DRINKING GOURD

by Jeremy Nathan Marks

 

It rained hard the night of April 3rd
Memphis was under a tornado warning
thunder was heard among the congregation 
 
I looked to the sky for smoke 
for fire, the waters already had 
parted. 
 
Dr. King was in town to remind 
the world that we are all one 
how the arc of the moral universe
 
Is long. 
 
The next night: April 4th
King died on a motel balcony
blood, breath, and bullet 
 
He was about to go and break
bread, but this would not be 
his last supper 
 
When the motel clerk was told 
Call an ambulance 
he expired right there of cardiac arrest.
A clerk’s shock, our shock 
everywhere the sound of that 
fatal round  
 
Rabbi Heschel, the great teacher 
Talmudic scholar and King’s good friend 
said God searches for us 
 
What happens to thee happens to me.
 
I am thinking of this tonight 
since our High Court said 
the fight for equal rights has 
a racist intent 
 
In the sky the Drinking Gourd 
dips into the cosmos 
but whose cup runneth over—

Jeremy Nathan Marks lives among the Great Lakes of North America. His latest prose and poetry appears/will appear in Studio One, Mobius, Flash Flood Magazine, Dissident Voice, Right Hand Pointing, and Fifty Word Stories. 

DAYS I REMEMBER

by Tricia Knoll

Donald Trump with Ukrainian president Volodymyr Zelenskiy at the UN on Wednesday. Democrats said the transcript of the pair’s call represented a ‘devastating’ betrayal of America. Photograph: Saul Loeb/AFP/Getty Images via The Guardian, Sept. 25, 2019

for the times they portend,
the times we were called to hold in memory.

My old-maid French teacher weeping silently
when the high school intercom announced
     President Kennedy is dead. The horse
     without a rider and the little boy’s salute.

During a beer strike in British Columbia, the radio
     told us Nixon resigned.

A hush in the Yale Law School dining room
    when TV announced we were bombing Cambodia.

Assassinations of Reverend Martin Luther King,
Robert Kennedy, the slaughter of so many innocents
   in so many places with weapons meant for war

The piece of the Berlin wall in my desk drawer.

Oh, our parents told stories of Pearl Harbor,
D-Day. Yes, a man landed on the moon.
Yes, we elected a President with a darker
skin color than mine.

Others do not come to mind right now.
Add your own.

Whatever happens next, skullduggery and lies
or the light of truth pushing aside the shadows,

the day impeachment opens into T***p’s world
of bigotry, aggrandizement, and hate

I’ll know this as the day I worked out back
yanking invasive buckthorn and honeysuckle

how hard I had to scrub to remove
the dirt from under my fingernails.

Tricia Knoll is a Vermont poet who fears the coming disasters of climate crisis as much as she deplores the political nightmare of the Trump era. Her work appears widely in journals and anthologies. Her most recent collection How I Learned To Be White received the 2018 Indie Book Award for motivational poetry.

POEM

by Charlotte Innes

Photo by Andrew Harnik / AP to accompany “Black pastors betrayed their community by standing with Trump": opinion by Solomon Jones in The Inquirer, August 8, 2018

after Frank O’Hara's “Poem” [“Lana Turner has collapsed!”] 


Malcolm X what happened?
it’s a hundred degrees
and sweat’s already
streaming drowsily
I browse the web
and then I see
sitting beside the pres
Martin’s niece
smiling hard
a pastor’s telling D
that he has done
the best for blacks
of any president ever
no it’s not
a dream but heartbreak
something like the death
of Malcolm X
he routed “tokens”
now look they’re back perhaps
I’ve been a token
but not like that
oh Malcolm we need you get up

Charlotte Innes is the author of Descanso Drive (Kelsay Books, 2017), a first book of poems, and two chapbooks, Licking the Serpent (2011) and Reading Ruskin in Los Angeles (2009), both with Finishing Line Press. Her poems have appeared in The Hudson Review, The Sewanee Review and Rattle. They have also been anthologized in Wide Awake: Poets of Los Angeles and Beyond (Beyond Baroque Books, 2015) and The Best American Spiritual Writing for 2006 (Houghton Mifflin, 2006), amongst others. She has written on literary topics for the Los Angeles Times, The Nation and other publications. 

SO TWO GOATS WERE STUCK ON A BEAM UNDER A BRIDGE

by Jill Crainshaw

Amidst a turbulent week on Wall Street, two goats were found stranded on a bridge beam in western Pennsylvania on Tuesday. Goat photo source: Pennsylvania Turnpike Commission via NPR.

stormy

with a chance of thundersnow

these are the headlines we are living in

curators clamoring for credibility on facebook fake newsfeeds

talking heads trading on trending turbulence

the bald eagle has landed—on the mariners shoulder—looking for bears

hugging the life out of

fragile economies

while easter bunnies on the loose quadruple a towns investment

a teenagers hair creates a buzz breaking into the prophetic sound of her silence

as bells toll to remember the king who had a dream that one day—one day—

and a presidents goldilocks

blow in the

wind

Jill Crainshaw is a professor at Wake Forest University School of Divinity in Winston-Salem, NC.

DC APRIL '68

by Sally Zakariya

Front pages of The Washington Post, April 5 (left) and April 6, 1968, during the riots following Martin Luther King, Jr.’s assassination. (The Washington Post)

I was there when the city burned
smug-safe in white girl invulnerability
watching the angry smoke rise
over 14th St., hearing the sirens blare.
Mother wanted me to leave but
D.C. was my city too. Evenings
I’d walk home up 18th St.
with my black boyfriend
in time to meet the curfew
the acrid smell of tear gas
clutching at our throats.
And then we’d stop and kiss
good-night as soldiers watched.
It felt like a small victory
proof that it would all come right
but in my heart I knew
some dark veil had been lifted
some page turned and we
could never close our eyes
again to the cold facts
of what my people
had done to his.

Sally Zakariya’s Pushcart Prize-nominated poetry has appeared in some 70 print and online journals. She is the author, most recently, of When You Escape (Five Oaks Press, 2016), as well as Insectomania (2013) and Arithmetic and other verses (2011), and the editor of Joys of the Table (2015). Her chapbook Personal Astronomy is forthcoming from Finishing Line Press.

ON THE BUS

by Karen Greenbaum-Maya





On the long bus-ride home, spring day in SoCal, we talked about Simon and Garfunkel until news broke into the top 40 station the bus driver permitted. Dr. King was shot. He was already dead. And we all stopped because what else can you do and we all kept talking because what else can you do. No one at home said a thing, usual routine, tutoring my sister in math, the dishes, my homework. They had hated that I belonged to the Brotherhood Club. Now that too was dead. I held the cats close.

I wore my black dress. Homeroom announcements told us where the service would be if anyone wanted to skip school and go, a church on 17th and Wilshire. I thought I’d go. I thought I should. I was the only kid there from the high school, I was the only white person there, the speakers were bitter and all the words that go with bitter, and how not? I kept my head down. Even at fifteen I got that it wasn’t about me.

The next day I fasted, as on Yom Kippur because that was how you marked great sorrow and great complicity. Fasting won’t bring him back, my folks scoffed, but it was something I could do, though there was nothing I could do. And when Bobby was killed later that year I went inside a little more, a little lower but nothing more, because now this was what could happen, all the time.


Karen Greenbaum-Maya, a frequent contributor to TheNewVerse.News, feels very tired these 50 years on.

THE RELUCTANT PROTESTER

by Elane Gutterman

“As a woman, I feel it’s my responsibility to be here. Practice the privilege you have. I came from a land where people had to die to vote. Americans can change their history by protesting.”  Awalin Sopan, 33, from Virginia, dressed as a character from The Handmaid’s Tale. Ms. Sopan, originally from Bangladesh, became a United States citizen in 2017. —Photograph by Andrea Bruce for The New York Times

 “Somewhere I read that the greatness of America is the right to protest for right.” —Martin Luther King, Memphis, TN, April 3, 1968


Why not let others
Demonstrate, agitate, escalate?

Stretched in yoga, weekend routines we
Equivocate, abdicate, meditate.

We rely on the media and courts to
Investigate, adjudicate, mitigate.

We’re overwhelmed by the acts of the 45th to
Disintegrate, contaminate, perpetrate.

The way his core of supporters
Adulate, gravitate, accommodate.

We’ve grown accustomed to a mind set to
Dominate, fabricate, fulminate.

On MLK day, I heard his speech evoke dogs and firehoses to
Activate, necessitate, consolidate.

At the Women’s March, last Saturday,
I stood my cold ground to demonstrate.

Elane Gutterman is a health researcher and poet, whose poems have appeared in the Kelsey Review, Patterson Literary Review and the US1 Summer Fiction Issue. Living in West Windsor, NJ, she attended the Women's March on New Jersey in Morristown. 

IGNITION

by Catherine Wald

"Nearby, off to one side, Mahalia Jackson shouted: 'Tell them about the dream, Martin!'” —Drew Hansen, The New York Times, August 27, 2016

I heard this story from a Friend who was there at the
Mall in Washington, D.C., on August 28, 1963.

It was, the Quaker said, a woman from the speaker’s congregation

who interrupted the great man’s speech.

            “Tell them about your dream, Martin,”

            she bellowed.

            (Later I learned it wasn’t just any little old

            church lady, but Mahalia Jackson.)

                                    “Tell them about your dream!”

That was when Dr. Martin Luther King, Jr. put down his

prepared pages and began to preach his vision.

            That was when the capital crackled with electricity

                        and the words caught fire.

                                    They’re still burning today.

Catherine Wald’s chapbook Distant, burned-out stars was published by Finishing Line Press in 2011. Poems have appeared in American Journal of Nursing, Buddhist Poetry Review, Chronogram, Dragonfly, Friends Journal, J Journal, Jewish Literary Journal, "Metropolitan Diary" (The New York Times), Minerva Rising, Quarterday Review, The Lyric and Westchester Review.  She is author of The Resilient Writer: Tales of Triumph and Rejection from 23 Top Authors (Persea 2004).

GHAZAL: A NIGHT ALREADY DEVOID OF STARS

by Jackleen Holton Hookway


     

Returning violence for violence multiplies violence,adding a deeper darkness to a night already devoidof stars. —Martin Luther King Jr., Strength to Love

The stars seem dimmer, further away tonight,
the TV finally turned off, the night

moving across the globe, lights going out
in a wave. I wait on my balcony. Tonight’s

forecast: meteor showers. The sky drains
of light. A dying star shoots across night’s

dark screen. Moments ago, a lighted stage,
applause for a man who claimed the night

for himself, promised to keep us safe,
pledged to return violence, multiply night

in the foreign places it hides, all darkness
walled out. But I saw it hiding in plain sight tonight.

Hate can’t drive out hate, Martin Luther King
said. Only love can do that. And tonight

I’m remembering something I read once,
that our blood comes from dying stars. Yes, night

is mingled with the starlight, but we can
be the starlight or we can be the night.

Today, another bombing in return
for last week’s bombing. Fear is like moonless night.

It obscures everything, makes us lose sight
of truth, conscience, rationale. Yes, the night

is upon us. It will get worse before
it gets better, my husband said last night

after the news: severe flooding, more lives
lost, and still the wildfires burn tonight.

I asked him When? The round moon looked down
the way I looked at our daughter tonight,

bent to kiss her forehead, switched off the lamp,
the glow-in-the-dark stars lighting her night,

and she called me my favorite name. Night, night,
Mommy, she said as I made a wish. Night, night.


Jackleen Holton Hookway’s poems have been published in the anthologies The Giant Book of Poetry, and Steve Kowit: This Unspeakably Marvelous Life, and have appeared or are forthcoming in American Literary Review, Bayou, North American Review, Poet Lore, Rattle, and Sanskrit. In 2014, her poem “Goldfish” won Bellingham Review’s 49th Parallel Poetry Award.

HER NAME WAS SANDRA BLAND

by Janice D. Soderling

Here I am, back home in the land of the free and the brave
where fewer are free and many required to have courage.
A rainy morning, the bus backs out from its slot,
the driver honks like a steamship captain leaving the dock.
Across the aisle is a thirty-something pretending to be a kid,
his belly hanging over red bermuda shorts, his dirty red
dunks on the seat. He swerves through excuses. "Forget it,"
he says, "forget it." Every politico wears a flag pin and the Court
says corporations are persons, and the war on poverty mystically
became a war on the poor. The trendiest Wall is domestic.
A red state is not a reference to Russia, but to a Republican bastion.
When the wall fell in Berlin, protest poetry plunged out of fashion.
That was way back in 1986, Sandinista, Khomeini, arms for hostages,
Ollie the supporting actor, Ron the Baddest crying in the backwaters,
preparing the political way. That was the year of Iran-Contra.
Who remembers? Who these days can find Nicaragua
on the map let alone spell it? Can that fat man-boy, barking
into his cell phone at his mom? That selfsame year Mr. Gorbachev
released Irina Ratushinskaya from a long prison sentence
handed down for poetry-writing addiction. Who remembers?
In prison Irina suffered multiple concussions and US poets took notice.
Now jail concussions are as commonplace as tear gas and tasers.
Who remembers that the Court declared abortion was a fundamental right
Martin Luther King got a federal holiday
Who will rescue the dignity of snitched autopsy reports declaimed as poetry
at academic forums? I am home again, home again, where something honestly
important has been forgotten, torn down, jettisoned, jerry-built,
abandoned, collapsing around our ears. The bus enters the freeway:
again so much hate in the air, the American nightmare, waves of banker gain,
and marginal difference between tabloid TV and election campaigns
because bad cooks are spaciously in control and the biggest political party
these days is the party of non-voters. Who reads poetry anyway,
and what was that black woman's name, the one found dead in her cell,
that Illinois academic pulled over in Texas for an improper lane change?


Janice D. Soderling is a frequent contributor to The New Verse News.

SEEING THE LIGHT

by Kristina England

On March 7, 1965, a march by civil rights demonstrators was broken up in Selma, Ala., by state troopers and a sheriff's posse.

When Martin Luther King marched,
he had equality in mind.
No line drawn down the middle
on who could cross;
just people walking together
for freedom, for rights.

Women took the same stride
with voting, abortion,
the ability to work
alongside a suited man.

The government, now in foot
with same-sex marriage,
plans to offer survivor benefits
should a partner pass away.

As an assistant professor,
I met a young man who lost
one mother to cancer,
then watched his second mom
lose her bank account in court,
her love deemed illegal, non-existent.

So many people have given their lives
for the truth of their skin
whether color, religion, persuasion.
And, though, a child will apologize
for the silliest of things,
we'll skirt around the word sorry
with laws, holidays, and parades

while the ghosts of our past linger,
waiting to play judge
to the child, woman, man
marching down the street,
exposed, vulnerable,
ready to fall victim
time and time again
to our heavy, unwarranted hands.


Kristina England resides in Worcester, Massachusetts. Her fiction and poetry is published or forthcoming at Gargoyle, New Verse News, The Story Shack, The Quotable, and other magazines. Her first collection of short stories will be published in the 2014 Poet's Haven Author Series.

THE DIMINISHING MONUMENT

by Daniel Patrick Roche

An ivory mockery of King erected
in the shadows of two slave owners
and the Great Emancipator.
Carved in a foreign land
erected with scab labor
it is a monument--
to Establishment ignorance
rather than to the man himself.

The misunderstanding of its subject
carved upon its walls.
"I was a drum major for justice,
peace and righteousness.”
And then later chipped away,
corrected, like a poor student
unwilling to parade his ignorance.

King died defending workplace dignity.
He is not memorialized by hard white rock
hewn from the earth by exploited peoples
working in unsafe working conditions
for substandard pay, if the pay ever comes.
His legacy is diminished by it.
Go, shutter the Mall.
Hide this porcelain disgrace
from the eyes of workers
furloughed during the pissing match
after five years of frozen wages.
Perhaps they will remember the man
when this graven image is out of sight.


Daniel Patrick Roche is a political organizer and writer living in Northern California. An alumnus of UC Berkeley, he has worked for Nevada for Change, Joe Sestak for Senate, and Diego Bernal for San Antonio City Council District 1.

DIFFICULT TO SWALLOW

by Buff Whitman-Bradley





Lakota grandmothers in South Dakota
Report that the Department of Social Services
Illegally places Lakota children in foster care
Away from their communities
And extended families
And that those children are continually dosed
With an array of psychoactive drugs
Thus providing pharmaceutical corporations
With a lucrative market
As well as a ready supply of guinea pigs.
When two Lakota children’s noses
Would not stop bleeding
From the medications they he were being fed
Instead of discontinuing the drugs
Doctors sutured their nostrils shut

I know there are those who believe
That humanity is making moral progress
But I see progress in the opposite direction:
As the forces of accumulation and profit grind on
They have become ever more monstrously creative
And efficient
And effective
At mangling lives
Decimating communities
Torturing bodies
And pulverizing spirits.

The good Dr. King told us
That the moral arc of the universe
Bends toward justice
But if I were a little Lakota boy
Stolen from my people
Used as a lab rat
Gagging on the blood pooled in my throat
From a sewn-up nose
I might find that
Difficult to swallow.


Buff Whitman-Bradley is the author of four books of poetry, b. eagle, poet; The Honey Philosophies; Realpolitik; and When Compasses Grow Old; and the chapbook, Everything Wakes Up! His poetry has appeared in many print and online journals. He is also co-editor, with Cynthia Whitman-Bradley and Sarah Lazare, of the book About Face: Military Resisters Turn Against War.  He has co-produced/directed two documentary films, the award-winning Outside In (with Cynthia Whitman-Bradley) and Por Que Venimos (with the MIRC Film Collective).  He lives in northern California.