abrupt
Holocaust denial—where I turned to a student who told me she’s Jewish
and asked, after one comment, whispering to her, “What do you think
about that?” (about what was just said) and she said, “I’m used to it.”
Stayed silent. Always silent. I couldn’t believe how quiet she was.
A scared sort of silence. That was the second protest. I was done.
This was the poem… Except, driving, I saw a group of thirty or so
people walking, carrying signs. I pulled over, parked illegally, walked
quickly to them. A week ago, there’d been a couple of Palestinian protestors
and I’d tried to hurry to interview them, but they had disappeared, driving
with human-sized green-white-and-black flag with red triangle, pan-Arab
colors, young boys leaning out car windows with the energy of the maybe-
most-beautiful-woman-ever M.I.A. with her “Bad Girls” video with its
“Live fast, die young” repetition, and Moroccan keffiyeh drivers doing
drifting stunts, cars balanced on two wheels with tanker fires and land-
scapes that seem to hint at a Detroit Persian Gulf, and, like the editing
of the video, a blink and the boys were gone, impossible to interview.
So I parked quickly, rushed, not wanting to miss this obvious protest,
especially as I’d not been to one with the month ending, nothing official,
and this was. There’s a way that protestors walk, like they own the area,
and that’s what happened, as I approached, them coming down the side-
walk, with two elderly white men in crossing-guard gear acting as security,
walking straight towards me to let me know they were not moving off
of the sidewalk. I walked up, asked if I could interview one of them.
As always seems to happen, there’s a leader. A guy pointed, didn’t
want to be interviewed, said he was busy praying.  He pointed to a woman—
Sandy. The second protest I’d gone to led by a Sandy. This conjuring up
of Sandy Hook. Of Navy Seal surf torture. Of Sandy Olsson turning from
prim and proper to black skintight leather by the end of Grease, where
you felt it was Janus. I went to the wrong woman. They corrected me.
 
I tried talking to Sandy, but it was too loud with the chanting recitals
through a mic and speaker. She told me to wait three minutes and
the protest was done. We walked and arrived, nowhere, the middle
of a dead-end, a cul-de-sac, this feeling like somehow we’d arrived
somewhere, but I looked around and it felt utterly random. They prayed,
“We want you to close this place down.” What place? They prayed
more. The realization that this was an anti-abortion protest. Shirts
of PRAY TO END ABORTION and I WAS ONE WAY AND NOW I’M
COMPLETELY DIFFERENT. Their ages everything, from eight
to eight decades. It ends. I talk with Sandy. As I do, men come over,
interrupt. I know this is just my opinion, one I’m sure people would
love to argue with, but I kinda think any abortion discussion should
be women-led. When the men would come over, they wanted to control
the conversation, yanking it in completely different directions than where
Sandy was heading, so that I asked her just that, “Should men listen more
when the discussion is about abortion?” She said, basically, no, that
they’re just as much invested, that abortion affects mothers and fathers,
and, especially, the babies. The word ‘babies’ gets spoken of a lot
during the talk. I ask the hard questions. What about rape? She tells me
“Eighty percent” of raped women don’t want an abortion. I don’t know
about the accuracy, but ask, using that figure, about the twenty percent
who do. They talk about “all” the alternatives.  “Like what?” I ask.
“Give the baby up.” To? “Foster care.” I talk about foster care statistics,
how much abuse happens in foster care. A man takes over, says, “You just
have to do the research.” But about forty percent of foster care children
do experience abuse. I ask about poverty. How what we’re really talking
about is doing forced pregnancies on the poor.  Sandy tells me that women
who’ve had abortions have increased statistics for alcoholism, suicidality,
drug use. I wonder if it’s chicken vs. egg, if it’s more complicated than
what she’s saying. I ask about overpopulation, that if there’s the 73 million
abortions globally per year, that it means by 2040 we’d have an added
 
increase of one billion people to the population, a population already
estimated to be 9.2 billion, so it’d make it 10.2 billion, and how those
pregnancies would directly impact some of the poorest areas of the world,
that you can’t talk about global banning of all abortion (always) without
discussing an obvious population explosion caused by it. She says,
“You’re the only person who’s brought up that question in thirty years.”
I tell her that it needs to be discussed. She’s honest, tells me she’s never
considered it, hasn’t done the research. I encourage her to do the research.
I ask her hard questions. She never turns to emotion, never shouting at me,
no frustration, anger, an anger I’ve seen so common at other protests,
one in Berkeley I remember where what was shouted through megaphones
had nothing to do with logic, but just sheer rage. I ask her why,
why she’s being so grounded, even when I’m pushing her about real
problems with global banning of all abortion that doesn’t consider
how it’s so much more complex than that. She tells me two things.
She says the left doesn’t come from logic, but only emotion, because,
she says, “They don’t have the truth.” She also says she’s coming
from “love,” not hate, telling me, “I hate no one.”  She tells me
about women coming out of abortion clinics post-abortion and
not judging, but asking if they could pray with the women, how
they’d cry doing that, appreciating it. To be honest, she feels like
her main root issue with doing this is because she loves family.
The problem, of course, is that it’s her conception of family
and her choices she wants everyone to follow. But her heart
is worlds away from anti-abortion violence. I ask what she’s
doing to create change. She says, “Praying.” I ask what else
and she says that she works to get other people to pray too,
to stop this, says it’s succeeding, that abortion clinics are closing
across the U.S. I ask the statistics for that and she says nine
abortion clinics have closed in Michigan. She feels it’s because
of prayer. I ask if it’s because of Trump. She smiles. I say,
 
“You love Trump?” She says, “What’s not to love?” I think
about that question. What’s not to love about the President?
I ask if the Planned Parenthood nearby’s open, figuring, perhaps,
they might supply me with some responses to that question.
She tells me it’s closed. I ask why she’s here now, why she
isn’t here when it’s open. “Oh,” she says, “We’re here for
forty days.” Tells me from 7 a.m. to 7 p.m. For forty days.
I think of Sukkot. I think of the world population in 2040.
I think of forty percent of foster care children being abused.
I think of 40-oz. malt liquor. I think of less than forty percent
of rape being reported to law enforcement. I think of Jesus’
forty days in the wilderness. I think of the forty days of rain
of Noah’s flood. I think of the more than 440,000 rapes and
sexual assaults occurring in the U.S. each year. I think of
two in forty women in the U.S. experiencing a pregnancy
from rape or sexual coercion. I think it’s more complicated
than forty days of prayer, from September 23 to November 1,
the Day of the Dead. I think of the Bible quote for Matthew
2:40, how the quote from Matthew 2:40 says so much, and
what it says—as I’m sure you all know—is that it doesn’t
exist, because Matt only goes up to 2:23, but it doesn’t matter, 
because it could be any quote and I’ve heard Bible quotes taken
in every direction you could imagine, one of the most brilliant
things I’ve ever experienced being a New Testament class at CMU,
with Dr. Reader, a man who was exactly that, as well-read
as any human I’ve met, who knew ancient Greek, Hebrew,
Aramaic, destroyed anti-gay misinterpretations, mistranslations
where he’d say, “Let’s look at the original language,” and you’d
realize the quote wasn’t talking about homosexuality, but about
pedophilia, which is different, monstrously different,
and how he knew the language, did the work, didn’t just
take the Bible in whatever translation was offered, but
realized every choice the translator was making. And
there’s a translation that happens when talking about
abortion, a translation we do with our lives, where what
we’ve experienced and our view based upon our experience
becomes the answer for everyone else, when, my God,
it’s a lot more complicated. But my hat’s off to who can
discuss it with love. Romans 12:2: Do not conform to the pattern
of this world, but be transformed by the renewing of your mind.




 

Monday, September 12, 2005

CLASHES OF CULTURE

by Barbara A. Taylor

"Perspective is a hell of a thing. Perhaps now that we have Iraq under our belt, perhaps now that we have Katrina under our belt, perhaps now that we have had a few unspeakably costly lessons on just how wretched, stupid, useless, blind, willfully ignorant, dangerous, petulant, frightening, narrow-minded, foolish and ultimately deranged this administration is, perhaps now we can look at September 11 for what it really was: just another Bush administration failure that came with another massive body count."
-- William Rivers Pitt, "September 11 Revisited," truthout

Operation Enduring Freedom:
Relentless retaliation for
the crushing fall of Twin Towers.
A violent evil attack on democracy
in a world of cultured casualties.
Those Twin Towers spoke of Power and Greed,
Racism and Sexism. To a pacifist teenager
they were Arrogant. Audacious. Symbolic:
Gross icons to capitalism, all that is wrong
in her enronomic native land. Land of the Free,
where today in southern Midwest USA, white-hooded
malevolent terrorists claim human lives, roam
reckless with guns, can legally be. This country
America has no place for difference.
Like a volcano, rumbling through generations
in hatred and ignorance, cracks in the great
American melting pot now erupt to confront
a new humility, an acceptance
that other people’s worlds
do exist.

But sadly, it’s still the same old bugles, blowing
trumpets of war. Siege mentality. Emotive
bagpipes for death. Drums for marching.
Machine guns of battle drown all rational discussion.
Send in the marines! A call to arms is praised.
Wave the flag! Patriotic jingoism. God is on our side!
Priority: precision weapons, high-tech-unmanned-armored-vehicles,
the very best to wipe the cruel enemy out.
Forget the innocent for they do not count.
Sorrow and more bloodied human faces;
Collateral Damage: families destroyed.
Unending grief for mothers, daughters, sisters.

There’s money in these killing machines.
Empires are built by terrorists. War Barons Rule.
Heroin from pretty poppy flowers’ lethal harvest
will prick pretty young veins of Europe. Opium Wars
rage, make money, as do black spouts of crude.
Oil buys food. Commodities with bargaining powers.
Threats and sanctions. Everything’s for profit.
Everything’s for freedom.

Parents want to feed and educate their children.
People need more than a diet of grass. Women want
to live in safety. They have this human right.
This catastrophic chasm: the gap between
rich and poor is greater than ever.
Around the world it continues to grow.
This is a war on poverty where hopes always
should remain and must be fed to stay alive
with freshness of new starts. Where equality
and tolerance means the same for you and for me.
Fear-free for the teenager of tomorrow
with or without the veil, in the temple or
in the mosque. And you quite rightly ask,
Who is the unseen enemy of the universal soldier?

Just when will the fig tree bloom?



"Each day demands that I write and that my fingers touch and feel the earth." Barbara A. Taylor has published prose and poetry, and is a regular performer at Live Poets Poetry Slam evenings. Nature, politics, peace and women are the main interests and themes. Her poems have been on local, community, national, internet radio, and various ezines around the globe. Barbara writes from the sub-tropical Rainbow Region of New South Wales, Australia where inspiration, peace and freedom to create, comes from the serenity and beauty of this special area. Samples of her diverse poetry with audio can be accessed at Batsword and Triplopia.

Tuesday, October 21, 2014

THE GREAT METAMODERN RUBRIC'S CUBE OF DENYING AMJAD NASSER ENTRY INTO THE HOME LAND OF CORPORATOCRACY'S OVERLORDS


by Steve LaVigne


“Poetry can be dangerous,” Rumi said, and U.S. Homeland Security isn’t taking any chances. The Jordanian-British poet Amjad Nasser had been invited to speak at New York University this fall, but on Sept. 27, he was questioned for two hours at London’s Heathrow airport and then prevented from flying to the United States. . . . “There are many literary activities that I am invited to and I can not go to because of this is problem, which is incomprehensible to me,” Nasser said. “I do not belong to any political party now, and I am against the use of religion in politics anywhere in the world. I am of those who say that without dialogue between intellectuals and thinkers in the world we can not bridge the gaps, whether real or artificial. This world is small and we have no other and we have to make it a viable place to live.”--Ron Charles, Washington Post, October 10, 2014. Image source: The Poetry Trust

“These are Orwellian times,
and the surveillance state is protecting us
from harmful poetry.” 
--Prof. Sinan Antoon,
who had invited Nasser to NYU.

I am a cowboy
nothing between me and my mustache
but miles and miles of federal BLM land

In the immortal words of my father “when you
don’t even have a pot to piss in” - he always
forgetting to mention who then becomes the pot

I too want to be denied entry into the United States
for my political beliefs
but I have already denied them myself
for all these years finally losing the hope
in hopelessness
the nothing in everyone else’s something
When is a poem not a one man or woman show?
I so want to own rip away velour sweat pants
just waiting for the coach to put me in

Let me start again

I want to be a poet like Amjad Nasser
dearly beloved of translators
invited as keynote speaker at NYU’s Gallatin
Global Writers Series
but denied entry by the Home Land
security
I want to be The Poet so dangerous
that even the reason I am not allowed to enter
the conversation
is classified
after all these years of dull schooling I
have finally unlearned this thing
taxonomy is the study of the commons
that which we all share in common
divided into hierarchies
it branches up and up but it’s not a tree
like your were taught or even
a burning bush
but a great wooden cross
(see, oh my mother swooning in ecstasy)
someone must be sacrificed
and you thought it would be someone else cowboy?
It is the great ascendancy of statistics
they lied when they said statistics lie - damn lies
an image lies, your emotion lies
your lover lies beneath
your words - when your words create
reality
85 people control as much wealth as the poorest
3, zero zero zero, zero zero zero, zero zero zero billion
people
the first thing
with just zero point five percent of the richest 1%’s wealth
I want you to know
poverty could be eliminated
I am not
¼ of the jobs in America in some way relate
to making sure the richest
bullshitting
don’t have to share with the rest of us
you
How do I know god does not exist
If god did exist she would be a catholic nun
kindergarten teacher - her ruler of justice
coming down on the knuckles of those too greedy
few saying “share god damn you, you filthy little cretins”
every       rubric’s    solvable     every
cube is    solvable    rubric’s      cube is
as long as you know there is no such thing
it’s a rubik’s cube - I am such an idiot
for not understanding words or even a few letters
make or unmake worlds
hope in hopelessness
I never thought I would be the one wearing a habit
a god in my own uncomfortable classroom
my grandparents went through the great depression
and I remember thinking what is wrong with them
that haunted look in their eyes - some kind of
PTSD - I remember thinking can’t they just get over it
but now I see that same look in other
people’s eyes - young eyes
my grandparents having died years ago
and the only thing I can really remember
no matter how old or frail they seemed
when they looked at you
when they gave you that look
you did not want to fuck with them



Steve Lavigne runs a local poetry group in Champaign Illinois. It meets weekly to discuss, create and share poetry in order to build community through the power and practice of poetry.