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Showing posts with label Elane Gutterman. Show all posts
Showing posts with label Elane Gutterman. Show all posts

Wednesday, September 28, 2022

READING ANNE FRANK’S DIARY IN FARSI

by Elane Gutterman


About a dozen teen girls in a secret book club in Afghanistan are reading—and finding comfort in—Anne Frank's diary. Arzou, one of participants, said it was the first time they had read the firsthand account of a teenage girl living through extreme hardship. "I think Anne Frank is like, as a friend for me," she said. Photo: Diaa Hadid. —NPR, September 11, 2022.


I don’t want to live in vain like most people
 
In a basement at the edge of Kabul, at a secret
      book club,
a dozen teenage girls defy the Taliban,
feed their curiosity, exercise their minds,
connect to a Jewish girl from a distant time and
      place.
 
I want to be useful or bring enjoyment to all people
 
In translated books, the girls find themes to tunnel
      through darkness. 
Volunteer leaders steer the conversations, probe
      with questions. 
Girls like Arzou discover a kinship with Kitty—
      Anne’s diary, relate 
to bickering with mom, crush on Peter, resolve not
      to lose hope.
 
Even those I’ve never met
 
What brave teens, they’ve survived suicide
      bombings, 
losses, terrors, hardships of their Hazara minority.
In the past year, they’ve cried and tried to 
      circumvent 
the Taliban’s intent to cover, confine, undermine
      women.
 
I want to go on living even after my death
 
Masouma finds comfort in Anne’s diary, despite
      her grasp
of Anne’s horrific end. These teenage girls of
      Afghanistan 
now all dream of writing a book. Zahra says,
      “Nobody 
knows how long I will live, or when I will die.” 


Editor's Note: The italicized lines are quotations from Anne Frank's The Diary of a Young Girl.


Elane Gutterman is a trustee and the literary chair at the West Windsor Arts Center. Her poems invoking social justice have appeared in prior issues of The New Verse News. Her first book of poetry, Tides of Expectation (Kelsay Books), was published earlier this year. She dedicates this poem to the brave girls in the secret book club in Kabul and to one remarkable Afghani girl who arrived in Santa Fe, NM this week to begin tenth grade studies there.

Sunday, September 06, 2020

SAVING PAUL RUSESABAGINA

by Elane Gutterman


Paul Rusesabagina at his cell at the Remera Metropolitan Police Station, Kigali, Rwanda on September 3, 2020. Rusesabagina, arrested early this week to face terror, murder, and arson charges, says he is choosing his defence team to prove his innocence. Following his arrest, Mr Rusesabagina, whose heroic actions during the 1994 Genocide against the Tutsi inspired the Hollywood movie Hotel Rwanda, was paraded before the media by Rwandan authorities on Monday. His deeds are also captured in the 1998 book We Wish to Inform You that Tomorrow We Will be Killed With Our Families by American journalist and author Philip Gourevitch. It remains unclear how he ended up on Rwandan soil, where had not set foot in almost 20 years. Authorities said he was arrested on an international warrant, and with the cooperation of other countries. He is accused of founding and sponsoring an armed rebellion that claimed multiple attacks on Rwandan territory, leading to deaths and destruction of property. While living in Belgium and the US with his family, he formed the Rwandan Movement for Democratic Change (MRCD) in 2018, an opposition party with a military wing—the National Liberation Front (FLN)—that has claimed responsibility for a spate of attacks in Rwanda, from its base in eastern DRC. He has also been a fierce critic of President Paul Kagame since the early 2000s, often accusing his government of undermining human rights. —The East African, September 3, 2020


This is why I say that the individual’s most potent weapon is a stubborn belief in the triumph of common decency —Paul Rusesabagina with Tom Zoellner, An Ordinary Man: An Autobiography


Transported to the land of a thousand hills
at the Hotel des Mille Collines,
the Hotel Rwanda of that harrowing film,
we cheered for the manager,
Paul Rusesabagina, who managed to save
more than twelve hundred Hutus and Tutsis,
after they fled the killing streets
during the Never Again days
when neighbors hunted down neighbors
as spies and inyenzi cockroaches.

Years later, I swam in the hotel pool
where refugees once drank the water.
I ate in the hotel café where penniless
refugees once came for free meals.
I rode the City’s gardened main thoroughfares,
I went to its clinics, restaurants
and galleries. My eyes saw a facade
of peace and prosperity in this land
of a thousand hills.

Yet the hills stood without freedom
and the ruling strongman ruthlessly silenced
his critics. Even before the film,
Rusesabagina had to leave his country to champion change,
living as a citizen of Belgium, then a resident of Texas.
And this week the strongman netted
new prey, that hero kidnapped, taken from Dubai
to Rwanda, to face trumped up charges as a terrorist.

Now, I too feel immersed in the sea of lies
created by our wannabe strongman.
How can Rusesabagina be saved --
yes, he who managed to save so many.


Elane Gutterman is a health researcher who has studied breast cancer treatment in Rwanda and other East African countries. She is a trustee and the literary chair at the West Windsor Arts Center. Her poems have been published in Kelsey Review, Patterson Literary Review, U.S.1 Summer Fiction, and TheNewVerse.News.

Monday, May 13, 2019

A GHAZAL FOR VENEZUELA: PRESIDENT MADURO DENIES HUMANITARIAN CRISIS

by Elane Gutterman


CARACAS, Venezuela (AP) — Red Cross volunteers distributed the first shipment of badly needed emergency supplies in Venezuela on Tuesday after months of feuding between the government, which has denied the existence of a humanitarian crisis, and opponents who have been seeking to use the delivery of aid to force President Nicolás Maduro from power. —AP, April 16, 2019


A father hugs his child good night, his nightmare, her dwindling insulin doses.
For love of his country, Maduro turns down aid, insists “We aren’t beggars.”

A mother sells her thick, braided hair to buy rice, beans and chicken for her children.
With chants of venceremos, Maduro raises his fist “We aren’t beggars.”

A mother grieves for her older child stabbed when they grabbed his cell phone.
With hatred toward his enemies, Maduro resists “We aren’t beggars.”

A pregnant teen reveals there were no contraceptives or money to buy them.
In his embrace of the dead Chavez, Maduro can’t desist “We aren’t beggars.”

Now a father lines up by a Red Cross van for water purification tablets.
As a maid pours his fine wine, Maduro shifts yet persists “We aren’t beggars.”


In the latest issue of Journal of Global Oncology, Elane Gutterman, a health researcher, read how cancer care in Venezuela has been transformed from an advanced level of diagnosis and treatment to rudimentary services through government policies and indifference. In addition, she credits her friend and former Spanish teacher, Ana M., with making the needless suffering of the population personal through sharing stories of her Venezuelan family. Elane has published poems in Patterson Literary Review, U.S. 1 Summer Fiction Issue, Kelsey Review and TheNewVerse.News.

Wednesday, April 24, 2019

TOWARD A GENTLER GOOD NIGHT

by Elane Gutterman



N.J. Gov. Phil Murphy signs the Medical Aid in Dying for the Terminally Ill Act Friday, April 12, 2019 at the New Jersey Statehouse in Trenton, N.J. New Jersey joins seven other states and Washington, D.C. to enact a law permitting terminally ill patients to seek life ending medication. The law takes effect in August. (Credit: New Jersey Office of the Governor via WHYY)


The trigger for me was the research for a poem, my artful
turn on two decades of Oregon envy, wanting their Death
with Dignity to apply in New Jersey as a law abiding act.

I stumbled on the lobbying group and the way grew less abstract.
Supporters met up at the State House. Our message fine-tuned art,
we engaged lawmakers on the need for choice when near to death.

Those opposed called it suicide, minimized long-suffering death.
Finally, the bills came up for a vote, would they be enacted?
I stared at the display as votes in favor mounted like hanging art.

Work of art, my state enters the pact. Governor affirms choice in death.


In this tritina, Elane Gutterman celebrates a milestone in advocacy work with Compassion & Choices. Her poems have been published in U.S 1 Summer Fiction Issue, Kelsey Review, Patterson Literary Review, and TheNewVerse.News.

Friday, August 10, 2018

AN ATHENA FOR MODERN TIMES

by Elane Gutterman





Marking the 25th anniversary of Ruth Bader Ginsburg’s appointment as a Supreme Court justice.


Wielding her intellect 
and legal spear, she protects
the wronged and oppressed.

Decades ago, this Ruth,
shrewd as a snake
defended the right
of frat boys in Oklahoma
to buy their beers, at the same age
as their female peers,
knowing the nine men on the Court
would surely see the slight.
Then she could carry on
with women’s less frothy fight. 

Seated as one of the Nine, 
on a Bench that moved Right,
she is often caught 
in the minority,
yet delivers her dissents
with sword like flash,
crystal-gazing 
through owl-like glasses, 
that current losses will morph
into future triumph. 
She still invokes Sarah Grimké, 
warrior from an earlier era --

I ask no favor for my sex.
All I ask of our brethren
is that they take their feet
off our necks.

Now, the oldest
Left on the Court,
Bader Ginsburg’s battle gear
for the Supreme --
those lace collars.


Through poetry as advocacy, Elane Gutterman is rallying support for the NJ Aid in Dying for the Terminally Ill Act (bills A1504 and S1072 pending votes in the NJ Assembly and Senate this fall). Her villanelle “Misplaced Rage” a response to Dylan Thomas’ iconic villanelle, was recently published in U.S 1 Summer Fiction Issue, July 2018. Her poems have also been published in Kelsey Review, Patterson Literary Review, and TheNewVerse.News.

Monday, January 22, 2018

THE RELUCTANT PROTESTER

by Elane Gutterman


“As a woman, I feel it’s my responsibility to be here. Practice the privilege you have. I came from a land where people had to die to vote. Americans can change their history by protesting.”  Awalin Sopan, 33, from Virginia, dressed as a character from The Handmaid’s Tale. Ms. Sopan, originally from Bangladesh, became a United States citizen in 2017. —Photograph by Andrea Bruce for The New York Times


 “Somewhere I read that the greatness of America is the right to protest for right.” —Martin Luther King, Memphis, TN, April 3, 1968


Why not let others
Demonstrate, agitate, escalate?

Stretched in yoga, weekend routines we
Equivocate, abdicate, meditate.

We rely on the media and courts to
Investigate, adjudicate, mitigate.

We’re overwhelmed by the acts of the 45th to
Disintegrate, contaminate, perpetrate.

The way his core of supporters
Adulate, gravitate, accommodate.

We’ve grown accustomed to a mind set to
Dominate, fabricate, fulminate.

On MLK day, I heard his speech evoke dogs and firehoses to
Activate, necessitate, consolidate.

At the Women’s March, last Saturday,
I stood my cold ground to demonstrate.


Elane Gutterman is a health researcher and poet, whose poems have appeared in the Kelsey Review, Patterson Literary Review and the US1 Summer Fiction Issue. Living in West Windsor, NJ, she attended the Women's March on New Jersey in Morristown.